16280 Results
Form:
textual records
textual records
Actions:
Reference number:
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
People:
Title:
reference and administrative records for Aronoff Center for Design and Art
Actions:
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
reference and administrative records for Aronoff Center for Design and Art
Actions:
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
Form:
textual records
textual records
People:
Form:
exhibitions
exhibitions
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
7 May 1989 to 25 March 1990
7 May 1989 to 25 March 1990
Title:
Canadian Centre for Architecture: Building and Gardens
Actions:
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Canadian Centre for Architecture: Building and Gardens
Actions:
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Form:
exhibitions
exhibitions
Date:
7 May 1989 to
25 March 1990
7 May 1989 to
25 March 1990
Location:
Octagonal gallery
Octagonal gallery
Form:
drawings
drawings
Actions:
Reference number:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
People:
Date:
circa 1999-2000
circa 1999-2000
Title:
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Form:
drawings
drawings
Date:
circa 1999-2000
circa 1999-2000
People:
Form:
textual records
textual records
Actions:
Reference number:
AP142.S1.D211.P5
Description:
drawings, maps, photographs, correspondence, specifications, promotional material, a publication, legends for drawings, labels for drawings, pieces for a model; includes material for an unidentified project
AP142.S1.D211.P5
Description:
drawings, maps, photographs, correspondence, specifications, promotional material, a publication, legends for drawings, labels for drawings, pieces for a model; includes material for an unidentified project
People:
Title:
Drawings, maps, photographs, correspondence, specifications
Actions:
AP142.S1.D211.P5
Description:
drawings, maps, photographs, correspondence, specifications, promotional material, a publication, legends for drawings, labels for drawings, pieces for a model; includes material for an unidentified project
Drawings, maps, photographs, correspondence, specifications
Actions:
AP142.S1.D211.P5
Description:
drawings, maps, photographs, correspondence, specifications, promotional material, a publication, legends for drawings, labels for drawings, pieces for a model; includes material for an unidentified project
Form:
textual records
textual records
People:
Form:
events
events
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
8 May 2003
8 May 2003
Title:
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Form:
events
events
Date:
8 May 2003
8 May 2003
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
AP140.S2.SS1.D4.P6
Description:
16-page competition report divided in three parts: the first part includes explanations on the economics of the design (in terms of planning and materials), construction, site and orientation, stages of construction, and character of the building; the second part contains notes on the functions and planning for each floor; the third part is an estimate of costs for the first and further installments of the College buildings.
AP140.S2.SS1.D4.P6
Description:
16-page competition report divided in three parts: the first part includes explanations on the economics of the design (in terms of planning and materials), construction, site and orientation, stages of construction, and character of the building; the second part contains notes on the functions and planning for each floor; the third part is an estimate of costs for the first and further installments of the College buildings.
People:
Date:
circa 1951-1970s
circa 1951-1970s
Title:
Competition report, Poole College of Further Education Competition, Poole, United Kingdom
Actions:
AP140.S2.SS1.D4.P6
Description:
16-page competition report divided in three parts: the first part includes explanations on the economics of the design (in terms of planning and materials), construction, site and orientation, stages of construction, and character of the building; the second part contains notes on the functions and planning for each floor; the third part is an estimate of costs for the first and further installments of the College buildings.
Competition report, Poole College of Further Education Competition, Poole, United Kingdom
Actions:
AP140.S2.SS1.D4.P6
Description:
16-page competition report divided in three parts: the first part includes explanations on the economics of the design (in terms of planning and materials), construction, site and orientation, stages of construction, and character of the building; the second part contains notes on the functions and planning for each floor; the third part is an estimate of costs for the first and further installments of the College buildings.
Form:
textual records
textual records
Date:
circa 1951-1970s
circa 1951-1970s
People:
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
People:
Date:
1963-2015
1963-2015
Title:
Research files organized by author's last name or subject from S-U
Actions:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
Research files organized by author's last name or subject from S-U
Actions:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
Form:
textual records, photographs
textual records, photographs
Date:
1963-2015
1963-2015
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S1.1983.PR02.006
Description:
Original folder entitled "CANADIAN CHANCERY / PLANT MATERIAL".
AP075.S1.1983.PR02.006
Description:
Original folder entitled "CANADIAN CHANCERY / PLANT MATERIAL".
People:
Date:
1984
1984
Title:
Research for plant selection, Canadian Chancery, Washington D.C.
Actions:
AP075.S1.1983.PR02.006
Description:
Original folder entitled "CANADIAN CHANCERY / PLANT MATERIAL".
Research for plant selection, Canadian Chancery, Washington D.C.
Actions:
AP075.S1.1983.PR02.006
Description:
Original folder entitled "CANADIAN CHANCERY / PLANT MATERIAL".
Form:
textual records
textual records
Date:
1984
1984
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
People:
Date:
circa 1999-2000
circa 1999-2000
Title:
Drawing for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Drawing for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Form:
drawings
drawings
Date:
circa 1999-2000
circa 1999-2000
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Max Wolfe Roth fonds
Max Wolfe Roth fonds
Actions:
Reference number:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
People:
Date:
1933-2000
1933-2000
Title:
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-2000
1933-2000
People:
