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This publication explores the ways in which the development of the built environment has contributed to health and well-being problems and how the physical design of the places we live in may support, or constrain, healthy lifestyle choices. It sets out how understanding these relationships more fully may lead to policy and practice that reduces health inequalities,(...)
Healthy cities: Design for well-being
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This publication explores the ways in which the development of the built environment has contributed to health and well-being problems and how the physical design of the places we live in may support, or constrain, healthy lifestyle choices. It sets out how understanding these relationships more fully may lead to policy and practice that reduces health inequalities, increases well-being and allows people to live more flourishing, fulfilling lives. It examines the consequences of ‘car orientated’ design, the ‘toxic’ High Street, and poor quality, cramped housing; and the importance of nature in cities, and of initiatives such as community gardening, healthy food programmes and Park Run. It questions whether Heritage is always conducive to well-being and offers lessons from holistic and innovative programmes from the UK, North America and Australia which have successfully improved community and individual health and well-being.
Urban Theory
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This compendium of essays and projects presents a confrontation of radically dissimilar projects which underscores the exploration of architectural empowerment at the core of the office’s work. Four themes are presented in four volumes: Cultural Resistance, Occupying Earth, Public Prerogatives, and Territory and Transgressions. Architects build in and for a system that(...)
Oualalou +Choi: Territories of disobedience
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This compendium of essays and projects presents a confrontation of radically dissimilar projects which underscores the exploration of architectural empowerment at the core of the office’s work. Four themes are presented in four volumes: Cultural Resistance, Occupying Earth, Public Prerogatives, and Territory and Transgressions. Architects build in and for a system that is not only pathological, but toxic. It is ruining the only planet we have, and we are clearly at the end of what is still possible within this ecology. The architecture presented in this book is a form of resistance – one which actively engages in the societies and territories it is inscribed in and which presents an antidote to the accelerating banalization of our everyday environments. The search for singularity is not a search for formal distinction or a fetishism of the architectural object, but instead the desire to inscribe oneself into a unique territory and moment in time.
Architecture Monographs
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955),(...)
Fazal Sheikh: Thirst, Great Salt Lake
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955), walked the shoreline, awed by its epic beauty while recording the destruction of its natural habitats. As Utah native Williams writes in her essay, "Retreat," she is witnessing the death of a lake that has been a constant presence in her life. Meanwhile, Sheikh documents the shrinking salt basin from above, revealing how the lake has been exploited: plundered for its natural salts, dissected by concrete highways, discolored by toxic waste, depleted by evaporation. His images hold a mirror to the lake’s surface, charting its destruction while demanding the viewer’s visceral response.
Photography monographs
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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited,(...)
A dirty history of photography: Chemistry, fog, and empire
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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Michelle Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.
Photography monographs
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading(...)
Colour Theory and Design
June 2024
Pigments
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments—the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.
Colour Theory and Design
books
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The renaissance of wood in architecture began in the early 1990s following the Earth Summit in Rio de Janeiro. A lively interest in sustainable materials made wood particularly attractive and it became an important feature in the developing global ecology. Wood as a building material for the home has become independent from the aesthetic designs of a well-known Swedish(...)
Wood houses : spaces for contemporary living and working
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The renaissance of wood in architecture began in the early 1990s following the Earth Summit in Rio de Janeiro. A lively interest in sustainable materials made wood particularly attractive and it became an important feature in the developing global ecology. Wood as a building material for the home has become independent from the aesthetic designs of a well-known Swedish furniture chain, and it now stands for a healthy interior environment, free of harmful toxic substances, with naturally balanced humidity and comfortable, regulated temperatures. This volume documents in full technical detail some 25 timber buildings in three main areas: residential buildings, holiday homes, and living and working. The individual projects cover a large range of sizes, budgets, and types of construction, and they also show wood in combination with such materials as stone, concrete, and steel. The featured work comes from Germany, Austria, Switzerland, France, Belgium, Finland, Ireland, USA, Canada, China, Australia and Brazil, and the architects include Philip Gumuchdjian, Mario Botta, Kengo Kuma and Baumschlager + Eberle.
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October 2004, Basel
Timber Construction
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and(...)
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.
Contemporary Art Monographs
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the(...)
Tales from the dark side of the city, box set
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city’s wants and needs, fears and dreams. The series includes stories developed from expeditions through Bolivia and the Atacama Desert, the Western Australian Outback, the South China Sea and Inner Mongolia, the gemfields of Madagascar, Far North Alaska and the black sites of the United States.
Inhuman resources
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What gets stranded outside the borders of the political? ''Inhuman Resources'' develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identi?cation on which representative politics rely. Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the(...)
Inhuman resources
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What gets stranded outside the borders of the political? ''Inhuman Resources'' develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identi?cation on which representative politics rely. Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the tropes of paralysis and sabotage, which leave behind notions of public citizenship to reveal an “inhuman” agency that hinges on the unexpected friction between humans, materials, machinery, and other non-human life. Yet to detect this and move away from fantasies of clarity and visibility, we need to take cues from political and artistic practices that evade such legibility, and are attuned to what happens off-screen and without recognition. Spanning an ambitious range of subjects—from prison architecture to digital animation, legal history to self-help books, and electrical blackouts to silkworms saturated with toxic dye— ''Inhuman Resources'' gathers materials for thinking differently about insurgent activity. This is a theory that does not privilege exodus, pride, or autonomy but instead takes shape inside the very processes, architectures, appearances, and systems it seeks to ruin.
Critical Theory
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A manifesto for a radically different philosophy and practice of manufacture and environmentalism. "Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. As William McDonough and Michael Braungart argue in their provocative, visionary book, however, this approach perpetuates a one-way, "cradle to grave"(...)
Green Architecture
January 1900, New York
Cradle to cradle : remaking the way we make things
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A manifesto for a radically different philosophy and practice of manufacture and environmentalism. "Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. As William McDonough and Michael Braungart argue in their provocative, visionary book, however, this approach perpetuates a one-way, "cradle to grave" manufacturing model that dates to the industrial revolution and casts off as much as 90 percent of the materials it uses as waste, much of it toxic. Why not challenge the notion that human industry must inevitably damage the natural world, they ask. In fact, why not take nature itself as our model? A tree produces thousands of blossoms in order to create another tree, yet we do not consider its abundance wasteful but safe, beautiful, and highly effective; hence, "waste equals food" is the first principle the book sets forth. Products might be designed so that, after their useful life, they provide nourishment for something new-either as "biological nutrients" that safely re-enter the environment or as "technical nutrients" that circulate within closed-loop industrial cycles, without being "downcycled" into low-grade uses (as most "recyclables" now are). Elaborating their principles from experience (re)designing everything from carpeting to corporate campuses, the authors make an exciting and viable case for change.
Green Architecture