312 Results
Level of archival description:
Project
Project
Reference number:
AP164.S1.2005.D10
Description:
The project series documents a project for the Palace of the Republic, in Berlin, Germany. The firm identified this project as 212a Documenting the project are conceptual drawings, correspondence, graphic and reference materials.
AP164.S1.2005.D10
Description:
The project series documents a project for the Palace of the Republic, in Berlin, Germany. The firm identified this project as 212a Documenting the project are conceptual drawings, correspondence, graphic and reference materials.
People:
Date:
circa 2005
circa 2005
Title:
Palast der Republik, Berlin, Germany (2005)
Actions:
AP164.S1.2005.D10
Description:
The project series documents a project for the Palace of the Republic, in Berlin, Germany. The firm identified this project as 212a Documenting the project are conceptual drawings, correspondence, graphic and reference materials.
Palast der Republik, Berlin, Germany (2005)
Actions:
AP164.S1.2005.D10
Description:
The project series documents a project for the Palace of the Republic, in Berlin, Germany. The firm identified this project as 212a Documenting the project are conceptual drawings, correspondence, graphic and reference materials.
Level of archival description:
Project
Project
Date:
circa 2005
circa 2005
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
ARCH277231
ARCH277231
People:
Date:
between 1996 and 1999
between 1996 and 1999
Form:
drawings, textual records
drawings, textual records
Date:
between 1996 and 1999
between 1996 and 1999
People:
Form:
drawings, textual records
drawings, textual records
Title:
Proyecto de demolición de edificación en c/ Pedro de Valdivia c/v a c/ Castellón de la Plana, Madrid
Proyecto de demolición de edificación en c/ Pedro de Valdivia c/v a c/ Castellón de la Plana, Madrid
Actions:
Reference number:
ARCH277232
ARCH277232
People:
Date:
April 1998
April 1998
Form:
drawings, textual records
drawings, textual records
Date:
April 1998
April 1998
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1989.D3
Description:
The project series documents the competition for the expansion and renovation of RENFE’s office headquarter in Fuencarral, Madrid, Spain. In 1989, Abalos & Herreros, in collaboration with Agroman S.A., won this competition that was open to contractors and architects. Their submission included the addition of a storey. The firm identified this project as number 58. In 1993, this project was a finalist at the II Bienal de Arquitecture Española. Documenting the project are design development, presentation and working drawings, project descriptions, and photographic materials.
AP164.S1.1989.D3
Description:
The project series documents the competition for the expansion and renovation of RENFE’s office headquarter in Fuencarral, Madrid, Spain. In 1989, Abalos & Herreros, in collaboration with Agroman S.A., won this competition that was open to contractors and architects. Their submission included the addition of a storey. The firm identified this project as number 58. In 1993, this project was a finalist at the II Bienal de Arquitecture Española. Documenting the project are design development, presentation and working drawings, project descriptions, and photographic materials.
People:
Date:
1989-1991
1989-1991
Title:
Edificio de oficinas de RENFE, Madrid, Spain (1989-1991)
Actions:
AP164.S1.1989.D3
Description:
The project series documents the competition for the expansion and renovation of RENFE’s office headquarter in Fuencarral, Madrid, Spain. In 1989, Abalos & Herreros, in collaboration with Agroman S.A., won this competition that was open to contractors and architects. Their submission included the addition of a storey. The firm identified this project as number 58. In 1993, this project was a finalist at the II Bienal de Arquitecture Española. Documenting the project are design development, presentation and working drawings, project descriptions, and photographic materials.
Edificio de oficinas de RENFE, Madrid, Spain (1989-1991)
Actions:
AP164.S1.1989.D3
Description:
The project series documents the competition for the expansion and renovation of RENFE’s office headquarter in Fuencarral, Madrid, Spain. In 1989, Abalos & Herreros, in collaboration with Agroman S.A., won this competition that was open to contractors and architects. Their submission included the addition of a storey. The firm identified this project as number 58. In 1993, this project was a finalist at the II Bienal de Arquitecture Española. Documenting the project are design development, presentation and working drawings, project descriptions, and photographic materials.
