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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
Subject:
Environment and environmental theory
Environment and environmental theory
Publication:
May 2017
May 2017
Title:
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
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books
books
Publication:
May 2017
May 2017
Subject:
Environment and environmental theory
Environment and environmental theory
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books
books
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Publication:
June 2008, New York
June 2008, New York
Title:
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
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books
books
Publication:
June 2008, New York
June 2008, New York
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Form:
books
books
Title:
Time, forward!
Time, forward!
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''Time, Forward!'' questions the notion and function of time and how it relates to the way we create and interact with art in the 21st century. Featuring newly commissioned works by an international group of artists, this book illuminates a broad range of responses to an exponentially accelerating world. This volume features a speculation on the future of the senses by(...)
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''Time, Forward!'' questions the notion and function of time and how it relates to the way we create and interact with art in the 21st century. Featuring newly commissioned works by an international group of artists, this book illuminates a broad range of responses to an exponentially accelerating world. This volume features a speculation on the future of the senses by(...)
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Time, forward!
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''Time, Forward!'' questions the notion and function of time and how it relates to the way we create and interact with art in the 21st century. Featuring newly commissioned works by an international group of artists, this book illuminates a broad range of responses to an exponentially accelerating world. This volume features a speculation on the future of the senses by Haroon Mirza, an unorthodox history of modernity by Walid Raad, and stills from a science fiction film by Rosa Barba. Essays from scholars, critics, poets, and filmmakers probe issues as diverse as the role of sleep in a 24/7 capitalist society and artistic privacy and appropriation in cyberspace. Some of these artists ask us to press the pause button, others take us back in time, and still others push us forward into the realm of science fiction--only to reveal these fictions to be a form of everyday present reality.
Time, forward!
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''Time, Forward!'' questions the notion and function of time and how it relates to the way we create and interact with art in the 21st century. Featuring newly commissioned works by an international group of artists, this book illuminates a broad range of responses to an exponentially accelerating world. This volume features a speculation on the future of the senses by Haroon Mirza, an unorthodox history of modernity by Walid Raad, and stills from a science fiction film by Rosa Barba. Essays from scholars, critics, poets, and filmmakers probe issues as diverse as the role of sleep in a 24/7 capitalist society and artistic privacy and appropriation in cyberspace. Some of these artists ask us to press the pause button, others take us back in time, and still others push us forward into the realm of science fiction--only to reveal these fictions to be a form of everyday present reality.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
Art Theory
Art Theory
Form:
books
books
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$38.95
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Summary:
Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or “spirit of the age,” an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect(...)
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Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or “spirit of the age,” an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect(...)
Title:
Lateness
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Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or “spirit of the age,” an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be “of the times”—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven’s final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.
Lateness
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Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or “spirit of the age,” an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be “of the times”—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven’s final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
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Summary:
In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
Publication:
August 2022
August 2022
Title:
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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$90.00
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Summary:
In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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books
books
Publication:
August 2022
August 2022
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books
books
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$84.95
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Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko, a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his(...)
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Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko, a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his(...)
Title:
Aleksandr Rodchenko: Photography in the time of Stalin
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Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko, a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language. In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko’s photography questioned his own modernist commitments. At the heart of this book is Rodchenko’s infamous 1933 photo-essay on the White Sea–Baltic Canal, site of one of the first gulags. Glebova’s careful reading of Rodchenko’s photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko’s partner in art and life.
Aleksandr Rodchenko: Photography in the time of Stalin
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$84.95
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Summary:
Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko, a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language. In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko’s photography questioned his own modernist commitments. At the heart of this book is Rodchenko’s infamous 1933 photo-essay on the White Sea–Baltic Canal, site of one of the first gulags. Glebova’s careful reading of Rodchenko’s photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko’s partner in art and life.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
If these apples should fall
If these apples should fall
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$53.95
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For many artists and writers, the art of Paul Cézanne represents the key to modernity. His paintings were a touchstone for writers such as Samuel Beckett as much as for artists such as Henri Matisse. Rainer Maria Rilke revered him deeply, as did Pablo Picasso. They thought if they lost touch with his sense of life, they lost an essential element of their own(...)
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For many artists and writers, the art of Paul Cézanne represents the key to modernity. His paintings were a touchstone for writers such as Samuel Beckett as much as for artists such as Henri Matisse. Rainer Maria Rilke revered him deeply, as did Pablo Picasso. They thought if they lost touch with his sense of life, they lost an essential element of their own(...)
Title:
If these apples should fall
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For many artists and writers, the art of Paul Cézanne represents the key to modernity. His paintings were a touchstone for writers such as Samuel Beckett as much as for artists such as Henri Matisse. Rainer Maria Rilke revered him deeply, as did Pablo Picasso. They thought if they lost touch with his sense of life, they lost an essential element of their own self-understanding. In ''If these apples should fall,'' celebrated art historian T. J. Clark looks back on Cézanne from our current moment when such judgments need justifying. What was it, he asks, that held Cézanne’s viewers spellbound? At the heart of Cézanne’s work lies a sense of disquiet: a hopelessness haunting the vividness, an anxiety beneath the splendid colors. Clark addresses this strangeness head-on, examining the art of Camille Pissarro, Matisse, and others in relation to Cézanne’s. Above all, he speaks to the uncanniness and beauty of Cézanne’s achievement.
If these apples should fall
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For many artists and writers, the art of Paul Cézanne represents the key to modernity. His paintings were a touchstone for writers such as Samuel Beckett as much as for artists such as Henri Matisse. Rainer Maria Rilke revered him deeply, as did Pablo Picasso. They thought if they lost touch with his sense of life, they lost an essential element of their own self-understanding. In ''If these apples should fall,'' celebrated art historian T. J. Clark looks back on Cézanne from our current moment when such judgments need justifying. What was it, he asks, that held Cézanne’s viewers spellbound? At the heart of Cézanne’s work lies a sense of disquiet: a hopelessness haunting the vividness, an anxiety beneath the splendid colors. Clark addresses this strangeness head-on, examining the art of Camille Pissarro, Matisse, and others in relation to Cézanne’s. Above all, he speaks to the uncanniness and beauty of Cézanne’s achievement.
Form:
books
books
Publication:
September 2022
September 2022
Subject:
Art Theory
Art Theory
Form:
books
books
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$26.95
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Summary:
Indigenous peoples have gained increasing international visibility in their fight against longstanding colonial occupation by nation-states. Although living in different locations around the world and practising highly varied ways of life, indigenous peoples nonetheless are affected by similar patterns of colonial dispossession and violence. In defending their collective(...)
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Indigenous peoples have gained increasing international visibility in their fight against longstanding colonial occupation by nation-states. Although living in different locations around the world and practising highly varied ways of life, indigenous peoples nonetheless are affected by similar patterns of colonial dispossession and violence. In defending their collective(...)
Title:
Indigenous peoples and colonialism
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Indigenous peoples have gained increasing international visibility in their fight against longstanding colonial occupation by nation-states. Although living in different locations around the world and practising highly varied ways of life, indigenous peoples nonetheless are affected by similar patterns of colonial dispossession and violence. In defending their collective rights to self-determination, culture, lands and resources, their resistance and creativity offer a pause for critical reflection on the importance of maintaining indigenous distinctiveness against the homogenizing forces of states and corporations. This book highlights significant colonial patterns of domination and their effects, as well as responses and resistance to colonialism. It brings indigenous peoples' issues and voices to the forefront of sociological discussions of modernity. In particular, the book examines issues of identity, dispossession, environment, rights and revitalization in relation to historical and ongoing colonialism, showing that the experiences of indigenous peoples in wealthy and poor countries are often parallel and related.
Indigenous peoples and colonialism
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Indigenous peoples have gained increasing international visibility in their fight against longstanding colonial occupation by nation-states. Although living in different locations around the world and practising highly varied ways of life, indigenous peoples nonetheless are affected by similar patterns of colonial dispossession and violence. In defending their collective rights to self-determination, culture, lands and resources, their resistance and creativity offer a pause for critical reflection on the importance of maintaining indigenous distinctiveness against the homogenizing forces of states and corporations. This book highlights significant colonial patterns of domination and their effects, as well as responses and resistance to colonialism. It brings indigenous peoples' issues and voices to the forefront of sociological discussions of modernity. In particular, the book examines issues of identity, dispossession, environment, rights and revitalization in relation to historical and ongoing colonialism, showing that the experiences of indigenous peoples in wealthy and poor countries are often parallel and related.
Form:
books
books
Publication:
December 2016
December 2016
Subject:
Social
Social
Form:
books
books
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$50.95
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Summary:
Countering the standard view of Futurism as naïvely bellicose, author Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social(...)
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Countering the standard view of Futurism as naïvely bellicose, author Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social(...)
Title:
Inventing Futurism : the art and politics of artificial optimism
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Countering the standard view of Futurism as naïvely bellicose, author Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social history, revealing a surprisingly powerful undercurrent of anxiety among the Futurists -toward the accelerated rhythms of urban life, the rising influence of the masses, changing gender roles, and the destructiveness of war. Poggi traces the movement from its explosive beginnings through its transformations under Fascism to offer completely new insights into familiar Futurist themes, such as the thrill and trauma of velocity, the psychology of urban crowds, and the fantasy of flesh fused with metal, among others. Lavishly illustrated and unparalleled in scope, Inventing Futurism demonstrates that beneath Futurism's belligerent avant-garde posturing lay complex and contradictory attitudes toward an always-deferred utopian future.
Inventing Futurism : the art and politics of artificial optimism
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Countering the standard view of Futurism as naïvely bellicose, author Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social history, revealing a surprisingly powerful undercurrent of anxiety among the Futurists -toward the accelerated rhythms of urban life, the rising influence of the masses, changing gender roles, and the destructiveness of war. Poggi traces the movement from its explosive beginnings through its transformations under Fascism to offer completely new insights into familiar Futurist themes, such as the thrill and trauma of velocity, the psychology of urban crowds, and the fantasy of flesh fused with metal, among others. Lavishly illustrated and unparalleled in scope, Inventing Futurism demonstrates that beneath Futurism's belligerent avant-garde posturing lay complex and contradictory attitudes toward an always-deferred utopian future.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Art Theory
Art Theory
Form:
books
books
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$42.95
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Summary:
Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic "Manhattan projects"--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of(...)
$42.95
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Summary:
Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic "Manhattan projects"--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of(...)
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
Publication:
June 2010
June 2010
Title:
Manhattan projects: The rise and fall of urban renewal in Cold War New York
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Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic "Manhattan projects"--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of urban renewal. He shows how boosters hoped to make Manhattan the capital of modernity and a symbol of American power, but even as the builders executed their plans, a chorus of critics revealed the dark side of those Cold War visions, attacking urban renewal for perpetuating deindustrialization, racial segregation, and class division; for uprooting thousands, and for implanting a new, alienating cityscape. Cold War-era urban renewal was not merely a failed planning ideal, Zipp concludes, but also a crucial phase in the transformation of New York into both a world city and one mired in urban crisis.
Manhattan projects: The rise and fall of urban renewal in Cold War New York
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Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic "Manhattan projects"--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of urban renewal. He shows how boosters hoped to make Manhattan the capital of modernity and a symbol of American power, but even as the builders executed their plans, a chorus of critics revealed the dark side of those Cold War visions, attacking urban renewal for perpetuating deindustrialization, racial segregation, and class division; for uprooting thousands, and for implanting a new, alienating cityscape. Cold War-era urban renewal was not merely a failed planning ideal, Zipp concludes, but also a crucial phase in the transformation of New York into both a world city and one mired in urban crisis.
Form:
books
books
Publication:
June 2010
June 2010
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
