5432 Results
Level of archival description:
Sub-series
Sub-series
Title:
Morphosis
Morphosis
Actions:
Reference number:
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
People:
Date:
1999
1999
Title:
Morphosis
Actions:
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
Morphosis
Actions:
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
Level of archival description:
Sub-series 4
Sub-series 4
Date:
1999
1999
People:
Form:
books
books
Actions:
Reference number:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
People:
Date:
November 2009-January 2010
November 2009-January 2010
Title:
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Form:
books
books
Date:
November 2009-January 2010
November 2009-January 2010
People:
Form:
books
books
Actions:
Reference number:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
People:
Date:
November 2009-January 2010
November 2009-January 2010
Title:
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Form:
books
books
Date:
November 2009-January 2010
November 2009-January 2010
People:
Level of archival description:
Series
Series
Reference number:
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
People:
Date:
1967-2001
1967-2001
Title:
Correspondence, lectures, conferences, and agendas
Actions:
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
Correspondence, lectures, conferences, and agendas
Actions:
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
Level of archival description:
Series
Series
Date:
1967-2001
1967-2001
People:
Level of archival description:
Sub-series
Sub-series
Title:
Miscellanea
Miscellanea
Reference number:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
People:
Date:
[1800-1868]
[1800-1868]
Title:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Level of archival description:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
People:
Form:
events
events
Description:
What can be done to support Indigenous experiences of the built environment? Join landscape architect Naomi Ratte and architect Jason Surkan to learn more about the projects they are pursuing as the inaugural Indigenous-led Design Fellows at the CCA. Over the course of the week of February 20, Naomi and Jason will engage with CCA staff to create moments of learning and(...)
What can be done to support Indigenous experiences of the built environment? Join landscape architect Naomi Ratte and architect Jason Surkan to learn more about the projects they are pursuing as the inaugural Indigenous-led Design Fellows at the CCA. Over the course of the week of February 20, Naomi and Jason will engage with CCA staff to create moments of learning and(...)
Location:
Shaughnessy House and online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation, historical Métis housing
Shaughnessy House and online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation, historical Métis housing
Date:
23 February 2023, 6:00 to 7:30 p.m.
23 February 2023, 6:00 to 7:30 p.m.
Title:
Indigenous-led Design: Methods, Practices, Communities, Experiences
Actions:
Description:
What can be done to support Indigenous experiences of the built environment? Join landscape architect Naomi Ratte and architect Jason Surkan to learn more about the projects they are pursuing as the inaugural Indigenous-led Design Fellows at the CCA. Over the course of the week of February 20, Naomi and Jason will engage with CCA staff to create moments of learning and(...)
Indigenous-led Design: Methods, Practices, Communities, Experiences
Actions:
Description:
What can be done to support Indigenous experiences of the built environment? Join landscape architect Naomi Ratte and architect Jason Surkan to learn more about the projects they are pursuing as the inaugural Indigenous-led Design Fellows at the CCA. Over the course of the week of February 20, Naomi and Jason will engage with CCA staff to create moments of learning and(...)
Form:
events
events
Date:
23 February 2023
6:00 to 7:30 p.m.
23 February 2023
6:00 to 7:30 p.m.
Location:
Shaughnessy House and online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation, historical Métis housing
Shaughnessy House and online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation, historical Métis housing
Quantity:
6 artefact(s)
6 artefact(s)
Title:
RDS tent linkage prototypes
RDS tent linkage prototypes
Reference number:
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
People:
Date:
mid 1990s
mid 1990s
Title:
RDS tent linkage prototypes
Actions:
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
RDS tent linkage prototypes
Actions:
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
Quantity:
6 artefact(s)
6 artefact(s)
Date:
mid 1990s
mid 1990s
People:
Level of archival description:
Series
Series
Reference number:
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
People:
Date:
[1943-1978, predominant 1970-1978]
[1943-1978, predominant 1970-1978]
Title:
Gordon Matta-Clark's Working Photographs
Actions:
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
Gordon Matta-Clark's Working Photographs
Actions:
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
Level of archival description:
Series 3
Series 3
Date:
[1943-1978, predominant 1970-1978]
[1943-1978, predominant 1970-1978]
People:
Form:
events
events
Actions:
Description:
In the summer of 2026, the CCA day camp offers children aged 7 to 10 an immersive introduction to the world of architecture, the built environment, and design. Supervised by the CCA public programs team, participants will be able to explore and become familiar with all the CCA’s spaces, from the Paul-Desmarais Theatre to the Study Room, including the Shaughnessy House and(...)
In the summer of 2026, the CCA day camp offers children aged 7 to 10 an immersive introduction to the world of architecture, the built environment, and design. Supervised by the CCA public programs team, participants will be able to explore and become familiar with all the CCA’s spaces, from the Paul-Desmarais Theatre to the Study Room, including the Shaughnessy House and(...)
Keyword(s):
summer camp
summer camp
Date:
17 August 2026 to 21 August 2026
17 August 2026 to 21 August 2026
Title:
Summer Camp 2026
Actions:
Description:
In the summer of 2026, the CCA day camp offers children aged 7 to 10 an immersive introduction to the world of architecture, the built environment, and design. Supervised by the CCA public programs team, participants will be able to explore and become familiar with all the CCA’s spaces, from the Paul-Desmarais Theatre to the Study Room, including the Shaughnessy House and(...)
Summer Camp 2026
Actions:
Description:
In the summer of 2026, the CCA day camp offers children aged 7 to 10 an immersive introduction to the world of architecture, the built environment, and design. Supervised by the CCA public programs team, participants will be able to explore and become familiar with all the CCA’s spaces, from the Paul-Desmarais Theatre to the Study Room, including the Shaughnessy House and(...)
Form:
events
events
Date:
17 August 2026 to
21 August 2026
17 August 2026 to
21 August 2026
Keyword(s):
summer camp
summer camp
Level of archival description:
Series
Series
Title:
Promotion de l'événement
Promotion de l'événement
Reference number:
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
People:
Date:
1995-1996
1995-1996
Title:
Promotion de l'événement
Actions:
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
Promotion de l'événement
Actions:
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
Level of archival description:
Série 4
Série 4
Date:
1995-1996
1995-1996
People:
