14783 Results
Form:
drawings
drawings
Actions:
Reference number:
AP173.S2.1999.D1.001
Description:
Group consists of 3 folded printouts for the exhibition installation at the Bonnefanten Museum.
AP173.S2.1999.D1.001
Description:
Group consists of 3 folded printouts for the exhibition installation at the Bonnefanten Museum.
People:
Date:
1999
1999
Title:
Plans for the exhibition installation FACES in Maastricht, Netherlands
Actions:
AP173.S2.1999.D1.001
Description:
Group consists of 3 folded printouts for the exhibition installation at the Bonnefanten Museum.
Plans for the exhibition installation FACES in Maastricht, Netherlands
Actions:
AP173.S2.1999.D1.001
Description:
Group consists of 3 folded printouts for the exhibition installation at the Bonnefanten Museum.
Form:
drawings
drawings
Date:
1999
1999
People:
Form:
textual records
textual records
Actions:
Reference number:
AP178.S1.1995.PR07.081.1
Description:
Original file title: Stedelijk museum programa This file includes the program of 1994.
AP178.S1.1995.PR07.081.1
Description:
Original file title: Stedelijk museum programa This file includes the program of 1994.
People:
Date:
1994
1994
Title:
Project documentation and programs, Renovação e extensão do Museu Stedelijk, Amsterdam (folder 1 of 4)
Actions:
AP178.S1.1995.PR07.081.1
Description:
Original file title: Stedelijk museum programa This file includes the program of 1994.
Project documentation and programs, Renovação e extensão do Museu Stedelijk, Amsterdam (folder 1 of 4)
Actions:
AP178.S1.1995.PR07.081.1
Description:
Original file title: Stedelijk museum programa This file includes the program of 1994.
Form:
textual records
textual records
Date:
1994
1994
People:
Form:
drawings
drawings
Reference number:
DR2004:0774:003
Description:
The text in black was originally prepared for an exhibition at the Cooper-Hewitt Museum in 1981.
DR2004:0774:003
Description:
The text in black was originally prepared for an exhibition at the Cooper-Hewitt Museum in 1981.
People:
Date:
2000?
2000?
Title:
Notes on urban development in coastal zones
Actions:
DR2004:0774:003
Description:
The text in black was originally prepared for an exhibition at the Cooper-Hewitt Museum in 1981.
Notes on urban development in coastal zones
Actions:
DR2004:0774:003
Description:
The text in black was originally prepared for an exhibition at the Cooper-Hewitt Museum in 1981.
Form:
drawings
drawings
Date:
2000?
2000?
People:
Level of archival description:
Project
Project
Title:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Reference number:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
People:
Date:
circa 1972-2017
circa 1972-2017
Title:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Level of archival description:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
People:
Form:
drawings
drawings
Actions:
Reference number:
AP154.S1.1973.PR01.SS1.001
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
AP154.S1.1973.PR01.SS1.001
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
People:
Date:
1973-1975
1973-1975
Title:
General notes and symbols, construction and demolition plans for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS1.001
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
General notes and symbols, construction and demolition plans for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS1.001
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
Form:
drawings
drawings
Date:
1973-1975
1973-1975
People:
Form:
drawings
drawings
Actions:
Reference number:
AP154.S1.1973.PR01.SS1.002
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
AP154.S1.1973.PR01.SS1.002
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
People:
Date:
1973-1975
1973-1975
Title:
Reflected ceiling plans, cabinetry details and general details for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS1.002
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
Reflected ceiling plans, cabinetry details and general details for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS1.002
Description:
Drawings for the Seagram Wine Museum dated 1975. Other drawings dated 1973-1974.
Form:
drawings
drawings
Date:
1973-1975
1973-1975
People:
Form:
textual records
textual records
Actions:
Reference number:
AP178.S1.1995.PR07.077
Description:
Original file title: Stedelijk museum preliminary design This file also includes a copy of De Architectuurkrant (nummwe 25, maart, april, mei, 1998), and two copies of the Bulletin Stedelijk Museum Amsterdam (1/1997 and 3/1997).
AP178.S1.1995.PR07.077
Description:
Original file title: Stedelijk museum preliminary design This file also includes a copy of De Architectuurkrant (nummwe 25, maart, april, mei, 1998), and two copies of the Bulletin Stedelijk Museum Amsterdam (1/1997 and 3/1997).
People:
Date:
ca. 1997
ca. 1997
Title:
Preliminary project documentation, Renovação e extensão do Museu Stedelijk, Amsterdam
Actions:
AP178.S1.1995.PR07.077
Description:
Original file title: Stedelijk museum preliminary design This file also includes a copy of De Architectuurkrant (nummwe 25, maart, april, mei, 1998), and two copies of the Bulletin Stedelijk Museum Amsterdam (1/1997 and 3/1997).
Preliminary project documentation, Renovação e extensão do Museu Stedelijk, Amsterdam
Actions:
AP178.S1.1995.PR07.077
Description:
Original file title: Stedelijk museum preliminary design This file also includes a copy of De Architectuurkrant (nummwe 25, maart, april, mei, 1998), and two copies of the Bulletin Stedelijk Museum Amsterdam (1/1997 and 3/1997).
Form:
textual records
textual records
Date:
ca. 1997
ca. 1997
People:
Level of archival description:
Project
Project
Title:
In Absence of Bodies (2011)
In Absence of Bodies (2011)
Actions:
Reference number:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S1.1988.PR03.009
Description:
Original file title: Exp. Serralves This drawing was used in a exhibition at Serralves Museum.
AP178.S1.1988.PR03.009
Description:
Original file title: Exp. Serralves This drawing was used in a exhibition at Serralves Museum.
People:
Date:
1988-1993
1988-1993
Title:
Preliminary drawing, Centro Galego de Arte Contemporânea, Santiago de Compostela
Actions:
AP178.S1.1988.PR03.009
Description:
Original file title: Exp. Serralves This drawing was used in a exhibition at Serralves Museum.
Preliminary drawing, Centro Galego de Arte Contemporânea, Santiago de Compostela
Actions:
AP178.S1.1988.PR03.009
Description:
Original file title: Exp. Serralves This drawing was used in a exhibition at Serralves Museum.
Form:
drawings
drawings
Date:
1988-1993
1988-1993
People:
Reference number:
ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
People:
Date:
1997-01-25
1997-01-25
Title:
Audio recordings of in ANY event: public fear
Actions:
ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
Audio recordings of in ANY event: public fear
Actions:
ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
Date:
1997-01-25
1997-01-25
People:
