33203 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
People:
Date:
1984-1985
1984-1985
Title:
Art Gallery of Ontario, Conservation Expansion, Toronto (1984)
Actions:
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
Art Gallery of Ontario, Conservation Expansion, Toronto (1984)
Actions:
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
Level of archival description:
Project
Project
Date:
1984-1985
1984-1985
People:
Level of archival description:
Project
Project
Title:
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
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Reference number:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
People:
Date:
1974-1975
1974-1975
Title:
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Level of archival description:
Project
Project
Date:
1974-1975
1974-1975
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1971.PR11
Description:
This project series documents the design and purchase of equipment and furnishings for the Art Gallery of Ontario in Toronto in 1971. The office identified the project number as 7118. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It consisted of the furnishings and equipment for the newly expanded gallery, which included benches, lecture hall seating, carpets, desks, and fabrics. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from around 1971-1979. The textual records show the planning and purchase of furnishings through correspondence, financial records, meeting minutes, and specifications. The drawings show the proposed layouts and design of the gallery furnishings.
AP018.S1.1971.PR11
Description:
This project series documents the design and purchase of equipment and furnishings for the Art Gallery of Ontario in Toronto in 1971. The office identified the project number as 7118. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It consisted of the furnishings and equipment for the newly expanded gallery, which included benches, lecture hall seating, carpets, desks, and fabrics. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from around 1971-1979. The textual records show the planning and purchase of furnishings through correspondence, financial records, meeting minutes, and specifications. The drawings show the proposed layouts and design of the gallery furnishings.
People:
Date:
circa 1971-1979
circa 1971-1979
Title:
Art Gallery of Ontario, Furnishings and Equipment, Toronto (1971)
Actions:
AP018.S1.1971.PR11
Description:
This project series documents the design and purchase of equipment and furnishings for the Art Gallery of Ontario in Toronto in 1971. The office identified the project number as 7118. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It consisted of the furnishings and equipment for the newly expanded gallery, which included benches, lecture hall seating, carpets, desks, and fabrics. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from around 1971-1979. The textual records show the planning and purchase of furnishings through correspondence, financial records, meeting minutes, and specifications. The drawings show the proposed layouts and design of the gallery furnishings.
Art Gallery of Ontario, Furnishings and Equipment, Toronto (1971)
Actions:
AP018.S1.1971.PR11
Description:
This project series documents the design and purchase of equipment and furnishings for the Art Gallery of Ontario in Toronto in 1971. The office identified the project number as 7118. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It consisted of the furnishings and equipment for the newly expanded gallery, which included benches, lecture hall seating, carpets, desks, and fabrics. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from around 1971-1979. The textual records show the planning and purchase of furnishings through correspondence, financial records, meeting minutes, and specifications. The drawings show the proposed layouts and design of the gallery furnishings.
Level of archival description:
Project
Project
Date:
circa 1971-1979
circa 1971-1979
People:
Level of archival description:
Series
Series
Title:
Hans and Wassili Luckhardt
Hans and Wassili Luckhardt
Actions:
Reference number:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
People:
Date:
1919-1920
1919-1920
Title:
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Level of archival description:
series
series
Date:
1919-1920
1919-1920
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
People:
Date:
1997-2001
1997-2001
Title:
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
Level of archival description:
Project
Project
Date:
1997-2001
1997-2001
People:
Form:
events
events
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Date:
7 December 2017
7 December 2017
Title:
Come and Forget the Internet, with Evgeny Morozov
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Internet, with Evgeny Morozov
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
7 December 2017
7 December 2017
Form:
events
events
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 April 2018
12 April 2018
Title:
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
12 April 2018
12 April 2018
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Form:
drawings
Quantity:
3 drawing(s)
drawings
Quantity:
3 drawing(s)
Reference number:
DR1994:0162:001-003
Description:
These three design development drawings by architect John Hejduk are for unbuilt houses of the architect's Texas series and include plans for Texas House 5 (1954-1963) (DR1994:0162:001 - DR1994:0162:002) and a large axonometric for Texas House 3 (1954-1960) (DR1994:0162:003). Finished versions of these drawings were published in 'Mask of Medusa' (Texas House 5, p. 231 and Texas House 3, p. 227).
DR1994:0162:001-003
Description:
These three design development drawings by architect John Hejduk are for unbuilt houses of the architect's Texas series and include plans for Texas House 5 (1954-1963) (DR1994:0162:001 - DR1994:0162:002) and a large axonometric for Texas House 3 (1954-1960) (DR1994:0162:003). Finished versions of these drawings were published in 'Mask of Medusa' (Texas House 5, p. 231 and Texas House 3, p. 227).
People:
Subject:
architecture
architecture
Date:
1954-1963
1954-1963
Title:
Houses for the Texas Series: Visual project documents
Actions:
DR1994:0162:001-003
Description:
These three design development drawings by architect John Hejduk are for unbuilt houses of the architect's Texas series and include plans for Texas House 5 (1954-1963) (DR1994:0162:001 - DR1994:0162:002) and a large axonometric for Texas House 3 (1954-1960) (DR1994:0162:003). Finished versions of these drawings were published in 'Mask of Medusa' (Texas House 5, p. 231 and Texas House 3, p. 227).
Houses for the Texas Series: Visual project documents
Actions:
DR1994:0162:001-003
Description:
These three design development drawings by architect John Hejduk are for unbuilt houses of the architect's Texas series and include plans for Texas House 5 (1954-1963) (DR1994:0162:001 - DR1994:0162:002) and a large axonometric for Texas House 3 (1954-1960) (DR1994:0162:003). Finished versions of these drawings were published in 'Mask of Medusa' (Texas House 5, p. 231 and Texas House 3, p. 227).
Form:
drawings
Quantity:
3 drawing(s)
drawings
Quantity:
3 drawing(s)
Date:
1954-1963
1954-1963
People:
Subject:
architecture
architecture
Form:
textual records
textual records
Title:
Office records of contacts and employees, correspondence, and correspondence file regarding projects
Office records of contacts and employees, correspondence, and correspondence file regarding projects
Actions:
Reference number:
ARCH273725
Description:
6 files- office records of contacts and employees, Joan Stanley Baker, Allan Bell and Charlotte Gobeil, primarily correspondence; Arthur Erickson Atelier, correspondence file regarding projects in the Middle East; letters of support and verification from Arthur Erickson, Arthur Erickson Architectural Corporation, Vancouver, British Columbia; correspondence regaring the Beijing Opera House design competition and architect Paul Andreu. Also contains Certificates of Practice (2002-2005), Architectural Institute of British Columbia.
ARCH273725
Description:
6 files- office records of contacts and employees, Joan Stanley Baker, Allan Bell and Charlotte Gobeil, primarily correspondence; Arthur Erickson Atelier, correspondence file regarding projects in the Middle East; letters of support and verification from Arthur Erickson, Arthur Erickson Architectural Corporation, Vancouver, British Columbia; correspondence regaring the Beijing Opera House design competition and architect Paul Andreu. Also contains Certificates of Practice (2002-2005), Architectural Institute of British Columbia.
People:
Date:
1993-2004
1993-2004
Title:
Office records of contacts and employees, correspondence, and correspondence file regarding projects
Actions:
ARCH273725
Description:
6 files- office records of contacts and employees, Joan Stanley Baker, Allan Bell and Charlotte Gobeil, primarily correspondence; Arthur Erickson Atelier, correspondence file regarding projects in the Middle East; letters of support and verification from Arthur Erickson, Arthur Erickson Architectural Corporation, Vancouver, British Columbia; correspondence regaring the Beijing Opera House design competition and architect Paul Andreu. Also contains Certificates of Practice (2002-2005), Architectural Institute of British Columbia.
Office records of contacts and employees, correspondence, and correspondence file regarding projects
Actions:
ARCH273725
Description:
6 files- office records of contacts and employees, Joan Stanley Baker, Allan Bell and Charlotte Gobeil, primarily correspondence; Arthur Erickson Atelier, correspondence file regarding projects in the Middle East; letters of support and verification from Arthur Erickson, Arthur Erickson Architectural Corporation, Vancouver, British Columbia; correspondence regaring the Beijing Opera House design competition and architect Paul Andreu. Also contains Certificates of Practice (2002-2005), Architectural Institute of British Columbia.
Form:
textual records
textual records
Date:
1993-2004
1993-2004
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:086:007
Description:
Assorted documents in German (predominant) and English translation, including reprographic copies of excerpts from, Experimentelle Architekten der Gegenwart (Experimental architects of the present) by Christian W. Thomsen, with includes references to the following projects: - Visions of the temple; - Le trésor de Trois-Rivières; - Les maisons de la rue Sherbrooke; - Chicago construction; - Toronto construction; - Kingston construction; - Pliny on my mind; - Better they think they are going to a farm ...; - Fragments of the forgotten city; - The other city.
DR2012:0012:086:007
Description:
Assorted documents in German (predominant) and English translation, including reprographic copies of excerpts from, Experimentelle Architekten der Gegenwart (Experimental architects of the present) by Christian W. Thomsen, with includes references to the following projects: - Visions of the temple; - Le trésor de Trois-Rivières; - Les maisons de la rue Sherbrooke; - Chicago construction; - Toronto construction; - Kingston construction; - Pliny on my mind; - Better they think they are going to a farm ...; - Fragments of the forgotten city; - The other city.
People:
Date:
1991
1991
Title:
Excerpts of publications related to Melvin Charney and his projects
Actions:
DR2012:0012:086:007
Description:
Assorted documents in German (predominant) and English translation, including reprographic copies of excerpts from, Experimentelle Architekten der Gegenwart (Experimental architects of the present) by Christian W. Thomsen, with includes references to the following projects: - Visions of the temple; - Le trésor de Trois-Rivières; - Les maisons de la rue Sherbrooke; - Chicago construction; - Toronto construction; - Kingston construction; - Pliny on my mind; - Better they think they are going to a farm ...; - Fragments of the forgotten city; - The other city.
Excerpts of publications related to Melvin Charney and his projects
Actions:
DR2012:0012:086:007
Description:
Assorted documents in German (predominant) and English translation, including reprographic copies of excerpts from, Experimentelle Architekten der Gegenwart (Experimental architects of the present) by Christian W. Thomsen, with includes references to the following projects: - Visions of the temple; - Le trésor de Trois-Rivières; - Les maisons de la rue Sherbrooke; - Chicago construction; - Toronto construction; - Kingston construction; - Pliny on my mind; - Better they think they are going to a farm ...; - Fragments of the forgotten city; - The other city.
Form:
textual records
textual records
Date:
1991
1991
People:
