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"Many norths: spatial practice in a polar territory" charts the unique spatial realities of Canada’s Arctic region, an immense territory populated with small, dispersed communities. The region has undergone dramatic transformations in the name of sovereignty, aboriginal affairs management, resources, and trade, among others. For most of the Arctic’s modern history,(...)
June 2017
Many norths: spatial practice in a polar territory
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"Many norths: spatial practice in a polar territory" charts the unique spatial realities of Canada’s Arctic region, an immense territory populated with small, dispersed communities. The region has undergone dramatic transformations in the name of sovereignty, aboriginal affairs management, resources, and trade, among others. For most of the Arctic’s modern history, architecture, infrastructure, and settlements have been the tools of colonialism. Today, tradition and modernity are intertwined. Northerners have demonstrated remarkable adaptation and resilience as powerful climatic, social, and economic pressures collide. This unprecedented book documents—through the themes of urbanism, architecture, mobility, monitoring, and resources—the multiplicity of norths that appear and the spatial practices employed to negotiate it. Using innovative drawings, maps, timelines, as well as essays and interviews, Many Norths reveals a distinct northern vernacular.
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At its root, modernism is that fundamental. It is a question of having something to represent that is of the moment. In the most radical interpretation, modernism always comes too late. The modern is that which is always new, which is to say, always changing and already old by the time it has appeared. Modernism is always a retrospective act, one of documenting or trying(...)
Making it modern: the history of modernism in architecture and design
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At its root, modernism is that fundamental. It is a question of having something to represent that is of the moment. In the most radical interpretation, modernism always comes too late. The modern is that which is always new, which is to say, always changing and already old by the time it has appeared. Modernism is always a retrospective act, one of documenting or trying to catch what has already appeared - an attempt to fix life as it is being lived. Modernity is just the very fact that we as human beings are continually remaking the world around us through our actions, and are doing so consciously. Modernism is a monument to or memory of that act, which in its own making tries to remake the world it is pretending to represent.
Modernism
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If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition,(...)
Time : documents of contemporary art
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If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, déjà vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync -- all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed "anachronistic" or "heterochronic" readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question.
Art Theory
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The publications presents Josef Hoffman and Adolf Loos as two opposing tendencies within modernity, both whose legacy can still be felt today. The catalogue for the exhibition at the MAK (Austrian Museum for Applied Art/Contemporary Art in Vienna) focuses on two fundamental approaches of the Moderne movement in an antithetic comparison, including the preceding history and(...)
Modernism
September 2015
Ways to modernism: Josef Hoffman, Adolf Loos and their impact
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The publications presents Josef Hoffman and Adolf Loos as two opposing tendencies within modernity, both whose legacy can still be felt today. The catalogue for the exhibition at the MAK (Austrian Museum for Applied Art/Contemporary Art in Vienna) focuses on two fundamental approaches of the Moderne movement in an antithetic comparison, including the preceding history and after-effects to this day: Josef Hoffmann (1870-1956) and Adolf Loos (1870-1933) represent opposing reactions to the basic problems of modern civilization, which were triggered by the process of industrialization and democratization. Two different concepts for a modern way of life were created: Hoffmann promoted a comprehensive aestheticization of all spheres of life, while Loos interpreted architecture and design as the functional background for the development of individual personalities.
Modernism
Dopostoria
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Who owns the past? Are museum archives and their re-collections of cultural heritage a cult of the dead-and if so, are we living in a necropolis? This book on photography, cemeteries, and the archive evolved out of an experimental research project at the Bibliotheca Hertzianain Rome, with its immense collection of canonic photographs from the history of art and(...)
March 2023
Dopostoria
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Who owns the past? Are museum archives and their re-collections of cultural heritage a cult of the dead-and if so, are we living in a necropolis? This book on photography, cemeteries, and the archive evolved out of an experimental research project at the Bibliotheca Hertzianain Rome, with its immense collection of canonic photographs from the history of art and architecture. An artist's book, it takes on the form of a description of an unfinished film in five acts-a cinematic fragment, so to speak: ''DOPOSTORIA.'' The title essay by Christoph Keller is complemented by two contributions on burial cultures in prehistory and in modernity from the archaeologist Maria Clara Martinelli and the modern historian Carolin Kosuch. A sequence of collages at the back of the book conjures up a phantasmagorical journey through an ancient-modern Rome.
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"The Barrack, 1572–1914" tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between a shack, tent, and traditional building. Easy to erect and to take down, it is—after the introduction of railways and later motor vehicles in(...)
Commercial interiors, Building types
December 2024
The Barrack: 1572-1914. Chapters in the history of emergency architecture
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"The Barrack, 1572–1914" tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between a shack, tent, and traditional building. Easy to erect and to take down, it is—after the introduction of railways and later motor vehicles in the late 19th and early 20th centuries—also easy to transplant from one location to another. Originating as a standardized accommodation for semi-permanent military encampments in the late sixteenth century, the barrack became a mass-produced utility of military and civilian mobilization in the nineteenth century, providing immediate shelter for soldiers, prisoners, or displaced persons, as well as well-ventilated hospital wards for the sick. The barrack played a decisive role in shaping the political space of modernity.
Commercial interiors, Building types
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Social theories of modernity focus on the nineteenth century as the period when Western Europe was transformed by urbanization. Cities became thriving metropolitan centers as a result of economic, political, and social changes wrought by the industrial revolution. In Cultural Capitals, Karen Newman demonstrates that speculation and capital, the commodity, the crowd,(...)
Cultural capitals, early modern London and Paris
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Social theories of modernity focus on the nineteenth century as the period when Western Europe was transformed by urbanization. Cities became thriving metropolitan centers as a result of economic, political, and social changes wrought by the industrial revolution. In Cultural Capitals, Karen Newman demonstrates that speculation and capital, the commodity, the crowd, traffic, and the street, often thought to be historically specific to nineteenth-century urban culture, were in fact already at work in early modern London and Paris. The author challenges the notion of a rupture between premodern and modern societies and shows how London and Paris became cultural capitals. Drawing upon poetry, plays, and prose by writers such as Shakespeare, Scudéry, Boileau, and Donne, as well as popular materials including pamphlets, ballads, and broadsides, she examines the impact of rapid urbanization on cultural production.
Urban Theory
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Designing modern Germany
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This publication reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für(...)
Designing modern Germany
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This publication reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für Gestaltung. He analyses the works of leading figures such as Peter Behrens and Hannes Meyer, through to Ingo Maurer and Jil Sander, and many others in design specialties, including graphics, industrial products and furniture, fashion and architecture. He also offers the first consideration of the contrasting traditions of East and West Germany between 1945 and 1989. Whether examining the pre-First World War department store, the National Socialist fashion system or East Germany’s official design culture, German design significantly affected citizens’ daily lives.
books
November 2008
Architecture since 1900, Europe
The rise of fashion
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In The Rise of Fashion, Daniel Leonhard Purdy brings together key writings from the Enlightenment to the twentieth century that explore fashion as the ultimate expression of modernity. Making available many previously untranslated or otherwise unfamiliar works from French, German, and English, Purdy establishes an extraordinary lineage of fashion commentary dating back to(...)
The rise of fashion
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In The Rise of Fashion, Daniel Leonhard Purdy brings together key writings from the Enlightenment to the twentieth century that explore fashion as the ultimate expression of modernity. Making available many previously untranslated or otherwise unfamiliar works from French, German, and English, Purdy establishes an extraordinary lineage of fashion commentary dating back to Mandeville and Voltaire, which laid the groundwork for the writings on commodity culture of Adorno, Benjamin, and the Frankfurt School. From critiques of aristocratic excess to accounts of fashion’s influence on our ideals of masculinity or femininity, from the figure of the dandy and the eroticism of clothing to the class politics of fashion, this landmark reader includes works by philosophers (Carlyle, Rousseau, Georg Simmel) and social theorists (Herbert Spencer, Veblen), as well as writers (Goethe, Baudelaire, Mallarmé, Wilde) and critics (Karl Kraus, Adolf Loos, Simone de Beauvoir).
Fashion Design
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house(...)
Archphoto 2.0 03: Holiday Houses
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house and can very well use a rental house for this purpose. And not even any house at that, but the result of a project of education to modernity like the one developed by philosopher Alain de Botton who asked celebrated and less known architects to address the issue of home-living in different locations in Great Britain. An interesting project in its attempt to establish a “modern” collective conscience although conflicting in its fluctuating between vernacular cottages and more contemporary designs.
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