$152.50
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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$152.50
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Summary:
The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Art Theory
video
Green before green.
Description:
1 videodisc (DVD-R) (approximately 57 min.) : sound, color ; 12 cm consultation copy, 1 videocassette (Mini-DV) (approximately 57 min.) : sound, color ; 1/4 in. master
[2007]
Green before green.
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1 videodisc (DVD-R) (approximately 57 min.) : sound, color ; 12 cm consultation copy, 1 videocassette (Mini-DV) (approximately 57 min.) : sound, color ; 1/4 in. master
video
[2007]
books
Lisette Model / Ann Thomas.
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362 pages : illustrations ; 30 cm
Ottawa, Ont. : National Gallery of Canada, 1990.
Lisette Model / Ann Thomas.
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362 pages : illustrations ; 30 cm
books
Ottawa, Ont. : National Gallery of Canada, 1990.
books
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317 pages illustrations (some color), portraits, plans 31 cm
Stuttgart, A. Koch [1956]
Life and human habitat. Mensch und Wohnen.
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317 pages illustrations (some color), portraits, plans 31 cm
books
Stuttgart, A. Koch [1956]
video
komputer_love.
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1 streaming video file (1 hr., 31 min., 59 sec.) : sound, colour
[Montréal] : CCA, [2013]
komputer_love.
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1 streaming video file (1 hr., 31 min., 59 sec.) : sound, colour
video
[Montréal] : CCA, [2013]
audio
Gary Hill.
Description:
1 online resource.
[Place of publication not identified] : Art and Obsolescence, 2022.
audio
[Place of publication not identified] : Art and Obsolescence, 2022.
books
Description:
1 volume (unpaged) : illustrations, facsimile ; 15 cm
Leipzig : Spectormag GbR, ©2017.
Space colonies : a galactic freeman's journal / Fabian Reimann.
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1 volume (unpaged) : illustrations, facsimile ; 15 cm
books
Leipzig : Spectormag GbR, ©2017.
books
Description:
256 pages : illustrations (some color) ; 31 cm
New York : Abrams, 1994.
The papered wall : history, pattern, technique / edited by Lesley Hoskins.
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256 pages : illustrations (some color) ; 31 cm
books
New York : Abrams, 1994.
books
Description:
159 pages ; 18 cm.
London : Architectural Association, [2009], ©2009
books
London : Architectural Association, [2009], ©2009
$12.95
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Summary:
''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact(...)
Dragan Novakovic: Manchester & Oldham 1970s
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact sheets. Thanks to digital, I saw them properly as 'enlargements' for the first time in 2012 after I had scanned the negatives and post-processed the files.'' - DN Dragan Novakovic is a Serbian photographer born in 1946. He bought his first camera in 1968 and taught himself to develop and print. He photographed London and Northern England, mostly as a hobby.
Photography monographs