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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal(...)
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Summary:
This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal(...)
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Louise Bourgeois. I have been to hell and back
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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal photographs further document the artist's childhood and family life, with several letters and documents being made available for the first time.
Louise Bourgeois. I have been to hell and back
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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal photographs further document the artist's childhood and family life, with several letters and documents being made available for the first time.
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Contemporary Art Monographs
Contemporary Art Monographs
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$90.00
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and(...)
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and(...)
Title:
Mamma Andersson and Jockum Nordstrum: who is sleeping on my pillow
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. This publication showcases Andersson and Nordstrom's work from the late 1980s to the present day in over 200 full-color plates. Alongside these, it also includes family snapshots and source materials, a poem by Stig Claesson and an interview with Nordstrom by Marcel Dzama.
Mamma Andersson and Jockum Nordstrum: who is sleeping on my pillow
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. This publication showcases Andersson and Nordstrom's work from the late 1980s to the present day in over 200 full-color plates. Alongside these, it also includes family snapshots and source materials, a poem by Stig Claesson and an interview with Nordstrom by Marcel Dzama.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$55.00
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In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor(...)
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In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor(...)
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Anish Kapoor: Turning the world upside down in Kensington Gardens
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In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor monograph to offer a comprehensive overview of all of the artist's stainless steel sculptures.
Anish Kapoor: Turning the world upside down in Kensington Gardens
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In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor monograph to offer a comprehensive overview of all of the artist's stainless steel sculptures.
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Contemporary Art Monographs
Contemporary Art Monographs
Title:
Soundwalk collective: medea
Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound(...)
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound(...)
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Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound composition of the CD (included here) and also gathers photographs by Stephan Crasneanscki and texts by Arthur Larrue.
Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound composition of the CD (included here) and also gathers photographs by Stephan Crasneanscki and texts by Arthur Larrue.
Subject:
Acoustics
Acoustics
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$41.95
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2012 marque le cinquantième anniversaire du premier Festival Fluxus qui se déroula à Wiesbaden, RFA. Autour de la figure tutélaire et controversée qu'était George Maciunas, des artistes d'origine et de pratique diverses essayèrent de bousculer les lignes de démarcation entre arts visuels et arts vivants, entre art et vie, entre éthique et esthétique. Le Musée d'Art(...)
$41.95
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2012 marque le cinquantième anniversaire du premier Festival Fluxus qui se déroula à Wiesbaden, RFA. Autour de la figure tutélaire et controversée qu'était George Maciunas, des artistes d'origine et de pratique diverses essayèrent de bousculer les lignes de démarcation entre arts visuels et arts vivants, entre art et vie, entre éthique et esthétique. Le Musée d'Art(...)
Title:
Fiat Flux : La nébuleuse Fluxus 1962-1978
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2012 marque le cinquantième anniversaire du premier Festival Fluxus qui se déroula à Wiesbaden, RFA. Autour de la figure tutélaire et controversée qu'était George Maciunas, des artistes d'origine et de pratique diverses essayèrent de bousculer les lignes de démarcation entre arts visuels et arts vivants, entre art et vie, entre éthique et esthétique. Le Musée d'Art Moderne de Saint-Etienne Métropole, fort des donations Vicky Rémy et François et Ninon Robelin, riches en oeuvres Fluxus, fait la tentative de rendre compte de la complexité et de la " nébulosité " d'un courant, d'un mouvement, puisant ses énergies tant dans la musique novatrice de John Cage, la philosophie Zen, le gag, que le positionnement idéologique. Fiat Flux, la nébuleuse Fluxus 1962-1978 oscille entre rigueur historique et aléas d'un parcours où se côtoient l'art du presque-rien, le document, l'installation spectaculaire ; où voisinent imprimés, films, objets et sons. Fiat Flux, la nébuleuse Fluxus 1962-1978 ne se veut pas apologétique de Fluxus. Au contraire, elle montre une diversité d'approches de la part d'artistes dont la relation avec Fluxus et son mentor se décline depuis la plus grande adhésion jusqu'à sa remise en cause conflictuelle en passant par le passage-éclair.
Fiat Flux : La nébuleuse Fluxus 1962-1978
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2012 marque le cinquantième anniversaire du premier Festival Fluxus qui se déroula à Wiesbaden, RFA. Autour de la figure tutélaire et controversée qu'était George Maciunas, des artistes d'origine et de pratique diverses essayèrent de bousculer les lignes de démarcation entre arts visuels et arts vivants, entre art et vie, entre éthique et esthétique. Le Musée d'Art Moderne de Saint-Etienne Métropole, fort des donations Vicky Rémy et François et Ninon Robelin, riches en oeuvres Fluxus, fait la tentative de rendre compte de la complexité et de la " nébulosité " d'un courant, d'un mouvement, puisant ses énergies tant dans la musique novatrice de John Cage, la philosophie Zen, le gag, que le positionnement idéologique. Fiat Flux, la nébuleuse Fluxus 1962-1978 oscille entre rigueur historique et aléas d'un parcours où se côtoient l'art du presque-rien, le document, l'installation spectaculaire ; où voisinent imprimés, films, objets et sons. Fiat Flux, la nébuleuse Fluxus 1962-1978 ne se veut pas apologétique de Fluxus. Au contraire, elle montre une diversité d'approches de la part d'artistes dont la relation avec Fluxus et son mentor se décline depuis la plus grande adhésion jusqu'à sa remise en cause conflictuelle en passant par le passage-éclair.
Subject:
Art Theory
Art Theory
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$28.00
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
Title:
Inigio Manglano-Ovalle: Gravity is a force to be reckoned with
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
Inigio Manglano-Ovalle: Gravity is a force to be reckoned with
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$28.00
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Summary:
Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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Description:
1 online resource
Author:
- Abbas,,
- Anderson, Christopher,,
- Antoine d'Agata,,
- Barbey, Bruno,,
- Bendiksen, Jonas,,
- Bernad, Clemente,,
- Berry, Ian,,
- Bode, Lisa De,,
- Brown, Michael Christopher,,
- Burri, Rene,,
- Capa, Robert,,
- Cassel, Matthew,,
- Chang, Chien-Chi,,
- Davidson, Colette,,
- Depardon, Raymond,,
- Depoorter, Bieke,,
- Dworzak, Thomas,,
- Economopoulos, Nikos,,
- Erwitt, Elliott,,
- Fialas, Avra K.,,
- Franck, Martine,,
- Franklin, Stuart,,
- Freed, Leonard,,
- Gaumy, Jean,,
- Glinn, Burt,,
- Goldberg, Jim,,
- Habib, Samra,,
- Heath, Ryan,,
- Henri Cartier-Bresson,,
- Hoepker, Thomas,,
- Kakissis, Joanna,,
- Keyzer, Carl De,,
- Laes, Christian,,
- Malek, Alia,,
- Malkoutzis, Nick,,
- Michalskaja, Sinaida,,
- Murray, Jessica,,
- Nettelfield, Lara J.,,
- Osinski, Agathe,,
- Pizzi, Michael,,
- Pope, Hugh,,
- Rinaldo, Arianna,,
- Rodero, Cristina García,,
- Seignovert, Romain,,
- Spallek, Thomas Artur,,
- Tenz, Courtney,,
- Vo, Lam Thuy,,
- Zarinbal, Shahin,,
- Library Stack,
(See more)
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Publication:
[Place of publication not identified] : Magnum Photos, 2016.
[Place of publication not identified] : Magnum Photos, 2016.
Title:
Europa: : An Illustrated Introduction to Europe for Migrants and Refugees.
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Description:
1 online resource
Europa: : An Illustrated Introduction to Europe for Migrants and Refugees.
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Description:
1 online resource
Form:
books
books
Publication:
[Place of publication not identified] : Magnum Photos, 2016.
[Place of publication not identified] : Magnum Photos, 2016.
Author:
- Abbas,,
- Anderson, Christopher,,
- Antoine d'Agata,,
- Barbey, Bruno,,
- Bendiksen, Jonas,,
- Bernad, Clemente,,
- Berry, Ian,,
- Bode, Lisa De,,
- Brown, Michael Christopher,,
- Burri, Rene,,
- Capa, Robert,,
- Cassel, Matthew,,
- Chang, Chien-Chi,,
- Davidson, Colette,,
- Depardon, Raymond,,
- Depoorter, Bieke,,
- Dworzak, Thomas,,
- Economopoulos, Nikos,,
- Erwitt, Elliott,,
- Fialas, Avra K.,,
- Franck, Martine,,
- Franklin, Stuart,,
- Freed, Leonard,,
- Gaumy, Jean,,
- Glinn, Burt,,
- Goldberg, Jim,,
- Habib, Samra,,
- Heath, Ryan,,
- Henri Cartier-Bresson,,
- Hoepker, Thomas,,
- Kakissis, Joanna,,
- Keyzer, Carl De,,
- Laes, Christian,,
- Malek, Alia,,
- Malkoutzis, Nick,,
- Michalskaja, Sinaida,,
- Murray, Jessica,,
- Nettelfield, Lara J.,,
- Osinski, Agathe,,
- Pizzi, Michael,,
- Pope, Hugh,,
- Rinaldo, Arianna,,
- Rodero, Cristina García,,
- Seignovert, Romain,,
- Spallek, Thomas Artur,,
- Tenz, Courtney,,
- Vo, Lam Thuy,,
- Zarinbal, Shahin,,
- Library Stack,
(See more)
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Summary:
Addressing the histories and speculating on the futures of radical design and art education, "Decolonising design education" looks at the role that different institutional modes play in these endeavors. Developed in a dialogue among Regina Bittner, Katja Klaus and Philipp Sack (Bauhaus Dessau Foundation) and JJ Adibrata and farid rakun (Gudskul), the publication features(...)
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Summary:
Addressing the histories and speculating on the futures of radical design and art education, "Decolonising design education" looks at the role that different institutional modes play in these endeavors. Developed in a dialogue among Regina Bittner, Katja Klaus and Philipp Sack (Bauhaus Dessau Foundation) and JJ Adibrata and farid rakun (Gudskul), the publication features(...)
Title:
Decolonising design education: Schools of departure no.1
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Addressing the histories and speculating on the futures of radical design and art education, "Decolonising design education" looks at the role that different institutional modes play in these endeavors. Developed in a dialogue among Regina Bittner, Katja Klaus and Philipp Sack (Bauhaus Dessau Foundation) and JJ Adibrata and farid rakun (Gudskul), the publication features a selection of historical case studies, conversations and in-depth reports about education practices in formerly colonized regions, shared by 10 art and design collectives. The publication is part of the Schools of Departure series, jointly published with a digital atlas mapping experiments in art and design education beyond the Bauhaus. By studying these phenomena as manifestations of "traveling concepts," which keep a wide variety of educational approaches in a process of constant exchange and motion, the publication explores routes of appropriation that move between different geographies, times and cultures.
Decolonising design education: Schools of departure no.1
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Summary:
Addressing the histories and speculating on the futures of radical design and art education, "Decolonising design education" looks at the role that different institutional modes play in these endeavors. Developed in a dialogue among Regina Bittner, Katja Klaus and Philipp Sack (Bauhaus Dessau Foundation) and JJ Adibrata and farid rakun (Gudskul), the publication features a selection of historical case studies, conversations and in-depth reports about education practices in formerly colonized regions, shared by 10 art and design collectives. The publication is part of the Schools of Departure series, jointly published with a digital atlas mapping experiments in art and design education beyond the Bauhaus. By studying these phenomena as manifestations of "traveling concepts," which keep a wide variety of educational approaches in a process of constant exchange and motion, the publication explores routes of appropriation that move between different geographies, times and cultures.
Subject:
Design Theory
Design Theory
Form:
books
books
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Description:
viii, 344 pages : illustrations (principalement en couleur), cartes, graphiques ; 23 cm.
Description:
viii, 344 pages : illustrations (principalement en couleur), cartes, graphiques ; 23 cm.
Author:
- Jean-François Lefebvre -- Sophie L. Van Neste, Hélène Madénian, Josée Provençal -- Alice Bonneau -- Myriam Grondin -- Maja Vodanovic -- Karim Charef -- Jean-François Lefebvre avec la collaboration de Marc-Olivier Mathieu -- Michel Rochefort -- Danielle Dagenais et Sylvain Paquette -- Catherine Houbart -- Émilie Houde-Tremblay, Alexis Guillemardet Geneviève Cloutier -- Sophie L. Van Neste, Sophie Duchesne,Danielle Dagenais et Emmanuel Demard -- Marie Dugué -- Catherine Houbart -- Sophie L. Van Neste, Étienne Poulinet, Hélène Madénian -- Catherine Houbart -- Irène Cloutier, Rachel Mallet, Annie Laurinet Catherine Ellyson -- Entrevue d’Hélène Madénian avec Irène Cloutier.,
- Madénian, Hélène,,
- Neste, Sophie L. van,
(See more)
Subject:
- Urban renewal Environmental aspects Québec (Province) Montréal.,
- Neighborhood planning Québec (Province) Montréal.,
- Ecovillages Québec (Province) Montréal.,
- Rénovation urbaine Aspect de l'environnement Québec (Province) Montréal.,
- Adaptation aux changements climatiques Québec (Province) Montréal.,
- Quartiers (Urbanisme) Planification Québec (Province) Montréal.,
- Quartiers durables Québec (Province) Montréal.,
- Lachine (Montréal, Québec)
(See more)
Publication:
[Québec, Québec] : Presses de l'Université Laval, [2025], ©2025
[Québec, Québec] : Presses de l'Université Laval, [2025], ©2025
Title:
Adapter la ville aux changements climatiques : des expérimentations de concertation à Montréal / sous la direction d'Hélène Madénian et de Sophie L. Van Neste.
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viii, 344 pages : illustrations (principalement en couleur), cartes, graphiques ; 23 cm.
Adapter la ville aux changements climatiques : des expérimentations de concertation à Montréal / sous la direction d'Hélène Madénian et de Sophie L. Van Neste.
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Description:
viii, 344 pages : illustrations (principalement en couleur), cartes, graphiques ; 23 cm.
Form:
books
books
Publication:
[Québec, Québec] : Presses de l'Université Laval, [2025], ©2025
[Québec, Québec] : Presses de l'Université Laval, [2025], ©2025
Author:
- Jean-François Lefebvre -- Sophie L. Van Neste, Hélène Madénian, Josée Provençal -- Alice Bonneau -- Myriam Grondin -- Maja Vodanovic -- Karim Charef -- Jean-François Lefebvre avec la collaboration de Marc-Olivier Mathieu -- Michel Rochefort -- Danielle Dagenais et Sylvain Paquette -- Catherine Houbart -- Émilie Houde-Tremblay, Alexis Guillemardet Geneviève Cloutier -- Sophie L. Van Neste, Sophie Duchesne,Danielle Dagenais et Emmanuel Demard -- Marie Dugué -- Catherine Houbart -- Sophie L. Van Neste, Étienne Poulinet, Hélène Madénian -- Catherine Houbart -- Irène Cloutier, Rachel Mallet, Annie Laurinet Catherine Ellyson -- Entrevue d’Hélène Madénian avec Irène Cloutier.,
- Madénian, Hélène,,
- Neste, Sophie L. van,
(See more)
Subject:
- Urban renewal Environmental aspects Québec (Province) Montréal.,
- Neighborhood planning Québec (Province) Montréal.,
- Ecovillages Québec (Province) Montréal.,
- Rénovation urbaine Aspect de l'environnement Québec (Province) Montréal.,
- Adaptation aux changements climatiques Québec (Province) Montréal.,
- Quartiers (Urbanisme) Planification Québec (Province) Montréal.,
- Quartiers durables Québec (Province) Montréal.,
- Lachine (Montréal, Québec)
(See more)
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Summary:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into(...)
$31.00
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Summary:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into(...)
Title:
Trisha Brown: so that the audience does not know whether i have stopped dancing
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$31.00
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Summary:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into the limits of her own body. Whether she is working within the frame of a sheet of paper, on the wall, or on the stage, Brown delights in the play between structure and improvisation, repetition and invention, choice and chance. This book centers on a broad survey of Brown's visual arts practice going back more than three decades. The catalogue features more than 40 drawings and includes essays by exhibition curator Peter Eleey and Walker performing arts senior curator Philip Bither as well as a specially commissioned survey of Brown's drawing vocabulary contributed by the artist.
Trisha Brown: so that the audience does not know whether i have stopped dancing
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$31.00
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Summary:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into the limits of her own body. Whether she is working within the frame of a sheet of paper, on the wall, or on the stage, Brown delights in the play between structure and improvisation, repetition and invention, choice and chance. This book centers on a broad survey of Brown's visual arts practice going back more than three decades. The catalogue features more than 40 drawings and includes essays by exhibition curator Peter Eleey and Walker performing arts senior curator Philip Bither as well as a specially commissioned survey of Brown's drawing vocabulary contributed by the artist.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs