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How might nanotechnology—the manipulation of matter at the level of atoms and molecules—change buildings and cities in the future? The authors of Barba have imagined one possible future, shaped by a miraculous nanomaterial of the same name, which can be steered and altered in real time, changing its shape and size at will. With Barba, the authors speculate, the built(...)
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How might nanotechnology—the manipulation of matter at the level of atoms and molecules—change buildings and cities in the future? The authors of Barba have imagined one possible future, shaped by a miraculous nanomaterial of the same name, which can be steered and altered in real time, changing its shape and size at will. With Barba, the authors speculate, the built(...)
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Barba: Life in the Fully Adaptable Environment
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How might nanotechnology—the manipulation of matter at the level of atoms and molecules—change buildings and cities in the future? The authors of Barba have imagined one possible future, shaped by a miraculous nanomaterial of the same name, which can be steered and altered in real time, changing its shape and size at will. With Barba, the authors speculate, the built environment can be adapted almost immediately to every desire and every need. This volume, the latest in The Why Factory’s Future Cities series, envisions the dramatic potential of nanomaterial to change cities and architecture in the not-so-distant future, further explored in a series of interactive experiments and installations. Part speculative architecture, part science fiction, Barba follows an inhabitant of this flexible future world for a day, daring the reader to imagine life in a fully adaptable environment.
Barba: Life in the Fully Adaptable Environment
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How might nanotechnology—the manipulation of matter at the level of atoms and molecules—change buildings and cities in the future? The authors of Barba have imagined one possible future, shaped by a miraculous nanomaterial of the same name, which can be steered and altered in real time, changing its shape and size at will. With Barba, the authors speculate, the built environment can be adapted almost immediately to every desire and every need. This volume, the latest in The Why Factory’s Future Cities series, envisions the dramatic potential of nanomaterial to change cities and architecture in the not-so-distant future, further explored in a series of interactive experiments and installations. Part speculative architecture, part science fiction, Barba follows an inhabitant of this flexible future world for a day, daring the reader to imagine life in a fully adaptable environment.
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books
books
Publication:
February 2016
February 2016
Subject:
Digital Architecture
Digital Architecture
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books
books
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring(...)
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring(...)
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After the crisis: contemporary states of photography
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
After the crisis: contemporary states of photography
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
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books
books
Publication:
February 2020
February 2020
Subject:
Theory of Photography
Theory of Photography
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books
books
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Réfugiés à Berlin
Réfugiés à Berlin
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Au cours de l’été 2015, Ali Fitzgerald commence un atelier hebdomadaire de bandes dessinées avec des réfugiés à Berlin, soutenu par Comic Invasion et Amnesty International. Dans cette « non-fiction graphique surréaliste » — c’est ainsi qu’elle définit sa bande dessinée — l’autrice présente avec beaucoup de sensibilité les difficultés que rencontrent les réfugiés en(...)
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Au cours de l’été 2015, Ali Fitzgerald commence un atelier hebdomadaire de bandes dessinées avec des réfugiés à Berlin, soutenu par Comic Invasion et Amnesty International. Dans cette « non-fiction graphique surréaliste » — c’est ainsi qu’elle définit sa bande dessinée — l’autrice présente avec beaucoup de sensibilité les difficultés que rencontrent les réfugiés en(...)
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Réfugiés à Berlin
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Au cours de l’été 2015, Ali Fitzgerald commence un atelier hebdomadaire de bandes dessinées avec des réfugiés à Berlin, soutenu par Comic Invasion et Amnesty International. Dans cette « non-fiction graphique surréaliste » — c’est ainsi qu’elle définit sa bande dessinée — l’autrice présente avec beaucoup de sensibilité les difficultés que rencontrent les réfugiés en Europe. En leur proposant de dessiner, elle leur offre un moyen d’exprimer, sans forcément parler, ce qu’ils ont vécu et ce qu’ils espèrent. Tout en suivant leur parcours, elle raconte Berlin et établit avec beaucoup d’habileté un parallèle instructif entre ce drame actuel et celui des Juifs obligés de fuir les pogroms des années 1920, puis persécutés plus tard par les nazis. Les témoins qu’elle invoque pour parler de ce passé sont deux écrivains importants dont elle cite des phrases soigneusement choisies : Joseph Roth et Christopher Isherwood.
Réfugiés à Berlin
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Au cours de l’été 2015, Ali Fitzgerald commence un atelier hebdomadaire de bandes dessinées avec des réfugiés à Berlin, soutenu par Comic Invasion et Amnesty International. Dans cette « non-fiction graphique surréaliste » — c’est ainsi qu’elle définit sa bande dessinée — l’autrice présente avec beaucoup de sensibilité les difficultés que rencontrent les réfugiés en Europe. En leur proposant de dessiner, elle leur offre un moyen d’exprimer, sans forcément parler, ce qu’ils ont vécu et ce qu’ils espèrent. Tout en suivant leur parcours, elle raconte Berlin et établit avec beaucoup d’habileté un parallèle instructif entre ce drame actuel et celui des Juifs obligés de fuir les pogroms des années 1920, puis persécutés plus tard par les nazis. Les témoins qu’elle invoque pour parler de ce passé sont deux écrivains importants dont elle cite des phrases soigneusement choisies : Joseph Roth et Christopher Isherwood.
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books
books
Publication:
August 2019
August 2019
Subject:
Illustration
Illustration
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books
books
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$66.00
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The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations,(...)
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The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations,(...)
Title:
Map Office: where the map is the territory
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The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations, photos, drawings, collages and more, summarizes two decades in MAP Office’s evolution from architectural research to artistic intervention and cinematic theorization. It’s a work of genius from working geniuses, mixing politics, installation art, humor, science fiction, multi-cultural initiatives and just plain visionary thinking. The group has rejected everything about Modernist ideology, from the idea of the pristine space or the iconic shape to the quaint thought that form might follow function. Architecture has been let out of the bag, and it’s running wild.
Map Office: where the map is the territory
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$66.00
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Summary:
The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations, photos, drawings, collages and more, summarizes two decades in MAP Office’s evolution from architectural research to artistic intervention and cinematic theorization. It’s a work of genius from working geniuses, mixing politics, installation art, humor, science fiction, multi-cultural initiatives and just plain visionary thinking. The group has rejected everything about Modernist ideology, from the idea of the pristine space or the iconic shape to the quaint thought that form might follow function. Architecture has been let out of the bag, and it’s running wild.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on(...)
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on(...)
Title:
Piecing together Los Angeles: an Esther McCoy reader
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on new architectural forms, McCoy charts the progressive edge of American idealism, from the collective utopian spirit of Jazz Age Greenwich Village, through the Depression and the war years, to the optimism of the 1950s and 1960s. In preparing this volume, writer and editor Susan Morgan extensively researched the McCoy papers at the Archives of American Art. Her editorial decisions were based, in part, on McCoy's original selections for an unrealized anthology solicited by W. W. Norton in 1968.
Piecing together Los Angeles: an Esther McCoy reader
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on new architectural forms, McCoy charts the progressive edge of American idealism, from the collective utopian spirit of Jazz Age Greenwich Village, through the Depression and the war years, to the optimism of the 1950s and 1960s. In preparing this volume, writer and editor Susan Morgan extensively researched the McCoy papers at the Archives of American Art. Her editorial decisions were based, in part, on McCoy's original selections for an unrealized anthology solicited by W. W. Norton in 1968.
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books
books
Publication:
May 2012
May 2012
Subject:
Urban Theory
Urban Theory
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books
books
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$28.95
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Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of(...)
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Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of(...)
Title:
Stuff theory: everyday objects, radical materialism
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Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.
Stuff theory: everyday objects, radical materialism
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Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.
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books
books
Publication:
April 2014
April 2014
Subject:
Design Theory
Design Theory
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books
books
Title:
The future of public space
The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public(...)
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public(...)
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The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public art, also asking what it can become; Christopher DeWolf shares a sensory navigation trip through a directionless Hong Kong; Michelle Nijhuis writes on the shifting ecologies of national parks; Sarah Fecht explores architecture and social life beyond Earth; while Jaron Lanier meditates on the idea of public space online, linking the prevailing, free-for-all model of the internet with a characteristically American yearning for freedom and repudiation of rules and structure. Also included are examples of public art works by Lawrence Weiner.
The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public art, also asking what it can become; Christopher DeWolf shares a sensory navigation trip through a directionless Hong Kong; Michelle Nijhuis writes on the shifting ecologies of national parks; Sarah Fecht explores architecture and social life beyond Earth; while Jaron Lanier meditates on the idea of public space online, linking the prevailing, free-for-all model of the internet with a characteristically American yearning for freedom and repudiation of rules and structure. Also included are examples of public art works by Lawrence Weiner.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Architectural Theory
Architectural Theory
Form:
journals and magazines
journals and magazines
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$39.95
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Through an extensive investigation of the new searches and work productions of international artists, the new CURA. 41, New World Agency™ raises questions related to the ability of art and artists to have a transformative role as regards the apparent irreversibility of the events that impact our present. In a shift between fiction and reality, New World Agency™ explores,(...)
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Through an extensive investigation of the new searches and work productions of international artists, the new CURA. 41, New World Agency™ raises questions related to the ability of art and artists to have a transformative role as regards the apparent irreversibility of the events that impact our present. In a shift between fiction and reality, New World Agency™ explores,(...)
Title:
Cura no. 41: New World Agency™
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Through an extensive investigation of the new searches and work productions of international artists, the new CURA. 41, New World Agency™ raises questions related to the ability of art and artists to have a transformative role as regards the apparent irreversibility of the events that impact our present. In a shift between fiction and reality, New World Agency™ explores, with a transgenerational gaze, the artists who foresaw the building of new possible worlds and new modes of agency for alternative futures. Not only AI, CGI, videogames and virtual reality, but also highly advanced analog tools, animatronics, and mechanical devices are able to forge the imaginative, creative and narrative space of artists, founding new realities, in which mythology, ghosts, topoi, fables, childhood memories, technology, pop culture and magic intertwine, in the comprehensive illusion to be in different places and in part of it.
Cura no. 41: New World Agency™
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Through an extensive investigation of the new searches and work productions of international artists, the new CURA. 41, New World Agency™ raises questions related to the ability of art and artists to have a transformative role as regards the apparent irreversibility of the events that impact our present. In a shift between fiction and reality, New World Agency™ explores, with a transgenerational gaze, the artists who foresaw the building of new possible worlds and new modes of agency for alternative futures. Not only AI, CGI, videogames and virtual reality, but also highly advanced analog tools, animatronics, and mechanical devices are able to forge the imaginative, creative and narrative space of artists, founding new realities, in which mythology, ghosts, topoi, fables, childhood memories, technology, pop culture and magic intertwine, in the comprehensive illusion to be in different places and in part of it.
Form:
journals and magazines
journals and magazines
Publication:
November 2023
November 2023
Subject:
Magazines
Magazines
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books
books
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Description:
viii, 204 pages ; 19 cm
Description:
viii, 204 pages ; 19 cm
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Publication:
Toronto, Ontario, Canada : Between the Lines, 2019., ©2019
Toronto, Ontario, Canada : Between the Lines, 2019., ©2019
Title:
Feminist city : a field guide / Leslie Kern.
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Description:
viii, 204 pages ; 19 cm
Feminist city : a field guide / Leslie Kern.
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Description:
viii, 204 pages ; 19 cm
Form:
books
books
Publication:
Toronto, Ontario, Canada : Between the Lines, 2019., ©2019
Toronto, Ontario, Canada : Between the Lines, 2019., ©2019
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books
books
Title:
Des hommes et des...chiens
Des hommes et des...chiens
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Les chiens nous côtoient depuis des milliers d'années. Dans ce récit fascinant, fondé sur une documentation à jour, Susan McHugh décortique le débat actuel sur les liens entre chiens et loups. Elle étudie aussi la place de l'espèce canine dans la mythologie et la religion, et dans des cultes anciens aussi divers que ceux de l'Alaska, de la Grèce, du Pérou et de la Perse.(...)
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Les chiens nous côtoient depuis des milliers d'années. Dans ce récit fascinant, fondé sur une documentation à jour, Susan McHugh décortique le débat actuel sur les liens entre chiens et loups. Elle étudie aussi la place de l'espèce canine dans la mythologie et la religion, et dans des cultes anciens aussi divers que ceux de l'Alaska, de la Grèce, du Pérou et de la Perse.(...)
Title:
Des hommes et des...chiens
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Les chiens nous côtoient depuis des milliers d'années. Dans ce récit fascinant, fondé sur une documentation à jour, Susan McHugh décortique le débat actuel sur les liens entre chiens et loups. Elle étudie aussi la place de l'espèce canine dans la mythologie et la religion, et dans des cultes anciens aussi divers que ceux de l'Alaska, de la Grèce, du Pérou et de la Perse. Elle compare l'histoire des chiens en Extrême-Orient, en Europe, en Afrique et aux Amériques, discute du phénomène assez récent d'élevage et de création d'espèces et du statut de ces animaux dans la science et la fiction. Elle expose leurs contributions multiples et variées à nos vies, comme compagnons ou aides d'aveugles, mais aussi à la littérature, au cinéma où à la recherche scientifique. «Chiens» nous éclaire sur la manière dont hommes et chiens se sont mutuellement façonnés au cours des millénaires.
Des hommes et des...chiens
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$35.95
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Les chiens nous côtoient depuis des milliers d'années. Dans ce récit fascinant, fondé sur une documentation à jour, Susan McHugh décortique le débat actuel sur les liens entre chiens et loups. Elle étudie aussi la place de l'espèce canine dans la mythologie et la religion, et dans des cultes anciens aussi divers que ceux de l'Alaska, de la Grèce, du Pérou et de la Perse. Elle compare l'histoire des chiens en Extrême-Orient, en Europe, en Afrique et aux Amériques, discute du phénomène assez récent d'élevage et de création d'espèces et du statut de ces animaux dans la science et la fiction. Elle expose leurs contributions multiples et variées à nos vies, comme compagnons ou aides d'aveugles, mais aussi à la littérature, au cinéma où à la recherche scientifique. «Chiens» nous éclaire sur la manière dont hommes et chiens se sont mutuellement façonnés au cours des millénaires.
Form:
books
books
Publication:
October 2005, Paris
October 2005, Paris
Subject:
Landscape Theory
Landscape Theory
