ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
Audio recordings of in ANY event: public fear
Actions:
ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
ARCH286040
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
Copy of audio recording of in ANY event: public fear tape 2, disc 1 of 2
Actions:
ARCH286040
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
ARCH286041
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
Copy of audio recording of in ANY event: public fear tape 2, disc 2 of 2
Actions:
ARCH286041
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
drawings
AP178.S1.1995.PR07.038
Description:
Original file title: Herontwikkeling Stedelijk museum Amsterdam This file includes drawings for the lighting.
2002
Working drawings, Renovação e extensão do Museu Stedelijk, Amsterdam
Actions:
AP178.S1.1995.PR07.038
Description:
Original file title: Herontwikkeling Stedelijk museum Amsterdam This file includes drawings for the lighting.
drawings
2002
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Octagonal gallery
23 October 2008 to 15 February 2009
Toplight: Roof Transparencies from 1760 to 1960
Actions:
Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Octagonal gallery
drawings
AP178.S2.1995.002
Description:
This sketchbook includes sketches of people and for the Museum of Contemporary Art of the Serralves Foundation.
February 1995
Sketchbook 389: Serralves - Metro
Actions:
AP178.S2.1995.002
Description:
This sketchbook includes sketches of people and for the Museum of Contemporary Art of the Serralves Foundation.
drawings
February 1995
Project
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
1988, 1995
The Stratford Festival Theatre, Phase I, Stratford, Ontario (1988)
Actions:
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
Project
1988, 1995
Project
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
1997-2007
Centro Cultural Manzana del Revellin [Manzana dei Revellin Cultural Centre], Ceuta, Spain (1997)
Actions:
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
Project
1997-2007
Project
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
1991-2000
Ceramique Terrein Blocos de habitação e escritórios [Ceramic Terrain apartments and offices], Maastricht, The Netherlands (1990)
Actions:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
Project
1991-2000
drawings
DR2012:0015:033
Description:
Panel of A Chicago construction outside the original location of the Museum of Contemporary Art, Chicago.
circa 1982
Photograph of the installation, A Chicago Construction
Actions:
DR2012:0015:033
Description:
Panel of A Chicago construction outside the original location of the Museum of Contemporary Art, Chicago.
drawings
circa 1982