43397 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1972.PR05
Description:
This project series documents the offices of law firm Davies, Ward and Beck in Toronto from 1972-1973. The office identified the project number as 7205. This project consisted of the design of the 47th floor of Commerce Court, some of which was to be used by the law firm, while the rest would be rented to subtenants. This was the first in a series of projects for this office, with several changes to occur in the subsequent decade. The planning for these future projects was already underway when this one began. This original project included 25 offices for lawyers, with the partners occupying corner offices, board and conference rooms, secretary and student offices, a library, a lunch room, a switchboard room and other work areas. The project is recorded through drawings and textual records dating from 1971-1976. The drawings are mostly reprographic copies that include plans, details and mechanical and electrical drawings. The textual materials include correspondence, certificates of payment, conference reports and change orders. Box AP018.S1.1972.PR05.003 contains an index to the textual records, which was created by the office.
AP018.S1.1972.PR05
Description:
This project series documents the offices of law firm Davies, Ward and Beck in Toronto from 1972-1973. The office identified the project number as 7205. This project consisted of the design of the 47th floor of Commerce Court, some of which was to be used by the law firm, while the rest would be rented to subtenants. This was the first in a series of projects for this office, with several changes to occur in the subsequent decade. The planning for these future projects was already underway when this one began. This original project included 25 offices for lawyers, with the partners occupying corner offices, board and conference rooms, secretary and student offices, a library, a lunch room, a switchboard room and other work areas. The project is recorded through drawings and textual records dating from 1971-1976. The drawings are mostly reprographic copies that include plans, details and mechanical and electrical drawings. The textual materials include correspondence, certificates of payment, conference reports and change orders. Box AP018.S1.1972.PR05.003 contains an index to the textual records, which was created by the office.
People:
Date:
1971-1976
1971-1976
Title:
Offices for Davies, Ward and Beck, 47th Floor Commerce Court, Toronto (1972-1973)
Actions:
AP018.S1.1972.PR05
Description:
This project series documents the offices of law firm Davies, Ward and Beck in Toronto from 1972-1973. The office identified the project number as 7205. This project consisted of the design of the 47th floor of Commerce Court, some of which was to be used by the law firm, while the rest would be rented to subtenants. This was the first in a series of projects for this office, with several changes to occur in the subsequent decade. The planning for these future projects was already underway when this one began. This original project included 25 offices for lawyers, with the partners occupying corner offices, board and conference rooms, secretary and student offices, a library, a lunch room, a switchboard room and other work areas. The project is recorded through drawings and textual records dating from 1971-1976. The drawings are mostly reprographic copies that include plans, details and mechanical and electrical drawings. The textual materials include correspondence, certificates of payment, conference reports and change orders. Box AP018.S1.1972.PR05.003 contains an index to the textual records, which was created by the office.
Offices for Davies, Ward and Beck, 47th Floor Commerce Court, Toronto (1972-1973)
Actions:
AP018.S1.1972.PR05
Description:
This project series documents the offices of law firm Davies, Ward and Beck in Toronto from 1972-1973. The office identified the project number as 7205. This project consisted of the design of the 47th floor of Commerce Court, some of which was to be used by the law firm, while the rest would be rented to subtenants. This was the first in a series of projects for this office, with several changes to occur in the subsequent decade. The planning for these future projects was already underway when this one began. This original project included 25 offices for lawyers, with the partners occupying corner offices, board and conference rooms, secretary and student offices, a library, a lunch room, a switchboard room and other work areas. The project is recorded through drawings and textual records dating from 1971-1976. The drawings are mostly reprographic copies that include plans, details and mechanical and electrical drawings. The textual materials include correspondence, certificates of payment, conference reports and change orders. Box AP018.S1.1972.PR05.003 contains an index to the textual records, which was created by the office.
Level of archival description:
project
project
Date:
1971-1976
1971-1976
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
People:
Date:
1931
1931
Title:
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Level of archival description:
project
project
Date:
1931
1931
People:
Level of archival description:
Sub-series
Sub-series
Title:
Maison de Verre (1965, 1969)
Maison de Verre (1965, 1969)
Reference number:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
People:
Date:
1965-1981
1965-1981
Title:
Maison de Verre (1965, 1969)
Actions:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Maison de Verre (1965, 1969)
Actions:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Level of archival description:
Subseries
Subseries
Date:
1965-1981
1965-1981
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP178.S1.1988.PR07.SS11
Description:
This project series documents the Estaçäo de Metropolitano Baixa Chiado in Lisbon, Portugal. The office assigned the dates 1992-1998 for this project. The Estaçäo de Metropolitano Baixa Chiado was built between 1992 and 1998. The station played a key role in Siza's functional reconstruction plan of the Chiado area. It was an essential part of Siza's recovery plan for the district of Chiado in order to create more access to different parts of town due to the irregular elevations of the district. The station's escalators were created to give access to the Rua do Crucifixo and Largo do Chiado square. Elevators were also built to give access to Rua Ivens. Drawings include sketches, studies, working drawings, shop drawings and mechanical drawings. Textual documentation includes specifications, correspondence, permit and supplier documentation, and meeting reports. Photographic materials document the model, site and construction work. The materials that were donated in the 2019 accession document the elevators built to give access to Rua Ivens. Additional documentation for this project can also be found in the project subseries AP178.S1.1988.PR07.SS1.
AP178.S1.1988.PR07.SS11
Description:
This project series documents the Estaçäo de Metropolitano Baixa Chiado in Lisbon, Portugal. The office assigned the dates 1992-1998 for this project. The Estaçäo de Metropolitano Baixa Chiado was built between 1992 and 1998. The station played a key role in Siza's functional reconstruction plan of the Chiado area. It was an essential part of Siza's recovery plan for the district of Chiado in order to create more access to different parts of town due to the irregular elevations of the district. The station's escalators were created to give access to the Rua do Crucifixo and Largo do Chiado square. Elevators were also built to give access to Rua Ivens. Drawings include sketches, studies, working drawings, shop drawings and mechanical drawings. Textual documentation includes specifications, correspondence, permit and supplier documentation, and meeting reports. Photographic materials document the model, site and construction work. The materials that were donated in the 2019 accession document the elevators built to give access to Rua Ivens. Additional documentation for this project can also be found in the project subseries AP178.S1.1988.PR07.SS1.
People:
Date:
1987-2012
1987-2012
Title:
Estação de Metropolitano Baixa Chiado [Baixa Chiado Metropolitan Station], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS11
Description:
This project series documents the Estaçäo de Metropolitano Baixa Chiado in Lisbon, Portugal. The office assigned the dates 1992-1998 for this project. The Estaçäo de Metropolitano Baixa Chiado was built between 1992 and 1998. The station played a key role in Siza's functional reconstruction plan of the Chiado area. It was an essential part of Siza's recovery plan for the district of Chiado in order to create more access to different parts of town due to the irregular elevations of the district. The station's escalators were created to give access to the Rua do Crucifixo and Largo do Chiado square. Elevators were also built to give access to Rua Ivens. Drawings include sketches, studies, working drawings, shop drawings and mechanical drawings. Textual documentation includes specifications, correspondence, permit and supplier documentation, and meeting reports. Photographic materials document the model, site and construction work. The materials that were donated in the 2019 accession document the elevators built to give access to Rua Ivens. Additional documentation for this project can also be found in the project subseries AP178.S1.1988.PR07.SS1.
Estação de Metropolitano Baixa Chiado [Baixa Chiado Metropolitan Station], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS11
Description:
This project series documents the Estaçäo de Metropolitano Baixa Chiado in Lisbon, Portugal. The office assigned the dates 1992-1998 for this project. The Estaçäo de Metropolitano Baixa Chiado was built between 1992 and 1998. The station played a key role in Siza's functional reconstruction plan of the Chiado area. It was an essential part of Siza's recovery plan for the district of Chiado in order to create more access to different parts of town due to the irregular elevations of the district. The station's escalators were created to give access to the Rua do Crucifixo and Largo do Chiado square. Elevators were also built to give access to Rua Ivens. Drawings include sketches, studies, working drawings, shop drawings and mechanical drawings. Textual documentation includes specifications, correspondence, permit and supplier documentation, and meeting reports. Photographic materials document the model, site and construction work. The materials that were donated in the 2019 accession document the elevators built to give access to Rua Ivens. Additional documentation for this project can also be found in the project subseries AP178.S1.1988.PR07.SS1.
Level of archival description:
Project
Project
Date:
1987-2012
1987-2012
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
People:
Date:
1992-2000
1992-2000
Title:
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Level of archival description:
Project
Project
Date:
1992-2000
1992-2000
People:
Level of archival description:
Series
Series
Reference number:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
People:
Date:
[ca. 1948-2004?]
[ca. 1948-2004?]
Title:
James Stirling/Michael Wilford professional papers
Actions:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
James Stirling/Michael Wilford professional papers
Actions:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
Level of archival description:
Series 2
Series 2
Date:
[ca. 1948-2004?]
[ca. 1948-2004?]
People:
Form:
events
events
Description:
CCA Mellon Scholar Rahul Mehrotra speaks about his work in Mumbai and describes how he came to make several critical choices in his work in order to express the vivid pluralism of India.
CCA Mellon Scholar Rahul Mehrotra speaks about his work in Mumbai and describes how he came to make several critical choices in his work in order to express the vivid pluralism of India.
Date:
5 December 2013
5 December 2013
Title:
Rahul Mehrotra: Working in Mumbai
Actions:
Description:
CCA Mellon Scholar Rahul Mehrotra speaks about his work in Mumbai and describes how he came to make several critical choices in his work in order to express the vivid pluralism of India.
Rahul Mehrotra: Working in Mumbai
Actions:
Description:
CCA Mellon Scholar Rahul Mehrotra speaks about his work in Mumbai and describes how he came to make several critical choices in his work in order to express the vivid pluralism of India.
Form:
events
events
Date:
5 December 2013
5 December 2013
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2002.D15
Description:
The project series documents the design for the integration of the railway system in Almería, Spain. The firm identified this project as number 160. Abalos & Herreros worked with Prointec, Ramón del Cuvillo Martínez-Ridruejo, Wouter van Daele and Angel Jaramillo. Doucmenting the project are resumes, competition documents, graphic materials and a map.
AP164.S1.2002.D15
Description:
The project series documents the design for the integration of the railway system in Almería, Spain. The firm identified this project as number 160. Abalos & Herreros worked with Prointec, Ramón del Cuvillo Martínez-Ridruejo, Wouter van Daele and Angel Jaramillo. Doucmenting the project are resumes, competition documents, graphic materials and a map.
People:
Date:
circa 2001-2002
circa 2001-2002
Title:
Ordenación ferrocarril Almería, Spain (2002)
Actions:
AP164.S1.2002.D15
Description:
The project series documents the design for the integration of the railway system in Almería, Spain. The firm identified this project as number 160. Abalos & Herreros worked with Prointec, Ramón del Cuvillo Martínez-Ridruejo, Wouter van Daele and Angel Jaramillo. Doucmenting the project are resumes, competition documents, graphic materials and a map.
Ordenación ferrocarril Almería, Spain (2002)
Actions:
AP164.S1.2002.D15
Description:
The project series documents the design for the integration of the railway system in Almería, Spain. The firm identified this project as number 160. Abalos & Herreros worked with Prointec, Ramón del Cuvillo Martínez-Ridruejo, Wouter van Daele and Angel Jaramillo. Doucmenting the project are resumes, competition documents, graphic materials and a map.
Level of archival description:
Project
Project
Date:
circa 2001-2002
circa 2001-2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2006.D2
Description:
The project series documents the four residential towers on plot 12, in the sector Ibaialde of Vitoria-Gasteiz, Spain. The firm identified this project as number 115. Abalos & Herreros worked with Alfonso Miguel Caballero, Alejandro Valdivieso and Eva Gil for the promoter Jaureguizahar. Documenting the project are presentation drawings and a project description.
AP164.S1.2006.D2
Description:
The project series documents the four residential towers on plot 12, in the sector Ibaialde of Vitoria-Gasteiz, Spain. The firm identified this project as number 115. Abalos & Herreros worked with Alfonso Miguel Caballero, Alejandro Valdivieso and Eva Gil for the promoter Jaureguizahar. Documenting the project are presentation drawings and a project description.
People:
Date:
2006
2006
Title:
Concurso Vitoria Ibaialde, Victor-Gasteiz, Spain (2006)
Actions:
AP164.S1.2006.D2
Description:
The project series documents the four residential towers on plot 12, in the sector Ibaialde of Vitoria-Gasteiz, Spain. The firm identified this project as number 115. Abalos & Herreros worked with Alfonso Miguel Caballero, Alejandro Valdivieso and Eva Gil for the promoter Jaureguizahar. Documenting the project are presentation drawings and a project description.
Concurso Vitoria Ibaialde, Victor-Gasteiz, Spain (2006)
Actions:
AP164.S1.2006.D2
Description:
The project series documents the four residential towers on plot 12, in the sector Ibaialde of Vitoria-Gasteiz, Spain. The firm identified this project as number 115. Abalos & Herreros worked with Alfonso Miguel Caballero, Alejandro Valdivieso and Eva Gil for the promoter Jaureguizahar. Documenting the project are presentation drawings and a project description.
Level of archival description:
Project
Project
Date:
2006
2006
People:
