Risograph: New found orginal
$10.95
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Summary:
This two colour book explores the Risograph print process through designs inspired by found printed matter from clubs, schools, associations, and other small organisations who would have commonly used a Risograph due to its highly economical nature.
Risograph: New found orginal
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$10.95
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Summary:
This two colour book explores the Risograph print process through designs inspired by found printed matter from clubs, schools, associations, and other small organisations who would have commonly used a Risograph due to its highly economical nature.
Yo you youth
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ndreas confesses not to be good at writing lyrics but loves to play with words. YoYouYouth is a typical play on words he likes. YoYouYouth summarizes a part of Andreas' life, focusing on the 90's Hip Hop scene, with the music, street and hip hop culture giving Andreas the inspiration and driving force. Andreas likes to think back to a time that was and try to recreate it.(...)
Yo you youth
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ndreas confesses not to be good at writing lyrics but loves to play with words. YoYouYouth is a typical play on words he likes. YoYouYouth summarizes a part of Andreas' life, focusing on the 90's Hip Hop scene, with the music, street and hip hop culture giving Andreas the inspiration and driving force. Andreas likes to think back to a time that was and try to recreate it. The images in this fanzine are fragments and thoughts from his youth to today. Numbered edition of 60
Dust & shadow
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In Charlie Duck’s book Dust & Shadow we glimpse palatial chateaux and opulent still lifes. Initially they appear a celebration of wealth and immortality, yet there is disquiet to these images; an underlying emptiness which is explored and developed in each drawing.
Dust & shadow
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In Charlie Duck’s book Dust & Shadow we glimpse palatial chateaux and opulent still lifes. Initially they appear a celebration of wealth and immortality, yet there is disquiet to these images; an underlying emptiness which is explored and developed in each drawing.
Time zone J
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This is Julie Doucet’s first inked comic since she famously quit in the nineties after an exhausting career in an industry that, at the time, made little room for women. The year is 1989 and twenty-three-year-old Doucet is flying to France to meet with a soldier. He’s a man she only knows through their mail correspondence, a common enough reality of the zine era, when(...)
Time zone J
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This is Julie Doucet’s first inked comic since she famously quit in the nineties after an exhausting career in an industry that, at the time, made little room for women. The year is 1989 and twenty-three-year-old Doucet is flying to France to meet with a soldier. He’s a man she only knows through their mail correspondence, a common enough reality of the zine era, when comics were mailed from cartoonist to reader and close relationships were formed. Time is not on their side—the soldier is just on furlough for a few days—but the two make the most of their visit and discuss future plans, maybe even Christmas in Doucet’s city, Montreal.
Illustration
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Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
books
January 2008, Zürich
Contemporary Art Monographs
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Jonas Delaborde is a french artist (Paris, 1981) working regularly in Paris and Lyon with his fellow Hendrik Hegray (they edit the nasty & absurd Nazi Knife zine together), Kerozen and Mehdi Hercberg (Shoboshobo) or with the drawing collective Frederic Magazine. Zodiac Grind is a collection of twenty empty geometric shapes, some science fiction landscape drawings and few(...)
Graphic Design and Typography
September 2008, Amsterdam
Jonas Delaborde: zodiac grind
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Jonas Delaborde is a french artist (Paris, 1981) working regularly in Paris and Lyon with his fellow Hendrik Hegray (they edit the nasty & absurd Nazi Knife zine together), Kerozen and Mehdi Hercberg (Shoboshobo) or with the drawing collective Frederic Magazine. Zodiac Grind is a collection of twenty empty geometric shapes, some science fiction landscape drawings and few pictures of destructed buildings or antic carved stones. It can be seen as an attempt to build a dust bridge between some minimalist influences and a symbolist vision. Or just a bad psychedelic mix of bolivian mountains, parking maps and wallpaper's patterns. His drawings have been showed recently in two collective exhibitions with Frederic Magazine at the Nog Gallery (London) and the Musée des Tapisseries (Aix-en-Provence).
Graphic Design and Typography
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Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
March 2010
In numbers : serial publications by artists since 1955
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$108.00
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
books
$11.50
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Summary:
During the glory days of Something Else Press (1964-1974), its founder, the poet, editor and scholar Dick Higgins created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, the Great Bear(...)
A great bear pamphlet #20 a zaj sampler
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During the glory days of Something Else Press (1964-1974), its founder, the poet, editor and scholar Dick Higgins created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, the Great Bear pamphlets showcased the work of some of the most innovative writers and artists across the twentieth century: the likes of Jackson Mac Low, Oyvind Fahlstrom, Robert Filliou, Robert Watts, Emmett Williams, Dieter Roth, David Antin and Claes Oldenburg appeared alongside predecessors such as the Italian Futurist composer Luigi Russolo and John Cage's seminal Diary: How to Improve the World (You Will Only Make Matters Worse). All pamphlets have been out of print since their original publications in the 1960s.
books
October 2008, New York
books
$11.50
(available in store)
Summary:
During the glory days of Something Else Press (1964-1974), its founder, the poet, editor and scholar Dick Higgins created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, the Great Bear(...)
A great bear pamphlet # 19 the last french-fried potato and other poems
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$11.50
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Summary:
During the glory days of Something Else Press (1964-1974), its founder, the poet, editor and scholar Dick Higgins created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, the Great Bear pamphlets showcased the work of some of the most innovative writers and artists across the twentieth century: the likes of Jackson Mac Low, Oyvind Fahlstrom, Robert Filliou, Robert Watts, Emmett Williams, Dieter Roth, David Antin and Claes Oldenburg appeared alongside predecessors such as the Italian Futurist composer Luigi Russolo and John Cage's seminal Diary: How to Improve the World (You Will Only Make Matters Worse). All pamphlets have been out of print since their original publications in the 1960s.
books
October 2008, New York
books
$11.50
(available to order)
Summary:
During the glory days of Something Else Press (1964-1974), its founder, the poet, editor and scholar Dick Higgins created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, the Great Bear(...)
October 2008, New York
A great bear pamphlet # 18 the art of noise (futurist manifesto, 1913)
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$11.50
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Summary:
During the glory days of Something Else Press (1964-1974), its founder, the poet, editor and scholar Dick Higgins created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, the Great Bear pamphlets showcased the work of some of the most innovative writers and artists across the twentieth century: the likes of Jackson Mac Low, Oyvind Fahlstrom, Robert Filliou, Robert Watts, Emmett Williams, Dieter Roth, David Antin and Claes Oldenburg appeared alongside predecessors such as the Italian Futurist composer Luigi Russolo and John Cage's seminal Diary: How to Improve the World (You Will Only Make Matters Worse). All pamphlets have been out of print since their original publications in the 1960s.
books
October 2008, New York