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In World’s Fair Gardens, Cathy Jean Maloney offers an exploration of the gardens and grounds of America’s nineteenth- and early-twentieth-century world’s fairs. Maloney describes the landscapes of nine of America’s great fairs from the 1876 Centennial Exhibition in Philadelphia to the 1940 World’s Fair of Tomorrow in New York, many of whose legacies are still evident. (...)
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In World’s Fair Gardens, Cathy Jean Maloney offers an exploration of the gardens and grounds of America’s nineteenth- and early-twentieth-century world’s fairs. Maloney describes the landscapes of nine of America’s great fairs from the 1876 Centennial Exhibition in Philadelphia to the 1940 World’s Fair of Tomorrow in New York, many of whose legacies are still evident. (...)
Title:
World's Fair gardens: shaping American landscapes
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In World’s Fair Gardens, Cathy Jean Maloney offers an exploration of the gardens and grounds of America’s nineteenth- and early-twentieth-century world’s fairs. Maloney describes the landscapes of nine of America’s great fairs from the 1876 Centennial Exhibition in Philadelphia to the 1940 World’s Fair of Tomorrow in New York, many of whose legacies are still evident. The fairs also created an arena for intense competition among nations. Foreign plant introductions included English rhododendrons in Philadelphia, Mexican cacti in New Orleans, and Japanese gardens at nearly all the fairs, a feat considering the formidable challenge of shipping live plants great distances in those times. Maloney also explores innovations from the "glazeless putty system" greenhouse in 1884 and cold storage systems in 1904 to modernistic glass fences in 1940. Complete with more than 50 color and 70 black-and-white illustrations, World’s Fair Gardens will appeal to historians, gardeners, urban planners, landscape architects, public park advocates, preservationists, and anyone interested in the history of these global festivals.
World's Fair gardens: shaping American landscapes
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Summary:
In World’s Fair Gardens, Cathy Jean Maloney offers an exploration of the gardens and grounds of America’s nineteenth- and early-twentieth-century world’s fairs. Maloney describes the landscapes of nine of America’s great fairs from the 1876 Centennial Exhibition in Philadelphia to the 1940 World’s Fair of Tomorrow in New York, many of whose legacies are still evident. The fairs also created an arena for intense competition among nations. Foreign plant introductions included English rhododendrons in Philadelphia, Mexican cacti in New Orleans, and Japanese gardens at nearly all the fairs, a feat considering the formidable challenge of shipping live plants great distances in those times. Maloney also explores innovations from the "glazeless putty system" greenhouse in 1884 and cold storage systems in 1904 to modernistic glass fences in 1940. Complete with more than 50 color and 70 black-and-white illustrations, World’s Fair Gardens will appeal to historians, gardeners, urban planners, landscape architects, public park advocates, preservationists, and anyone interested in the history of these global festivals.
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books
books
Publication:
October 2012
October 2012
Subject:
Gardens
Gardens
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books
books
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As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of(...)
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As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of(...)
Title:
Terry Farrell - life and work - early years to 1981 : place : a story of modelmaking, menageries and paper rounds
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As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of observation of our built environment. Farrell’s anecdotes, recollections and musings take a nomadic journey through time and space. A walk down 1950s Broadway and along 1960s Charlotte Street; a visit to the Alhambra; tutorials with Louis Kahn in Pennsylvania; the significance of bungalows; continual round-the-world tours – all are vibrantly related through words and pictures, many from Farrell’s personal photo collection.The book’s second section explores Farrell’s early projects, beginning with his student thesis, moving on to the Farrell/Grimshaw work and ending with Terry Farrell Partnership’s first schemes. Projects include the now listed Blackwall Tunnel Ventilation Towers and Park Road flats, the Student Hostel and Clifton Nurseries and housing and factory designs. Concluding the book are recollections from architects and critics casting an eye back over fifty years of design.This book is Terry Farrell’s strong statement for the humanizing of spaces and the need to nurture and protect the best of what the urban environment can offer
Terry Farrell - life and work - early years to 1981 : place : a story of modelmaking, menageries and paper rounds
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As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of observation of our built environment. Farrell’s anecdotes, recollections and musings take a nomadic journey through time and space. A walk down 1950s Broadway and along 1960s Charlotte Street; a visit to the Alhambra; tutorials with Louis Kahn in Pennsylvania; the significance of bungalows; continual round-the-world tours – all are vibrantly related through words and pictures, many from Farrell’s personal photo collection.The book’s second section explores Farrell’s early projects, beginning with his student thesis, moving on to the Farrell/Grimshaw work and ending with Terry Farrell Partnership’s first schemes. Projects include the now listed Blackwall Tunnel Ventilation Towers and Park Road flats, the Student Hostel and Clifton Nurseries and housing and factory designs. Concluding the book are recollections from architects and critics casting an eye back over fifty years of design.This book is Terry Farrell’s strong statement for the humanizing of spaces and the need to nurture and protect the best of what the urban environment can offer
Form:
books
books
Publication:
December 2004, London
December 2004, London
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$25.95
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program(...)
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program(...)
Publication:
April 2009
April 2009
Title:
The glass state: the technology of the spectacle, Paris 1981-1998
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand's glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets - the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and André Citroën and the Bibliotheque nationale de France - Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
The glass state: the technology of the spectacle, Paris 1981-1998
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand's glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets - the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and André Citroën and the Bibliotheque nationale de France - Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Form:
books
books
Publication:
April 2009
April 2009
Form:
books
books
Price:
$72.00
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Summary:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
$72.00
(available to order)
Summary:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
December 2002, Cambridge / London
December 2002, Cambridge / London
Title:
The glass state : the technology of the spectacle - Paris, 1981-1998
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$72.00
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Summary:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
The glass state : the technology of the spectacle - Paris, 1981-1998
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$72.00
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Summary:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Form:
books
books
Publication:
December 2002, Cambridge / London
December 2002, Cambridge / London
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
Territorium : Theo Baart
Territorium : Theo Baart
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer(...)
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer(...)
Title:
Territorium : Theo Baart
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer experiment in social engineering was quickly overtaken by reality and the Bijlmer became notorious for its intractable social problems and exceptionally high crime rate. A mammoth, fifteen-year regeneration scheme (1992 - 2009) is set to change all that. Much of the existing high-rise is being replaced by less anonymous neighbourhoods of low-rise. It is here that Theo Baart and his family settled. Since their relocation, Baart has photographed the gradual transformation of an area of the Bijlmer defined by the radius of action of his two school-age children. Baart's interviews with his neighbours, discussions with policymakers and his superb photography provide a fascinating insight into the regeneration process currently taking place in the Bijlmer.
Territorium : Theo Baart
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$38.95
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Summary:
Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer experiment in social engineering was quickly overtaken by reality and the Bijlmer became notorious for its intractable social problems and exceptionally high crime rate. A mammoth, fifteen-year regeneration scheme (1992 - 2009) is set to change all that. Much of the existing high-rise is being replaced by less anonymous neighbourhoods of low-rise. It is here that Theo Baart and his family settled. Since their relocation, Baart has photographed the gradual transformation of an area of the Bijlmer defined by the radius of action of his two school-age children. Baart's interviews with his neighbours, discussions with policymakers and his superb photography provide a fascinating insight into the regeneration process currently taking place in the Bijlmer.
Form:
books
books
Publication:
August 2003, Rotterdam
August 2003, Rotterdam
Subject:
Photography monographs
Photography monographs
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books
books
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$29.99
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of(...)
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of(...)
Publication:
October 2005, New York
October 2005, New York
Title:
Stanley Saitowitz : buildings and projects
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of opportunity; the use of generative systems; the role of architecture as a support for human activity; and the visible trace of building techniques. This monograph, the first on Stanley Saitowitz office, presents fifty projects from more than thirty years of practice. The projects, divided by building type, are accompanied by a personal text in which Saitowitz plainly discusses his influences and interests. Landscape houses, often built on spectacular sites in Marin, Napa, and Sonoma, have evolved to include the noted "bar houses." Urban houses, while compact and dense, incorporate a sense of volume; similarly, multifamily housing provides indeterminate space to allow for personalization. Buildings for schools range from the riverside campus of the Oxbow School in Napa to the structurally innovative Building 23B at UCSF Mission Bay. Among the public landscapes is Mill Race Park in Columbus, Indiana, an assemblage of constructions specific to both place and function. Finally, Saitowitz has developed a series of designs that explore the formation of a Jewish architecture, notably synagogues in San Francisco and La Jolla and the Holocaust Memorial in Boston. Principal photography by Richard Barnes and Tim Griffith.
Stanley Saitowitz : buildings and projects
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of opportunity; the use of generative systems; the role of architecture as a support for human activity; and the visible trace of building techniques. This monograph, the first on Stanley Saitowitz office, presents fifty projects from more than thirty years of practice. The projects, divided by building type, are accompanied by a personal text in which Saitowitz plainly discusses his influences and interests. Landscape houses, often built on spectacular sites in Marin, Napa, and Sonoma, have evolved to include the noted "bar houses." Urban houses, while compact and dense, incorporate a sense of volume; similarly, multifamily housing provides indeterminate space to allow for personalization. Buildings for schools range from the riverside campus of the Oxbow School in Napa to the structurally innovative Building 23B at UCSF Mission Bay. Among the public landscapes is Mill Race Park in Columbus, Indiana, an assemblage of constructions specific to both place and function. Finally, Saitowitz has developed a series of designs that explore the formation of a Jewish architecture, notably synagogues in San Francisco and La Jolla and the Holocaust Memorial in Boston. Principal photography by Richard Barnes and Tim Griffith.
Form:
books
books
Publication:
October 2005, New York
October 2005, New York
Form:
books
books
Title:
Public art New York
Public art New York
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$33.00
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Summary:
A tour of the best permanent public art in all five boroughs of New York City. From outdoor sculpture in public plazas and landscapes to murals and works of art in lobbies accessible to the public, this book focuses on how exemplary works of public art enrich urban public space. Sponsored by the Municipal Art Society, Public Art New York is organized by neighborhood, with(...)
$33.00
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Summary:
A tour of the best permanent public art in all five boroughs of New York City. From outdoor sculpture in public plazas and landscapes to murals and works of art in lobbies accessible to the public, this book focuses on how exemplary works of public art enrich urban public space. Sponsored by the Municipal Art Society, Public Art New York is organized by neighborhood, with(...)
Subject:
Public Space
Public Space
Publication:
March 2009, New York, London
March 2009, New York, London
Title:
Public art New York
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$33.00
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Summary:
A tour of the best permanent public art in all five boroughs of New York City. From outdoor sculpture in public plazas and landscapes to murals and works of art in lobbies accessible to the public, this book focuses on how exemplary works of public art enrich urban public space. Sponsored by the Municipal Art Society, Public Art New York is organized by neighborhood, with maps suitable for walking tours. Architect Jean Parker Phifer specializes in planning, renovation and sustainable design projects for cultural institutions and has designed or restored numerous buildings, public spaces, and landscapes, primarily in New York.
Public art New York
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$33.00
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A tour of the best permanent public art in all five boroughs of New York City. From outdoor sculpture in public plazas and landscapes to murals and works of art in lobbies accessible to the public, this book focuses on how exemplary works of public art enrich urban public space. Sponsored by the Municipal Art Society, Public Art New York is organized by neighborhood, with maps suitable for walking tours. Architect Jean Parker Phifer specializes in planning, renovation and sustainable design projects for cultural institutions and has designed or restored numerous buildings, public spaces, and landscapes, primarily in New York.
Form:
books
books
Publication:
March 2009, New York, London
March 2009, New York, London
Subject:
Public Space
Public Space
Form:
books
books
Price:
$29.95
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Summary:
In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more(...)
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Summary:
In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more(...)
Title:
Speaking for a long time : public space & social memory in Vancouver
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In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more vulnerable groups, and each figured in debates about many kinds of violence. "Speaking for a Long Time" offers unique insights into the creation of memorials and the multiple, often contested meanings that can be attached to them in local communities. Part 1, "Act," explores the monuments' origin stories and highlights the distinctive perspectives of their founders. Part 2, "Frame," places these narratives in the context of modern debates and theories on public space and social memory. Part 3, "Forge," returns to the Downtown Eastside to show how the resilience and agency of grassroots activists can give the socially marginalized a visible presence in our urban landscapes. This vivid account of the creation of memory-scapes in a marginalized community asks us to reconsider what constitutes public art that will "speak for a long time."
Speaking for a long time : public space & social memory in Vancouver
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$29.95
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Summary:
In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more vulnerable groups, and each figured in debates about many kinds of violence. "Speaking for a Long Time" offers unique insights into the creation of memorials and the multiple, often contested meanings that can be attached to them in local communities. Part 1, "Act," explores the monuments' origin stories and highlights the distinctive perspectives of their founders. Part 2, "Frame," places these narratives in the context of modern debates and theories on public space and social memory. Part 3, "Forge," returns to the Downtown Eastside to show how the resilience and agency of grassroots activists can give the socially marginalized a visible presence in our urban landscapes. This vivid account of the creation of memory-scapes in a marginalized community asks us to reconsider what constitutes public art that will "speak for a long time."
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Architecture in Canada
Architecture in Canada
Form:
books
books
Price:
$42.00
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Summary:
This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy(...)
$42.00
(available to order)
Summary:
This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy(...)
Title:
The changing garden : four centuries of European and American art
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$42.00
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Summary:
This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy Field, adapted from a former military base. Artists' representations of gardens have been organized first to highlight design concepts and individual features, then to focus on historic gardens and parks, and finally to survey the activities within those settings. Among the earliest works included is an engraving of a drawing made in 1570 by Pieter Bruegel the Elder of a garden being vigorously cultivated by many workers. Two centuries later, Giovanni Battista Piranesi and Jean-Honore Fragonard represented the Villa d'Este at Tivoli in a state of neglected grandeur; Hubert Robert's painting of Mereville depicted a garden he helped design. By 1900 Eugene Atget's photographs of Versailles and Camille Pissarro's paintings of the Tuileries convey the enduring structure of French formal gardens. In contrast, American artists Maurice Prendergast, John Singer Sargent, and James McNeill Whistler depicted the pleasures of social activities in that setting. Photographs by Michael Kenna and Bruce Davidson offer contemporary perspectives on these issues.
The changing garden : four centuries of European and American art
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$42.00
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Summary:
This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy Field, adapted from a former military base. Artists' representations of gardens have been organized first to highlight design concepts and individual features, then to focus on historic gardens and parks, and finally to survey the activities within those settings. Among the earliest works included is an engraving of a drawing made in 1570 by Pieter Bruegel the Elder of a garden being vigorously cultivated by many workers. Two centuries later, Giovanni Battista Piranesi and Jean-Honore Fragonard represented the Villa d'Este at Tivoli in a state of neglected grandeur; Hubert Robert's painting of Mereville depicted a garden he helped design. By 1900 Eugene Atget's photographs of Versailles and Camille Pissarro's paintings of the Tuileries convey the enduring structure of French formal gardens. In contrast, American artists Maurice Prendergast, John Singer Sargent, and James McNeill Whistler depicted the pleasures of social activities in that setting. Photographs by Michael Kenna and Bruce Davidson offer contemporary perspectives on these issues.
Form:
books
books
Publication:
August 2003, Berkeley
August 2003, Berkeley
Subject:
Gardens
Gardens
Form:
books
books
Title:
Elvis road
Elvis road
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$26.95
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Summary:
This long, speechless comic is read as one 20-ft fold-out page; it's half Saul Steinberg on drugs, half insane doodle. Porn shops, playgrounds and sports arenas mix in the crowded urban scene, where everyone seems to be going somewhere, really desperate, or about to do something wicked and fun. Strange vehicles crowd the road, which serves up race cars, tanks, and a huge(...)
$26.95
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Summary:
This long, speechless comic is read as one 20-ft fold-out page; it's half Saul Steinberg on drugs, half insane doodle. Porn shops, playgrounds and sports arenas mix in the crowded urban scene, where everyone seems to be going somewhere, really desperate, or about to do something wicked and fun. Strange vehicles crowd the road, which serves up race cars, tanks, and a huge(...)
Title:
Elvis road
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$26.95
(available to order)
Summary:
This long, speechless comic is read as one 20-ft fold-out page; it's half Saul Steinberg on drugs, half insane doodle. Porn shops, playgrounds and sports arenas mix in the crowded urban scene, where everyone seems to be going somewhere, really desperate, or about to do something wicked and fun. Strange vehicles crowd the road, which serves up race cars, tanks, and a huge "parfum" tanker truck in one long traffic jam. The simple line drawings use images from World War II, as well as from underground comics of the late '60s through to the present (any references to superheroes and Disney-like characters are purely ironic). The depictions of Klansmen and Nazis seem part of the social critique, perhaps reinforcing the underlying idea that life stuffed to the gills with items that fulfill our every need is itself a form of fascism. There's always something new to see, and much occurs in the cramped spaces, such as when a happy cop ushers small creatures into a theme park called "Cuteland," or when fascist worshipers are hit by a flaming asteroid that leaves a trail of yogurt in which people drown. A strong art-book that's actually a lot of fun.
Elvis road
Actions:
Price:
$26.95
(available to order)
Summary:
This long, speechless comic is read as one 20-ft fold-out page; it's half Saul Steinberg on drugs, half insane doodle. Porn shops, playgrounds and sports arenas mix in the crowded urban scene, where everyone seems to be going somewhere, really desperate, or about to do something wicked and fun. Strange vehicles crowd the road, which serves up race cars, tanks, and a huge "parfum" tanker truck in one long traffic jam. The simple line drawings use images from World War II, as well as from underground comics of the late '60s through to the present (any references to superheroes and Disney-like characters are purely ironic). The depictions of Klansmen and Nazis seem part of the social critique, perhaps reinforcing the underlying idea that life stuffed to the gills with items that fulfill our every need is itself a form of fascism. There's always something new to see, and much occurs in the cramped spaces, such as when a happy cop ushers small creatures into a theme park called "Cuteland," or when fascist worshipers are hit by a flaming asteroid that leaves a trail of yogurt in which people drown. A strong art-book that's actually a lot of fun.
Form:
books
books
Publication:
January 1900, Oakland
January 1900, Oakland
Subject:
Graphic Design and Typography
Graphic Design and Typography
