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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the(...)
Tales from the dark side of the city, box set
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city’s wants and needs, fears and dreams. The series includes stories developed from expeditions through Bolivia and the Atacama Desert, the Western Australian Outback, the South China Sea and Inner Mongolia, the gemfields of Madagascar, Far North Alaska and the black sites of the United States.
archives
Description:
still image
Warren Paper Products Co. [approximately 1940]
archives
Warren Paper Products Co. [approximately 1940]
$57.50
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Jan Dibbets’ dissenting and unashamedly biased Pandora’s Box offers nothing less than a reinterpretation of the entire history of art photography, arguing that scientific photography was the realm where the medium’s real innovations happened. “Scientific photography encouraged a freer, more outgoing use of the medium,” says Dibbets. “The whole problem with photography is(...)
Pandora's box: Jan Dibbets on another photography
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Jan Dibbets’ dissenting and unashamedly biased Pandora’s Box offers nothing less than a reinterpretation of the entire history of art photography, arguing that scientific photography was the realm where the medium’s real innovations happened. “Scientific photography encouraged a freer, more outgoing use of the medium,” says Dibbets. “The whole problem with photography is that it was invented at the wrong time. As Baudelaire so rightly pointed out, the first photographers were doing their best to imitate artists like Ingres and other ‘realists.’ All this imitation ... blocked the process of emancipation.”The result of Dibbets' alternative history is some 300 images, with Nicéphore Niépce, Gustave Le Gray, Étienne-Jules Marey and Edward Muybridge rubbing shoulders with photographers less well known but, in Dibbets’ view, equally crucial.
Photography Collections
books
Description:
xiv, 299 pages : illustrations ; 24 cm
Cambridge, Massachusetts : The MIT Press, [2019]
Iterate : ten lessons in design and failure / John Sharp and Colleen Macklin ; illustrations by Steven Davis with Yu Jen Chen ; diagrams by Tuba Ozkan and Carla Molins Pitarch.
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xiv, 299 pages : illustrations ; 24 cm
books
Cambridge, Massachusetts : The MIT Press, [2019]
$32.95
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares(...)
La Caja magica / Magic box : Dominique Perrault architecture
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares River. The book includes unpublished texts by Andreas Ruby (a didactic essay) and Hans Ulrich Ibrist (an exclusive interview). It also includes a technical dossier dedicated to the construction of the building highly illustrated with plans (mostly unpublished) and a graphic documentation that breaks down the details of the construction, difficulties, successes and context of the assignment. In addition, this monograph also provides information on the competitive submissions, and further texts that explain the concept behind the Magic Box and the reason for its success.
Architecture Monographs
$61.00
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of(...)
Contemporary Art Monographs
March 2011
Mary Bauermeister: Worlds in a box
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of often bubble-like glass with collaged elements--were soon bought up by major American museums, and have become the works for which she is best known today. Here, for the first time, Bauermeister's enigmatic objects are surveyed and contextualized.
Contemporary Art Monographs
video
Description:
3 videocassettes (Mini-DV) (approximately 146 min.) : sound, color ; 1/4 in. master, 3 videodiscs (DVD) (146 min., 49 sec.) : sound, color ; 12 cm consultation copy
[2011]
À propos de l'écriture expérimentale = On experimental writing.
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3 videocassettes (Mini-DV) (approximately 146 min.) : sound, color ; 1/4 in. master, 3 videodiscs (DVD) (146 min., 49 sec.) : sound, color ; 12 cm consultation copy
video
[2011]
$67.95
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Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation(...)
The glorious lie/The gloy of the lie : A poetry card game inspired by Stéphane Mallarmé's ''The Book''
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Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation of the Earth, which is the sole duty of the poet, and the literary game par excellence.'' The title of this game derives from another letter in which Mallarmé writes, ''perhaps the title of my volume of lyric poetry will be 'The Glory of the Lie, or The Glorious Lie.' ” Each deck contains 48 cards: three with artwork on each side, and 45 with words or phrases on each side. The size of the cards, their gold edging and the physical housing of the decks in the box reflect descriptions and clues in Mallarmé’s notes. The manner of playing the game is left open, but quotes and diagrams by Mallarmé in the accompanying 20-page booklet point to the idea of pulling cards from each of the four decks and laying them out for one reading, then flipping the cards over for a second reading. The image cards function like the Arcana of Tarot, providing a visual language equal to the word cards. The readings might be used to create poetry or, like Tarot, to divine or illuminate.
Literature and poetry
books
Description:
4 volumes : illustrations (some color) ; 23 cm
New Haven ; London : Yale University Press, [2023], ©2023
Louise Nevelson's sculpture : drag, color, join, face / Julia Bryan-Wilson.
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4 volumes : illustrations (some color) ; 23 cm
books
New Haven ; London : Yale University Press, [2023], ©2023
video
Description:
3 videocassettes (Mini-DV) (approximately 122 min.) : sound, color ; 1/4 in. master, 3 videodiscs (DVD) (156 min., 11 sec.) : sound, color ; 12 cm consultation copy
[2010]
Alain Berinstain : recherche spatiale.
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3 videocassettes (Mini-DV) (approximately 122 min.) : sound, color ; 1/4 in. master, 3 videodiscs (DVD) (156 min., 11 sec.) : sound, color ; 12 cm consultation copy
video
[2010]