Level of archival description:
Project
Project
Date:
1989-1991
1989-1991
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2002.D9
Description:
The project series documents the urban planning project under the consortium “Chamartin Operation” for the extension of the avenue Paseo de la Castellana. The firm identified the project as number 153. “Abalos & Herreros developed the architectural consultancy for this ambitious project initiated by R. Bofill and nowadays its in time of adaptation to the urban conditions and the real conditions under the direction of J. M. Ezquiaga. The prime aim of [their] work consists of the establishment of the constructed typologies, the occupation models and the relation between public and housing space for searching a possible compatibility in an environment that soon will be seen as centric in the urban map of Madrid.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic materials, project descriptions, and notes.
AP164.S1.2002.D9
Description:
The project series documents the urban planning project under the consortium “Chamartin Operation” for the extension of the avenue Paseo de la Castellana. The firm identified the project as number 153. “Abalos & Herreros developed the architectural consultancy for this ambitious project initiated by R. Bofill and nowadays its in time of adaptation to the urban conditions and the real conditions under the direction of J. M. Ezquiaga. The prime aim of [their] work consists of the establishment of the constructed typologies, the occupation models and the relation between public and housing space for searching a possible compatibility in an environment that soon will be seen as centric in the urban map of Madrid.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic materials, project descriptions, and notes.
People:
Date:
circa 2002
circa 2002
Title:
Operación Chamartin, Madrid, Spain (2002)
Actions:
AP164.S1.2002.D9
Description:
The project series documents the urban planning project under the consortium “Chamartin Operation” for the extension of the avenue Paseo de la Castellana. The firm identified the project as number 153. “Abalos & Herreros developed the architectural consultancy for this ambitious project initiated by R. Bofill and nowadays its in time of adaptation to the urban conditions and the real conditions under the direction of J. M. Ezquiaga. The prime aim of [their] work consists of the establishment of the constructed typologies, the occupation models and the relation between public and housing space for searching a possible compatibility in an environment that soon will be seen as centric in the urban map of Madrid.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic materials, project descriptions, and notes.
Operación Chamartin, Madrid, Spain (2002)
Actions:
AP164.S1.2002.D9
Description:
The project series documents the urban planning project under the consortium “Chamartin Operation” for the extension of the avenue Paseo de la Castellana. The firm identified the project as number 153. “Abalos & Herreros developed the architectural consultancy for this ambitious project initiated by R. Bofill and nowadays its in time of adaptation to the urban conditions and the real conditions under the direction of J. M. Ezquiaga. The prime aim of [their] work consists of the establishment of the constructed typologies, the occupation models and the relation between public and housing space for searching a possible compatibility in an environment that soon will be seen as centric in the urban map of Madrid.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic materials, project descriptions, and notes.
Level of archival description:
Project
Project
Date:
circa 2002
circa 2002
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
People:
Date:
1990-1992
1990-1992
Title:
City VIPS, Fuencarral, Madrid, Spain (1990)
Actions:
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
City VIPS, Fuencarral, Madrid, Spain (1990)
Actions:
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
Level of archival description:
Project
Project
Date:
1990-1992
1990-1992
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
People:
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Title:
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Level of archival description:
Project
Project
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
People:
Date:
1999
1999
Title:
Estación Zaragoza, Spain (1999)
Actions:
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
Estación Zaragoza, Spain (1999)
Actions:
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
Level of archival description:
Project
Project
Date:
1999
1999
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
People:
Date:
1996-2002
1996-2002
Title:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Level of archival description:
Project
Project
Date:
1996-2002
1996-2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
People:
Date:
1994-1997
1994-1997
Title:
Centro Flassaders en Palma de Mallorca, Spain (1997)
Actions:
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
Centro Flassaders en Palma de Mallorca, Spain (1997)
Actions:
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
Level of archival description:
Project
Project
Date:
1994-1997
1994-1997
People:
