117332 Results
Level of archival description:
Series
Series
Reference number:
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
People:
Date:
1947-1996
1947-1996
Title:
Professional Activities - Architecture
Actions:
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
Professional Activities - Architecture
Actions:
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
Level of archival description:
Series 2
Series 2
Date:
1947-1996
1947-1996
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
People:
Date:
1951-1964
1951-1964
Title:
Schools of Architecture / Lectures
Actions:
ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
Schools of Architecture / Lectures
Actions:
ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
Form:
textual records
textual records
Date:
1951-1964
1951-1964
People:
Form:
drawings
drawings
![Architettura riflessa [Reflected architecture] for Architettura Interplanetaria [Interplanetary Architecture]](/img-collection/jgCcoaGr4xzDlh5L53J3DAtIk90=/500x495/472771.jpg)
Actions:
Reference number:
ARCH280687
Description:
Signed Alessandro Poli-Superstudio.
ARCH280687
Description:
Signed Alessandro Poli-Superstudio.
People:
Date:
1970-1971
1970-1971
Title:
Architettura riflessa [Reflected architecture] for Architettura Interplanetaria [Interplanetary Architecture]
Actions:
ARCH280687
Description:
Signed Alessandro Poli-Superstudio.
Architettura riflessa [Reflected architecture] for Architettura Interplanetaria [Interplanetary Architecture]
Actions:
ARCH280687
Description:
Signed Alessandro Poli-Superstudio.
Form:
drawings
drawings
Date:
1970-1971
1970-1971
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S1.SS2.068
AP197.S1.SS2.068
People:
Date:
1968-1971
1968-1971
Title:
Seminar syllabus of Architecture 303: Urban architecture, Princeton University
Actions:
AP197.S1.SS2.068
Seminar syllabus of Architecture 303: Urban architecture, Princeton University
Actions:
AP197.S1.SS2.068
Form:
textual records
textual records
Date:
1968-1971
1968-1971
People:
Level of archival description:
Series
Series
Reference number:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
People:
Date:
1996-2014
1996-2014
Title:
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
Level of archival description:
Series
Series
Date:
1996-2014
1996-2014
People:
Level of archival description:
Project
Project
Title:
Architecture In Love (1997)
Architecture In Love (1997)
Actions:
Reference number:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
People:
Date:
circa 1997-2015
circa 1997-2015
Title:
Architecture In Love (1997)
Actions:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
Architecture In Love (1997)
Actions:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
Level of archival description:
Project
Project
Date:
circa 1997-2015
circa 1997-2015
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
People:
Date:
1999-2000
1999-2000
Title:
Anyone for Architecture Exhibition
Actions:
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
Anyone for Architecture Exhibition
Actions:
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
Level of archival description:
File 7
File 7
Date:
1999-2000
1999-2000
People:
Form:
events
events
Actions:
Date:
2 August 2004
2 August 2004
Form:
events
events
Date:
2 August 2004
2 August 2004
Form:
events
events
Actions:
Date:
25 August 2011 to 23 July 2018, 6pm
25 August 2011 to 23 July 2018, 6pm
Form:
events
events
Date:
25 August 2011 to
23 July 2018
6pm
25 August 2011 to
23 July 2018
6pm
Form:
textual records
textual records
Actions:
Reference number:
ARCH153686
Description:
essay by James M. Mayo Jr. rejected for publication by editorial board of Oppositions magazine
ARCH153686
Description:
essay by James M. Mayo Jr. rejected for publication by editorial board of Oppositions magazine
People:
Date:
1979
1979
Title:
Aesthetic Equity in Architecture
Actions:
ARCH153686
Description:
essay by James M. Mayo Jr. rejected for publication by editorial board of Oppositions magazine
Aesthetic Equity in Architecture
Actions:
ARCH153686
Description:
essay by James M. Mayo Jr. rejected for publication by editorial board of Oppositions magazine
Form:
textual records
textual records
Date:
1979
1979
People:
