Sub-series
AP058.S1.SS1
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement in the Association of Collegiate Schools of Architecture Board (ACSA). During that period of activity with the ACSA, where Mrs. van Ginkel was a member and has occupied the positions of vice-president and president, she was involved in annual and board meetings, the Award Selection Committee, the Strategic Planning Committee, the Jubilee Committee for the “Journal of architectural education”, the conferences for the East Central, Northeast, West, and West Central regions, on task forces on the ACSA mission and on architectural education and practice, etc. Also documented is her attendance in several other meetings and conferences, among them the Five Presidents Meeting, the Administrators Conference, the Wingspread Presidents Meeting, the San Francisco Forum, the Chicago Forum, and the Fifth Technology Conference. The subseries documents as well correspondence between Mrs. van Ginkel, as president, and other institutions or associations, like the National Council of Architectural Registration Boards, the Royal Architecture Institute of Canada, and the Canadian Housing Design Council. The subseries contains correspondence, programmes and scheduled activities, brochures, information packages, notes, reports, minutes, budgets, lists of members, memorandum, posters, and a few ACSA publications, dating from 1977 to 1992.
1977-1992
Association of Collegiate Schools of Architecture Board
Actions:
AP058.S1.SS1
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement in the Association of Collegiate Schools of Architecture Board (ACSA). During that period of activity with the ACSA, where Mrs. van Ginkel was a member and has occupied the positions of vice-president and president, she was involved in annual and board meetings, the Award Selection Committee, the Strategic Planning Committee, the Jubilee Committee for the “Journal of architectural education”, the conferences for the East Central, Northeast, West, and West Central regions, on task forces on the ACSA mission and on architectural education and practice, etc. Also documented is her attendance in several other meetings and conferences, among them the Five Presidents Meeting, the Administrators Conference, the Wingspread Presidents Meeting, the San Francisco Forum, the Chicago Forum, and the Fifth Technology Conference. The subseries documents as well correspondence between Mrs. van Ginkel, as president, and other institutions or associations, like the National Council of Architectural Registration Boards, the Royal Architecture Institute of Canada, and the Canadian Housing Design Council. The subseries contains correspondence, programmes and scheduled activities, brochures, information packages, notes, reports, minutes, budgets, lists of members, memorandum, posters, and a few ACSA publications, dating from 1977 to 1992.
Subseries
1977-1992
Learning from... Caracas
Venezuelan law allows for an entity called the consejo communal (communal council), which empowers citizens to initiate local development projects through neighbourhood-based elected councils. Dario Azzellini and Oliver Ressler’s film, Comuna under construction (2010), begins with the story of a poor hillside community in Caracas as its inhabitants decide whether they(...)
Paul-Desmarais Theatre
8 May 2014 , 6pm
Learning from... Caracas
Actions:
Description:
Venezuelan law allows for an entity called the consejo communal (communal council), which empowers citizens to initiate local development projects through neighbourhood-based elected councils. Dario Azzellini and Oliver Ressler’s film, Comuna under construction (2010), begins with the story of a poor hillside community in Caracas as its inhabitants decide whether they(...)
Paul-Desmarais Theatre
Project
Un dictionnaire
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
1970-2001
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Project
1970-2001
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Octagonal gallery
19 March 2009 to 23 August 2009
Total Environment: Montréal, 1965-1975
Actions:
Description:
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Octagonal gallery
archives
Level of archival description:
Fonds
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
2001-2016
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
archives
Level of archival description:
Fonds
2001-2016
DR1989:0015:042
Description:
- This drawing shows a ground plan and first floor plan in graphite, with pipes and radiators indicated in red pencil. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture
1926
St. Peter's Home, Woking: Heating plan for the north portion of the new wing
Actions:
DR1989:0015:042
Description:
- This drawing shows a ground plan and first floor plan in graphite, with pipes and radiators indicated in red pencil. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture
Learning from... Rome
Filmmaker and photographer Armin Linke reveals the societal changes, cultural complexities, and beauty of contemporary Rome through two short films and architectural photographs from his archives. The first film focuses on a moment of natural choreography as some 100,000 starlings fly against the backdrop of the city of Rome. Linke presents a selection of photographs,(...)
Paul Desmarais Theatre
5 March 2009
Learning from... Rome
Actions:
Description:
Filmmaker and photographer Armin Linke reveals the societal changes, cultural complexities, and beauty of contemporary Rome through two short films and architectural photographs from his archives. The first film focuses on a moment of natural choreography as some 100,000 starlings fly against the backdrop of the city of Rome. Linke presents a selection of photographs,(...)
Paul Desmarais Theatre
Project
AP149.S1.2004.PR01
Description:
The project series documents Minimum Cost Housing Group's project of research, design and construction to demonstrate the benefits of urban agriculture as a permanent feature in housing design and urban planning. A first phase of the project, from 2004 to 2007, the study project took place in developping countries in three diffrent sites: Colombo, Sri Lanka; Rosario, Argentina; and Kampala, Uganda. The project was funded by the International Development Research Centre (IDRC) and supported by the ETC-Urban Agriculture Unit in the Netherlands and the Resource centres on Urban Agriculture and Food Security (RUAF). In 2007, a second phase of the project had for objective to implement an urban agriculture production in Montréal. The Minimum Cost Housing Group team created, on McGill Campus, a vegetable garden on the terrace of a parking garage. The project is now known as "Making Edible Campus" and is still on-going. The material in this project series was produced between 2003 and 2010. The project series contains a large collection of working documents and reports submitted to funding institutions, correspondence with collaborators on the three sites, and also photographss of the project in Colombo, Kampala, Rosario sites. Also included are various artefacts related to the sites in the three developping countries and a board game "Gardenpoly" created by the Urban Agriculture seminar students on urban agriculture in Montréal. Promotional panels for the Making Edible Campus are also included.
2003-2010
Urban agriculture demonstration
Actions:
AP149.S1.2004.PR01
Description:
The project series documents Minimum Cost Housing Group's project of research, design and construction to demonstrate the benefits of urban agriculture as a permanent feature in housing design and urban planning. A first phase of the project, from 2004 to 2007, the study project took place in developping countries in three diffrent sites: Colombo, Sri Lanka; Rosario, Argentina; and Kampala, Uganda. The project was funded by the International Development Research Centre (IDRC) and supported by the ETC-Urban Agriculture Unit in the Netherlands and the Resource centres on Urban Agriculture and Food Security (RUAF). In 2007, a second phase of the project had for objective to implement an urban agriculture production in Montréal. The Minimum Cost Housing Group team created, on McGill Campus, a vegetable garden on the terrace of a parking garage. The project is now known as "Making Edible Campus" and is still on-going. The material in this project series was produced between 2003 and 2010. The project series contains a large collection of working documents and reports submitted to funding institutions, correspondence with collaborators on the three sites, and also photographss of the project in Colombo, Kampala, Rosario sites. Also included are various artefacts related to the sites in the three developping countries and a board game "Gardenpoly" created by the Urban Agriculture seminar students on urban agriculture in Montréal. Promotional panels for the Making Edible Campus are also included.
Project
2003-2010
drawings
DR1989:0015:068
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934. - Although the inscription refers to the "cloister", it is the dormitory which is shown in this drawing, according to the current use of the terms (Fleming 1991).
architecture
December 1934
St. Peter's Convent, Woking: Plans for ground floor of the lay Sisters' dormitory and the upper floor of the Sisters' dormitory
Actions:
DR1989:0015:068
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934. - Although the inscription refers to the "cloister", it is the dormitory which is shown in this drawing, according to the current use of the terms (Fleming 1991).
drawings
December 1934
architecture
drawings
DR1989:0015:069
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934. - Although the inscription refers to the "cloister", it is the dormitory which is shown in this drawing, according to the current use of the terms (Fleming 1991).
architecture
1935
St. Peter's Convent, Woking: Plans for the ground floor, including a site plan
Actions:
DR1989:0015:069
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934. - Although the inscription refers to the "cloister", it is the dormitory which is shown in this drawing, according to the current use of the terms (Fleming 1991).
drawings
1935
architecture