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An extensive monograph on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux. His architecture photographs - inspired in particular by the aesthetics of Le Corbusier - and his(...)
Photography monographs
September 2011
Stéphane Couturier : melting point (continued)
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An extensive monograph on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux. His architecture photographs - inspired in particular by the aesthetics of Le Corbusier - and his cityscapes are the result of a special image construction that uses the media properties and possibilities of photography and film to create transitory states between documentation and fiction. Couturier asks engrossing questions about the nature of modernity. Images selected from series including Brasilia, Barcelone, Couvent La Tourette and La Havane.
Photography monographs
Ron Jude: Lick creek line
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Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area(...)
Ron Jude: Lick creek line
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Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area of Idaho in the Western United States. Through converging pictures of landscapes, architecture, an encroaching resort community, and the solitary, secretive process of trapping pine marten for their pelts, Lick Creek Line underscores the murky and culturally arbitrary nature of moral critique.
Photography monographs
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On dit qu’à Saint-Henri, tout est possible. Ici, les filles ressemblent toutes à des actrices de cinéma et Louis Cyr est encore assez fort pour porter n’importe quel destin sur ses épaules. Toutes les lignes du métro convergent et le bruit de fond de l’autoroute n’empêche pas les gens de rêver. On dit qu’ici des histoires s’écrivent, malgré tout, au milieu des obsessions(...)
Malgré tout on a rit à Saint-Henri
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On dit qu’à Saint-Henri, tout est possible. Ici, les filles ressemblent toutes à des actrices de cinéma et Louis Cyr est encore assez fort pour porter n’importe quel destin sur ses épaules. Toutes les lignes du métro convergent et le bruit de fond de l’autoroute n’empêche pas les gens de rêver. On dit qu’ici des histoires s’écrivent, malgré tout, au milieu des obsessions débridées, des défaillances technologiques et des quiproquos. Sous les viaducs du CN et dans les replis de la fiction, on croise aussi bien des gangsters ineptes que des aînés en fugue ou des amoureuses désillusionnées.
Social Studies (Québec)
SMQ. The quantified home
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The way we live is rapidly changing under pressure from multiple forces financial, environmental, technological, geopolitical. What we used to call home may not even exist anymore, having transmuted into a financial commodity of which the square meter is the basic unit. Yet, domesticity and the domestic space ceased long ago to be present in the architectural agenda. SQM,(...)
SMQ. The quantified home
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The way we live is rapidly changing under pressure from multiple forces financial, environmental, technological, geopolitical. What we used to call home may not even exist anymore, having transmuted into a financial commodity of which the square meter is the basic unit. Yet, domesticity and the domestic space ceased long ago to be present in the architectural agenda. SQM, produced for the 2014 Biennale Interieur in Kortrijk, Belgium, charts the scale of this change using data, fiction, and a critical selection of homes and their interiors from Osama bin Laden s compound to apartment living in the age of Airbnb.
Architectural Theory
Oil culture
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The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster(...)
Oil culture
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The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption.
Architectural Theory
Memo for Nemo
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''Memo for Nemo'' is an account of the human inhabitation of the undersea, in fact and fiction. It takes as its starting point Jules Verne’s novel Twenty Thousand Leagues Under the Sea, with the Nautilus submarine and its captain Nemo – inventor, explorer, oceanologist, gastronome, musician and terrorist. The undersea is examined as a zone created both by exploration and(...)
Memo for Nemo
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''Memo for Nemo'' is an account of the human inhabitation of the undersea, in fact and fiction. It takes as its starting point Jules Verne’s novel Twenty Thousand Leagues Under the Sea, with the Nautilus submarine and its captain Nemo – inventor, explorer, oceanologist, gastronome, musician and terrorist. The undersea is examined as a zone created both by exploration and invention, from the earliest attempts to photograph and descend into the depths with deep-sea devices, through the 1960s experiments and actual inhabitation, such as the US Sealab and Cousteau’s Conshelf, to contemporary surveillance of the rapidly changing oceans.
Architectural Theory
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Helming Los Angeles’s most misunderstood info-architecture practice is Henries Ickles, “the man without self-concept.” Time and again Ickles offers practical solutions to the most impenetrable theoretical entanglements of art, architecture, and science in the 2090s. In the fifth book in the Critical Spatial Practice series, Mark von Schlegell’s fusion of theory and(...)
Critical Theory
October 2014
Critical spatial practice 5: ickles, etc.: Mark von Schlegell
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Helming Los Angeles’s most misunderstood info-architecture practice is Henries Ickles, “the man without self-concept.” Time and again Ickles offers practical solutions to the most impenetrable theoretical entanglements of art, architecture, and science in the 2090s. In the fifth book in the Critical Spatial Practice series, Mark von Schlegell’s fusion of theory and fiction puts the SF back in notions of 'speculative aesthetics'. A collection of interconnected comical sci-fi stories written for various exhibitions, Ickles, Etc. explores the future of architectural practice in light of developments in climatology, quasicrystalography, hyper-contemporary art, time travel, and the EGONET.
Critical Theory
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Joaquim Sapinho, presents a critical and visual approach to Robert Wiene’s 1920 film Das Cabinet des Dr. Caligari. "Space Fictions – Booklets on Architecture and Cinema (Das Cabinet des Dr. Caligari. Robert Wiene, 1920)" is part of a collection developed as a space for reflection(...)
Space Fictions: Booklets on architecture and cinema (Das Cabinet des Dr. Caligari. Robert Wiene, 1920)
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Joaquim Sapinho, presents a critical and visual approach to Robert Wiene’s 1920 film Das Cabinet des Dr. Caligari. "Space Fictions – Booklets on Architecture and Cinema (Das Cabinet des Dr. Caligari. Robert Wiene, 1920)" is part of a collection developed as a space for reflection on the relationship between architecture and cinema, in the sense that both disciplines recognise themselves as artificial devices that make it possible to reach and manipulate the senses of space.
Architecture and Film, Set Design
Who built the pyramid?
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Who did build the pyramid? Like all things Egyptian, pyramids are a source of endless fascination for young readers. In this non-fiction title, everyone from the mighty king to the lowly water carrier claims to have built this massive monument. And whether you’re asking the high priest or the stonemason, each person has a good reason to claim credit for a real pyramid(...)
Children's Books
July 2006, Cambridge (MA)
Who built the pyramid?
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Who did build the pyramid? Like all things Egyptian, pyramids are a source of endless fascination for young readers. In this non-fiction title, everyone from the mighty king to the lowly water carrier claims to have built this massive monument. And whether you’re asking the high priest or the stonemason, each person has a good reason to claim credit for a real pyramid that was built more than four thousand years ago. Meredith Hooper worked with Egyptologists at the British Museum in London and at the Metropolitan Museum of Art in New York City to create this story - and fact-filled endnotes provide even more information.
Children's Books
La ville au cinéma
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Ce volume explore pour la première fois de façon systématique en langue française la représentation de la ville à l’écran. Plus de 85 auteurs, universitaires cinéphiles et critiques internationaux, ont rédigé cette « biographie croisée » de la ville et du cinéma. Cette encyclopédie est construite en cinq parties : « Filmer, montrer, représenter » (Lumière, Décor,(...)
La ville au cinéma
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Ce volume explore pour la première fois de façon systématique en langue française la représentation de la ville à l’écran. Plus de 85 auteurs, universitaires cinéphiles et critiques internationaux, ont rédigé cette « biographie croisée » de la ville et du cinéma. Cette encyclopédie est construite en cinq parties : « Filmer, montrer, représenter » (Lumière, Décor, Histoire, Montage, Musique de film...) ; « Genres et écoles » (Film noir, Science-fiction, Banlieue, Western...) ; Lieux et personnages (30 courts textes personnels d’Aéroport à Voisinage) ; Villes cinématographiques (55 portraits d’Abidjan à Washington, en passant par Buenos Aires, New York, Taipei...) et 50 cinéastes urbains (50 notices biographiques de Woody Allen à Wong Kar-wai).
Urban Theory