1767 Results
Form:
books
books
Actions:
Price:
$50.00
(available in store)
Summary:
'Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning. Stefano Graziani's photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them(...)
$50.00
(available in store)
Summary:
'Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning. Stefano Graziani's photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them(...)
Title:
Stefano Graziani: Documents on Raphael
Actions:
Price:
$50.00
(available in store)
Summary:
'Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning. Stefano Graziani's photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them into images. Graziani puts variation before permanence and reflects on the very concept of the restoration, the archive, conservation, display, and of course the original, that last so dear to the photographic debate, especially considering that Raphael never saw any of his works as we see them today. Graziani's images, combined with reliable evidence regarding Raphael's production, refer back to the most iconic classical genres of representation: landscape and still life.
Stefano Graziani: Documents on Raphael
Actions:
Price:
$50.00
(available in store)
Summary:
'Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning. Stefano Graziani's photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them into images. Graziani puts variation before permanence and reflects on the very concept of the restoration, the archive, conservation, display, and of course the original, that last so dear to the photographic debate, especially considering that Raphael never saw any of his works as we see them today. Graziani's images, combined with reliable evidence regarding Raphael's production, refer back to the most iconic classical genres of representation: landscape and still life.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Photography monographs
Photography monographs
Form:
books
books
Actions:
Price:
$63.00
(available in store)
Summary:
Just Above Midtown (or JAM) was a New York art gallery and self-described laboratory for experimentation established in 1974 by Linda Goode Bryant with the intention of presenting African American artists “on the same platform with other established artists.” A hub for conceptual art, abstraction, performance, and video, JAM was a Black space open to artists of different(...)
$63.00
(available in store)
Summary:
Just Above Midtown (or JAM) was a New York art gallery and self-described laboratory for experimentation established in 1974 by Linda Goode Bryant with the intention of presenting African American artists “on the same platform with other established artists.” A hub for conceptual art, abstraction, performance, and video, JAM was a Black space open to artists of different(...)
Publication:
November 2022
November 2022
Title:
Just above midtown: Changing spaces
Actions:
Price:
$63.00
(available in store)
Summary:
Just Above Midtown (or JAM) was a New York art gallery and self-described laboratory for experimentation established in 1974 by Linda Goode Bryant with the intention of presenting African American artists “on the same platform with other established artists.” A hub for conceptual art, abstraction, performance, and video, JAM was a Black space open to artists of different races, generations, and educational backgrounds. The gallery, which was open until 1986, cultivated debate and prioritized process, collaboration, and the needs of artists over the demands of the art market. Published in conjunction with a path-making exhibition at The Museum of Modern Art, this richly illustrated catalogue provides the most complete account to date of the gallery’s history, with an emphasis on rarely seen artworks, archival materials, and the recollections of those who were there.
Just above midtown: Changing spaces
Actions:
Price:
$63.00
(available in store)
Summary:
Just Above Midtown (or JAM) was a New York art gallery and self-described laboratory for experimentation established in 1974 by Linda Goode Bryant with the intention of presenting African American artists “on the same platform with other established artists.” A hub for conceptual art, abstraction, performance, and video, JAM was a Black space open to artists of different races, generations, and educational backgrounds. The gallery, which was open until 1986, cultivated debate and prioritized process, collaboration, and the needs of artists over the demands of the art market. Published in conjunction with a path-making exhibition at The Museum of Modern Art, this richly illustrated catalogue provides the most complete account to date of the gallery’s history, with an emphasis on rarely seen artworks, archival materials, and the recollections of those who were there.
Form:
books
books
Publication:
November 2022
November 2022
Form:
books
books
Title:
Bauhaus conflicts 1919-2009
Bauhaus conflicts 1919-2009
Actions:
Price:
$36.00
(available to order)
Summary:
From its founding in 1919, the function and identity of the Bauhaus was mobilized by warring factions, as it passed through the guiding hands of its three directors (the apolitical Walter Gropius, the Communist Hannes Meyer and the progressive Mies van der Rohe). Even beyond the well-known controversies that arose between colleagues during the heroic Bauhaus years, the(...)
$36.00
(available to order)
Summary:
From its founding in 1919, the function and identity of the Bauhaus was mobilized by warring factions, as it passed through the guiding hands of its three directors (the apolitical Walter Gropius, the Communist Hannes Meyer and the progressive Mies van der Rohe). Even beyond the well-known controversies that arose between colleagues during the heroic Bauhaus years, the(...)
Title:
Bauhaus conflicts 1919-2009
Actions:
Price:
$36.00
(available to order)
Summary:
From its founding in 1919, the function and identity of the Bauhaus was mobilized by warring factions, as it passed through the guiding hands of its three directors (the apolitical Walter Gropius, the Communist Hannes Meyer and the progressive Mies van der Rohe). Even beyond the well-known controversies that arose between colleagues during the heroic Bauhaus years, the reception and legacy of the various Modernist icons associated with the Bauhaus led to dispute: Socialists, Communists, Nazis, Stalinists, Capitalists, Cold Warriors, student revolutionaries in the 1960s and later dissidents, all have created their own image of the Bauhaus. The Bauhaus Debate 1919-2009 examines the critical reception of the legendary school, its teachers, students and pedagogical philosophy and the battles over its legacy that continue to this day.
Bauhaus conflicts 1919-2009
Actions:
Price:
$36.00
(available to order)
Summary:
From its founding in 1919, the function and identity of the Bauhaus was mobilized by warring factions, as it passed through the guiding hands of its three directors (the apolitical Walter Gropius, the Communist Hannes Meyer and the progressive Mies van der Rohe). Even beyond the well-known controversies that arose between colleagues during the heroic Bauhaus years, the reception and legacy of the various Modernist icons associated with the Bauhaus led to dispute: Socialists, Communists, Nazis, Stalinists, Capitalists, Cold Warriors, student revolutionaries in the 1960s and later dissidents, all have created their own image of the Bauhaus. The Bauhaus Debate 1919-2009 examines the critical reception of the legendary school, its teachers, students and pedagogical philosophy and the battles over its legacy that continue to this day.
Form:
books
books
Publication:
January 2010
January 2010
Subject:
Modernism
Modernism
Form:
books
books
Actions:
Price:
$54.00
(available in store)
Summary:
Through three radical critiques of Modernist architecture, illustrated by the iconic--and very different--works of the Situationist International, Venturi Scott Brown and Archigram, Radical Games offers new perspectives on the architecture of the 1960s. It illuminates some of the pitfalls of contemporary architectural thought and questions a number of preconceptions that(...)
$54.00
(available in store)
Summary:
Through three radical critiques of Modernist architecture, illustrated by the iconic--and very different--works of the Situationist International, Venturi Scott Brown and Archigram, Radical Games offers new perspectives on the architecture of the 1960s. It illuminates some of the pitfalls of contemporary architectural thought and questions a number of preconceptions that(...)
Title:
Radical games: Popping the bubble of 1960's architecture
Actions:
Price:
$54.00
(available in store)
Summary:
Through three radical critiques of Modernist architecture, illustrated by the iconic--and very different--works of the Situationist International, Venturi Scott Brown and Archigram, Radical Games offers new perspectives on the architecture of the 1960s. It illuminates some of the pitfalls of contemporary architectural thought and questions a number of preconceptions that remain with us from the prevalent discourses of the 1960s. Perched on the cusp of Postmodernism and global capitalism, the critiques in this volume demonstrate a perceptive understanding of Modernism, as well as contemporary conditions, such as our increasingly image-saturated society. It is also clear, however, that these radical projects were so entwined with Modernism that the architectural conversation of the 1960s was driven to an impasse, which the contemporary debate has not yet been able to escape.
Radical games: Popping the bubble of 1960's architecture
Actions:
Price:
$54.00
(available in store)
Summary:
Through three radical critiques of Modernist architecture, illustrated by the iconic--and very different--works of the Situationist International, Venturi Scott Brown and Archigram, Radical Games offers new perspectives on the architecture of the 1960s. It illuminates some of the pitfalls of contemporary architectural thought and questions a number of preconceptions that remain with us from the prevalent discourses of the 1960s. Perched on the cusp of Postmodernism and global capitalism, the critiques in this volume demonstrate a perceptive understanding of Modernism, as well as contemporary conditions, such as our increasingly image-saturated society. It is also clear, however, that these radical projects were so entwined with Modernism that the architectural conversation of the 1960s was driven to an impasse, which the contemporary debate has not yet been able to escape.
Form:
books
books
Publication:
June 2010
June 2010
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$22.00
(available in store)
Summary:
This volume is one of three books in The Michigan Debates on Urbanism, a series that also features Everyday Urbanism and New Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration of public debates held at the University of Michigan’s Taubman College of Architecture and Urban Planning during the(...)
$22.00
(available in store)
Summary:
This volume is one of three books in The Michigan Debates on Urbanism, a series that also features Everyday Urbanism and New Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration of public debates held at the University of Michigan’s Taubman College of Architecture and Urban Planning during the(...)
Title:
Post urbanism & Re urbanism : Peter Eisenman vs. Barbara Littenberg and Steven Peterson, Michigan debates on urbanism vol. III
Actions:
Price:
$22.00
(available in store)
Summary:
This volume is one of three books in The Michigan Debates on Urbanism, a series that also features Everyday Urbanism and New Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration of public debates held at the University of Michigan’s Taubman College of Architecture and Urban Planning during the winter of 2004. Peter Eisenman, acclaimed New York architect, author and theorist, presents several of his recent projects, including his team’s entry for the controversial Ground Zero competition at the World Trade Center site in lower Manhattan. This project and the larger body of his work are termed Post Urbanist by the series editor Douglas Kelbaugh. Post Urbanism refers to a critical, post-structuralist project, expressing avant-garde sensibilities and the techno-flow of a globalizing society. Barbara Littenberg and partner Steven Peterson, also well-known design practitioners from New York, present their entry into the Ground Zero competition, as well as other urban design projects that are characterized as ReUrbanism. Each side takes strong exception to the other’s work, leading to a heated discussion moderated by Roy Strickland, Director of the Master of Urban Design program at Taubman College.
Post urbanism & Re urbanism : Peter Eisenman vs. Barbara Littenberg and Steven Peterson, Michigan debates on urbanism vol. III
Actions:
Price:
$22.00
(available in store)
Summary:
This volume is one of three books in The Michigan Debates on Urbanism, a series that also features Everyday Urbanism and New Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration of public debates held at the University of Michigan’s Taubman College of Architecture and Urban Planning during the winter of 2004. Peter Eisenman, acclaimed New York architect, author and theorist, presents several of his recent projects, including his team’s entry for the controversial Ground Zero competition at the World Trade Center site in lower Manhattan. This project and the larger body of his work are termed Post Urbanist by the series editor Douglas Kelbaugh. Post Urbanism refers to a critical, post-structuralist project, expressing avant-garde sensibilities and the techno-flow of a globalizing society. Barbara Littenberg and partner Steven Peterson, also well-known design practitioners from New York, present their entry into the Ground Zero competition, as well as other urban design projects that are characterized as ReUrbanism. Each side takes strong exception to the other’s work, leading to a heated discussion moderated by Roy Strickland, Director of the Master of Urban Design program at Taubman College.
Form:
books
books
Publication:
February 2005, Ann Arbor
February 2005, Ann Arbor
Subject:
Suburbs
Suburbs
Form:
books
books
Actions:
Holdings:
Description:
161 pages ; 21 cm.
Description:
161 pages ; 21 cm.
Author:
Subject:
Publication:
Paris : Cavalier bleu, 2016., ©2016
Paris : Cavalier bleu, 2016., ©2016
Title:
Humanités numériques : la culture face aux nouvelles technologies / Dominique Vinck.
Actions:
Holdings:
Description:
161 pages ; 21 cm.
Humanités numériques : la culture face aux nouvelles technologies / Dominique Vinck.
Actions:
Holdings:
Description:
161 pages ; 21 cm.
Form:
books
books
Publication:
Paris : Cavalier bleu, 2016., ©2016
Paris : Cavalier bleu, 2016., ©2016
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
276 pages : illustrations ; 18 cm
Description:
276 pages : illustrations ; 18 cm
Author:
Subject:
Publication:
Gollion : Infolio, c2015.
Gollion : Infolio, c2015.
Title:
Le populisme esthétique : l'architecture comme outil identitaire / Federico Ferrari ; traduction de l'italien de Maria Cristina Bonini ; relecture et correction de Simon Lioret.
Actions:
Holdings:
Description:
276 pages : illustrations ; 18 cm
Le populisme esthétique : l'architecture comme outil identitaire / Federico Ferrari ; traduction de l'italien de Maria Cristina Bonini ; relecture et correction de Simon Lioret.
Actions:
Holdings:
Description:
276 pages : illustrations ; 18 cm
Form:
books
books
Publication:
Gollion : Infolio, c2015.
Gollion : Infolio, c2015.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
ix, 146 pages : illustrations ; 23 cm.
Description:
ix, 146 pages : illustrations ; 23 cm.
Author:
Subject:
Publication:
Québec (Québec) : Presses de l'Université du Québec, [2023], ©2023
Québec (Québec) : Presses de l'Université du Québec, [2023], ©2023
Title:
La transparence dans l'espace numérique : principes, développements, enjeux / Vincent Mabillard et Jean-Patrick Villeneuve.
Actions:
Holdings:
Description:
ix, 146 pages : illustrations ; 23 cm.
La transparence dans l'espace numérique : principes, développements, enjeux / Vincent Mabillard et Jean-Patrick Villeneuve.
Actions:
Holdings:
Description:
ix, 146 pages : illustrations ; 23 cm.
Form:
books
books
Publication:
Québec (Québec) : Presses de l'Université du Québec, [2023], ©2023
Québec (Québec) : Presses de l'Université du Québec, [2023], ©2023
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
135 pages, xvi pages of plates : illustrations (chiefly color) ; 17 cm
Description:
135 pages, xvi pages of plates : illustrations (chiefly color) ; 17 cm
Author:
Subject:
Publication:
Paris : La Fabrique éditions, [2020]
Paris : La Fabrique éditions, [2020]
Title:
Le temps du paysage : aux origines de la révolution esthétique / Jacques Rancière.
Actions:
Holdings:
Description:
135 pages, xvi pages of plates : illustrations (chiefly color) ; 17 cm
Le temps du paysage : aux origines de la révolution esthétique / Jacques Rancière.
Actions:
Holdings:
Description:
135 pages, xvi pages of plates : illustrations (chiefly color) ; 17 cm
Form:
books
books
Publication:
Paris : La Fabrique éditions, [2020]
Paris : La Fabrique éditions, [2020]
Author:
Subject:
Form:
books
books
Title:
The post-modern reader / edited by Charles Jencks with Eva Branscome and Léa-Catherine Szacka.
The post-modern reader / edited by Charles Jencks with Eva Branscome and Léa-Catherine Szacka.
Actions:
Holdings:
Description:
352 pages : illustrations ; 25 cm.
Description:
352 pages : illustrations ; 25 cm.
Author:
Subject:
Publication:
Chichester, West Sussex, U.K. : Wiley, ©2011.
Chichester, West Sussex, U.K. : Wiley, ©2011.
Title:
The post-modern reader / edited by Charles Jencks with Eva Branscome and Léa-Catherine Szacka.
Actions:
Holdings:
Description:
352 pages : illustrations ; 25 cm.
The post-modern reader / edited by Charles Jencks with Eva Branscome and Léa-Catherine Szacka.
Actions:
Holdings:
Description:
352 pages : illustrations ; 25 cm.
Form:
books
books
Publication:
Chichester, West Sussex, U.K. : Wiley, ©2011.
Chichester, West Sussex, U.K. : Wiley, ©2011.
Author:
Subject:
