Radical intimacy
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Capitalist ideology wants us to believe that there is an optimal way to live. 'Making connections' means networking for work. Our emotional needs are to be fulfilled by a single romantic partner, and self-care equates to taking personal responsibility for our suffering. We must be productive and heterosexual, we must have babies and buy a house. But the kicker is most(...)
Radical intimacy
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Capitalist ideology wants us to believe that there is an optimal way to live. 'Making connections' means networking for work. Our emotional needs are to be fulfilled by a single romantic partner, and self-care equates to taking personal responsibility for our suffering. We must be productive and heterosexual, we must have babies and buy a house. But the kicker is most people cannot and do not want to achieve all, or any of these life goals. Instead we are left feeling atomised, exhausted and disempowered. ''Radical intimacy'' shows that it doesn't need to be this way. A punchy and impassioned account of inspiring ideas about alternative ways to live, Sophie K Rosa demands we use our radical imagination to discover a new form of intimacy and to transform our personal lives and in turn society as a whole. Including critiques of the 'wellness' industry that ignores rising poverty rates, the mental health crisis and racist and misogynist state violence; transcending love and sex under capitalism to move towards feminist, decolonial and queer thinking; asking whether we should abolish the family; interrogating the framing of ageing and death and much more, ''Radical intimacy'' is the compassionate antidote to a callous society.
Social
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Despite a modest revival in city living, Americans are spreading out more than ever—into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. We cling to the notion of safer neighborhoods and better schools, but what we get, argues Anthony Flint, is long commutes, crushing gas prices and higher taxes—and a landscape of strip malls and office(...)
This land : the battle over sprawl and the future of America
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Despite a modest revival in city living, Americans are spreading out more than ever—into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. We cling to the notion of safer neighborhoods and better schools, but what we get, argues Anthony Flint, is long commutes, crushing gas prices and higher taxes—and a landscape of strip malls and office parks badly in need of a makeover. "This land" tells the untold story of development in America—how the landscape is shaped by a furious clash of political, economic and cultural forces. It is the story of burgeoning anti-sprawl movement, a 1960s-style revolution of New Urbanism, smart growth, and green building. And it is the story of landowners fighting back on the basis of property rights, with free-market libertarians, homebuilders, road pavers, financial institutions, and even the lawn-care industry right alongside them. The subdivisions and extra-wide roadways are encroaching into the wetlands of Florida, ranchlands in Texas, and the desert outside Phoenix and Las Vegas. But with up to 120 million more people in the country by 2050, will the spread-out pattern cave in on itself? Could Americans embrace a new approach to development if it made sense for them?
Urban Theory
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2G 13 : Carlos Jimenez
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This issue of 2G is dedicated to the work of Texas-based architect Carlos Jiménez and includes unpublished projects such as the competition proposal for the Arrecife's waterfront in Lanzarote, Canary Islands and the Cummins Engine Distributorship Facility Prototypes. The architectural practice of Carlos Jiménez now spans almost twenty years, and yet it is(...)
Architecture Monographs
January 2000, Barcelona
2G 13 : Carlos Jimenez
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This issue of 2G is dedicated to the work of Texas-based architect Carlos Jiménez and includes unpublished projects such as the competition proposal for the Arrecife's waterfront in Lanzarote, Canary Islands and the Cummins Engine Distributorship Facility Prototypes. The architectural practice of Carlos Jiménez now spans almost twenty years, and yet it is still a young practice by a young architect. Jiménez began to build the moment he finished school; his buildings have gathered their meaning in use and simple presence. "Buildings bleed," says Jiménez; their meaning is evolutionary and they acquire content in every context they partake in. The introduction by Michael Bell titled "Houston, Texas and the Architecture of Carlos Jiménez", analyzes how the architect's practice has made use of given conditions, sites and intellectual histories, showing that the multi-faceted depth of Jiménez's practice is in large part due to his diligent and empathetic care for the milieu that he works within. This publication presents fourteen recent works and projects with abundant graphic and photographic documentation. The introduction by Luis Fernández-Galiano weaves biographical insights with Jiménez's lyrical and personal architectural language, emphasizing the importance of memory in his work. The 'Nexus' section includes a text by Carlos Jiménez titled "Memory, a City, and the Need for Poetry".
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January 2000, Barcelona
Architecture Monographs
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Reading architecture through the history of hospitals offers a tool for unlocking the elemental principles of architecture and the intractable laws of human and social conditions that architecture serves in each of our lives. This book encounters brilliant and visionary designers who were hospital architects but also systems designers, driven by the aim of social change.(...)
Commercial interiors, Building types
November 2021
The architecture of health: hospital design and the construction of dignity
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Reading architecture through the history of hospitals offers a tool for unlocking the elemental principles of architecture and the intractable laws of human and social conditions that architecture serves in each of our lives. This book encounters brilliant and visionary designers who were hospital architects but also systems designers, driven by the aim of social change. They faced the contradictions of health care in their time and found innovative ways to solve for specific medical dilemmas. Designers and professionals such as Filarete, Lluís Domènech i Montaner, Albert Schweitzer, Gordon Friesen, E. Todd Wheeler and Eberhard Zeidler are studied here, while the medical spaces of more widely known architects such as Isambard Brunel, Aalvar Aalto, Le Corbusier, Louis Kahn and Paul Rudolph also help inform this history. All these characters were polymaths and provocateurs, but none quite summarizes this history more succinctly than Florence Nightingale, who, in laying out her guidelines for ward design in 1859, shows how the design of a medical facility can influence an entire political and social order. ''The architecture of health'' charts historical epidemics alongside modern and contemporary architectural transformations in service of medicine, health and habitation, exploring how infrastructure facilitates healing and architecture’s greater role in constructing our societies.
Commercial interiors, Building types
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The analysis of sanitary spaces and places dedicated to personal care, as in a privacy observatory, helps with the in-depth assessment of social changes, allowing us to determine how the lives of users can be improved, how conflicts of use in public places can be resolved between populations of different sexes and ages, and how the quality of public and private health can(...)
Commercial interiors, Building types
January 2023
Intimacy exposed: toilets, bathrooms, restrooms
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The analysis of sanitary spaces and places dedicated to personal care, as in a privacy observatory, helps with the in-depth assessment of social changes, allowing us to determine how the lives of users can be improved, how conflicts of use in public places can be resolved between populations of different sexes and ages, and how the quality of public and private health can be enhanced. Observing these issues pushes us to explore the forms and meanings of bathrooms and private spaces in relation to their different functions, including those of transgressive and informal meeting places and spaces of inevitable and forced social coexistence. This book constitutes a new step in this field of research, presenting a series of scientific and artistic interventions that proves the diverse range of uses to which ''wet rooms'' can be put in social life, the evolution of the use of furniture, and the new meanings of details and objects in domestic bathrooms and public toilets. The texts, largely written for the 2018 symposium ''Intimacy Exposed: Toilet, Bathroom, Restroom'' (organized by the Department of Interior Architecture at HEAD – Genève) present a practice-based study of the recent past of modernist technologies and a vision of the future of personal and collective practices regarding the realm of the toilet.
Commercial interiors, Building types
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Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the(...)
Living as form : socially engaged art from 1991-2011
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Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production — one that has virtually redefined contemporary art practice. This publication grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems.
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself,(...)
Céline Condorelli: support structures
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself, this manual is an attempt to restore attention to one of the neglected, yet crucial modes through which we apprehend and shape the world. Support structures is a critical enquiry into what constitutes “support,” and documents the collaborative project “Support Structure” by Céline Condorelli and Gavin Wade. While registering and collecting reference projects in a new archive of support structures alongside its ten-phase project, different writers, thinkers, and practitioners were invited from various fields to elaborate on frameworks and work on texts , which form the theoretical backbone of the publication. The collection of contributions offers different possibilities for engaging in this unchartered territory, from propositions to projects, existing systems to ones invented for specific creative processes. Support structures offers support through potential methodologies, inspirations and activations for practice, and addresses important questions for art and architecture practices on forms of display, organization, articulation, appropriation, autonomy, and temporariness, and the manifestations of blindness towards them.
Contemporary Art Monographs
Pictures for books
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Like so many of the best photographers, Thomas Roma has a flair for thinking in book form. His first book, the limited-edition and handbound volume Brooklyn Gardens (1980), affirmed this flair from the outset of his career, and over the past 30 years Roma has published 13 volumes, always composing and sequencing his classical and modernist vision of contemporary life with(...)
Pictures for books
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Like so many of the best photographers, Thomas Roma has a flair for thinking in book form. His first book, the limited-edition and handbound volume Brooklyn Gardens (1980), affirmed this flair from the outset of his career, and over the past 30 years Roma has published 13 volumes, always composing and sequencing his classical and modernist vision of contemporary life with care and thought. Roma’s concern for bookmaking accords with his general autodidacticism: he is self-taught to the degree that he even designs and builds his own cameras and lighting equipment. Pictures for Books is the first retrospective volume on Roma. It gathers selections from four previous publications: Found in Brooklyn (1996), Come Sunday (1996), Sicilian Passage (2003) and On Three Pillars: Torah, Worship and the Practice of Loving Kindness, The Synagogues of Brooklyn (2007). Shot in black and white, the sequences included here display two signature Roma traits: a quietly steady and penetrative observation of the close-at-hand, and a fondness for the diverse neighborhoods of Brooklyn, the borough in which Roma was born and continues to reside. Pictures for Books is full of images that capture daily life (both in Brooklyn and abroad) as it opens out into moments of capacious quietude.
Photography monographs
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Description:
224 pages : illustrations (some color) ; 21 cm.
Paris : Éditions du patrimoine, Centre des monuments nationaux, [2015]
Le Corbusier : construire la vie moderne / Guillemette Morel Journel.
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224 pages : illustrations (some color) ; 21 cm.
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Paris : Éditions du patrimoine, Centre des monuments nationaux, [2015]
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While the publisher has billed this book as "the first "to document the changing nature of zoos in Europe and North America and to access the factors contributing to these changes," it has been preceded by several other similar works: Jake Page's Zoo: The Modern Ark, Vicki Croke's The Modern Ark: A Story of Zoos Past, Present and Future, and the four-volume Encyclopedia(...)
Zoo : A history of zoological gardens in the West
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While the publisher has billed this book as "the first "to document the changing nature of zoos in Europe and North America and to access the factors contributing to these changes," it has been preceded by several other similar works: Jake Page's Zoo: The Modern Ark, Vicki Croke's The Modern Ark: A Story of Zoos Past, Present and Future, and the four-volume Encyclopedia of the World's Zoos. So, why would anyone be interested in this new volume? The answer lies in the scope and depth of scholarly research and presentation and in the 400 illustrations (150 of which are in color) that aren't likely to be found elsewhere. While other books look at the architecture of zoos and the care of animals in captivity, the authors, who are French professors of history and art history, respectively, take a social history focus, examining how people view wild animals and how that has changed over time. Their book has five main sections, with the first three forming the core of the text "The Passion for Collecting (1500s to 1700s)," "The Need for Control (1800s)," and "The Yearning for Nature (1900s)." The final two sections "Zoos Through the Ages," and "Artists and the Zoo" consist entirely of illustrations. One can read the text or spend hours simply enjoying the images.
Gardens