Project
AP018.S1.1974.PR18
Description:
This project series documents additions to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7423. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase II of the work, consisted of the addition of a new convention hall and approximately 200 new guest rooms to the lodge. Different schemes were proposed for the locations of these new buildings, including attaching them to the existing structure, or building them separately near the main lodge. Phase I of this work began under a different project number, assigned by the office (see project series AP018.S1.1974.PR17 in this fonds). The project is recorded through drawings and textual records dating from 1974-1977. Some drawings in this project series include reprographic copies dating from 1925, which were prepared by the Canadian National Railways. Textual records include conference reports and correspondence.
1974-1975
Minaki Lodge, New Building, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR18
Description:
This project series documents additions to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7423. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase II of the work, consisted of the addition of a new convention hall and approximately 200 new guest rooms to the lodge. Different schemes were proposed for the locations of these new buildings, including attaching them to the existing structure, or building them separately near the main lodge. Phase I of this work began under a different project number, assigned by the office (see project series AP018.S1.1974.PR17 in this fonds). The project is recorded through drawings and textual records dating from 1974-1977. Some drawings in this project series include reprographic copies dating from 1925, which were prepared by the Canadian National Railways. Textual records include conference reports and correspondence.
Project
1974-1975
Series
Works
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
1966-2018
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Series
1966-2018
Project
Westpen
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
1977-1979
Westpen
Actions:
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
File 101
1977-1979
photographs
ARCH269047
Description:
Photographs of the Capitol complex, some of the schools and government housing in Chandigarh, India. There is photographs of the Secreteriat, the Assembly and the High Court. There are also photographs of nursery schools, including some of the Pierre Jeanneret's scultpure, photographs of the Junior Secondary School - II in sector 22 and the Junior Secondary School - III in sector 16. The group also include photographs the MLA Hostel (in sector 3 or 4), House Type 1 (or Chief Minister) in sector 6 and photographs of the Shukna Lake.
1960s
Various photographs of Chandigarh, India
Actions:
ARCH269047
Description:
Photographs of the Capitol complex, some of the schools and government housing in Chandigarh, India. There is photographs of the Secreteriat, the Assembly and the High Court. There are also photographs of nursery schools, including some of the Pierre Jeanneret's scultpure, photographs of the Junior Secondary School - II in sector 22 and the Junior Secondary School - III in sector 16. The group also include photographs the MLA Hostel (in sector 3 or 4), House Type 1 (or Chief Minister) in sector 6 and photographs of the Shukna Lake.
photographs
1960s
Project
BAA/LHA/North
AP144.S2.D65
Description:
File documents several commissions undertaken for the British Airports Authority for the re-development of the north side of Heathrow Airport, in Hillingdon, Greater London, England, United Kingdom, with respect to the revision of BAA's Master Development Plan. Cedric Price was commissioned to present proposals for the redevelopment of the site, and for an office block, a computer center, and a boiler house. Existing conditions materials for the site include plans of the airport, plans showing height limitations, flight, and landing paths, a regional survey, aerial photographs, and a photographic panorama of the site. Existing conditions materials for the office block include site plans. Diagrammatic sketches show the relationship between various "activity" zones. Design development drawings and reprographic copies for the site include alternate site plans, site plans charting sound levels, and project progress charts. Plans show traffic flow and growth patterns, area usage, height restrictions, and potential long-term uses for the site. Design development drawings for the office block include a preliminary structural scheme, alternate office layouts, axonometric drawings, plans, sections and diagrams for the lift, graphs showing parking ratios, a diagrammatic section and grid for a parking layout, and plans, sections and diagrams for the parking structure and building entrances. Axonometric drawings show volumetric comparisons for areas designated for computers and their use. Material for the boiler house consists of two existing conditions plans, a location diagram, and an axonometric drawing. Cedric Price produced two reports for the British Airport Authority. Material from this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 43. Material in this file was produced between 1963 and 1970. Douglas Smith, of Baker Wilkins & Smith, is Cedric Price's quantity surveyor on this project; Margaret Maxwell is the landscape consultant hired by BAA; and Zisman, Bowyer & Partners is the firm of consulting engineers hired by BAA. File contains conceptual drawings, design development drwings, reference drawings, presentation drawings, photographic materials, and textual records.
1963-1970
BAA/LHA/North
Actions:
AP144.S2.D65
Description:
File documents several commissions undertaken for the British Airports Authority for the re-development of the north side of Heathrow Airport, in Hillingdon, Greater London, England, United Kingdom, with respect to the revision of BAA's Master Development Plan. Cedric Price was commissioned to present proposals for the redevelopment of the site, and for an office block, a computer center, and a boiler house. Existing conditions materials for the site include plans of the airport, plans showing height limitations, flight, and landing paths, a regional survey, aerial photographs, and a photographic panorama of the site. Existing conditions materials for the office block include site plans. Diagrammatic sketches show the relationship between various "activity" zones. Design development drawings and reprographic copies for the site include alternate site plans, site plans charting sound levels, and project progress charts. Plans show traffic flow and growth patterns, area usage, height restrictions, and potential long-term uses for the site. Design development drawings for the office block include a preliminary structural scheme, alternate office layouts, axonometric drawings, plans, sections and diagrams for the lift, graphs showing parking ratios, a diagrammatic section and grid for a parking layout, and plans, sections and diagrams for the parking structure and building entrances. Axonometric drawings show volumetric comparisons for areas designated for computers and their use. Material for the boiler house consists of two existing conditions plans, a location diagram, and an axonometric drawing. Cedric Price produced two reports for the British Airport Authority. Material from this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 43. Material in this file was produced between 1963 and 1970. Douglas Smith, of Baker Wilkins & Smith, is Cedric Price's quantity surveyor on this project; Margaret Maxwell is the landscape consultant hired by BAA; and Zisman, Bowyer & Partners is the firm of consulting engineers hired by BAA. File contains conceptual drawings, design development drwings, reference drawings, presentation drawings, photographic materials, and textual records.
File 65
1963-1970
Project
O.C.H. Feasibility Study
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
1927-1967, predominant 1965-1966
O.C.H. Feasibility Study
Actions:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
File 59
1927-1967, predominant 1965-1966
Project
BMI/HQ
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
1967-1971
BMI/HQ
Actions:
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
File 74
1967-1971
Project
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
1968-1986
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Project
1968-1986
Project
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
1968
Arranjo Urbanístico para a Av. D. Afonso Henriques, Avenida da Ponte, [Urban planning for Av. D. Afonso Henriques, "Avenida da Ponte"], Porto, Portugal (1968)
Actions:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Project
1968
photographs
ARCH269121
Description:
Group consists of photographs of everyday life in Chandigarh, India, predominantly of streets markets. There is a photograph of the shopping area Shop-Cum-Flats II and a photograph of a street market in sector 23. There is also a photograph of inhabitants in front on the Cinema in sector 17 (designed by Pierre Jeanneret) and a photograph of another street market in sector 22. The group also includes a photograph of children playing on a playground with Houses Type 13-J in background.
ca. 1967-1979
Photographs of street markets in Chandigarh, India
Actions:
ARCH269121
Description:
Group consists of photographs of everyday life in Chandigarh, India, predominantly of streets markets. There is a photograph of the shopping area Shop-Cum-Flats II and a photograph of a street market in sector 23. There is also a photograph of inhabitants in front on the Cinema in sector 17 (designed by Pierre Jeanneret) and a photograph of another street market in sector 22. The group also includes a photograph of children playing on a playground with Houses Type 13-J in background.
photographs
ca. 1967-1979