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The intersection of architecture and the machine has a history that stretches back to the Industrial Revolution, however the machine has recently begun to appear in new ways in speculative architectural drawing and modelling. This issue of AD considers the influence of the machine as an allegorical device for exploring alternative architectural practices, and includes a(...)
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The intersection of architecture and the machine has a history that stretches back to the Industrial Revolution, however the machine has recently begun to appear in new ways in speculative architectural drawing and modelling. This issue of AD considers the influence of the machine as an allegorical device for exploring alternative architectural practices, and includes a(...)
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The allegorical architectural machine
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The intersection of architecture and the machine has a history that stretches back to the Industrial Revolution, however the machine has recently begun to appear in new ways in speculative architectural drawing and modelling. This issue of AD considers the influence of the machine as an allegorical device for exploring alternative architectural practices, and includes a cross-section of viewpoints from emerging and established international practitioners and academics. Allegory, a technique native to literature, provides a critical method through which machine typologies can contribute to deeper architectural narratives, offering new lenses for challenging or reassembling conventional modes of thought. An allegorical architectural project can unveil a story that enhances our awareness of something important. This AD reveals how engagement with the machine as an allegorical device in architectural discourse provides an avenue for architecture to provoke new ideas in response to current environmental, political, economic, cultural and social issues. At the forefront of this discussion, it extends the criticality of the topic within the broader spectrum of history, theory, philosophy, allegory and new technologies.
The allegorical architectural machine
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The intersection of architecture and the machine has a history that stretches back to the Industrial Revolution, however the machine has recently begun to appear in new ways in speculative architectural drawing and modelling. This issue of AD considers the influence of the machine as an allegorical device for exploring alternative architectural practices, and includes a cross-section of viewpoints from emerging and established international practitioners and academics. Allegory, a technique native to literature, provides a critical method through which machine typologies can contribute to deeper architectural narratives, offering new lenses for challenging or reassembling conventional modes of thought. An allegorical architectural project can unveil a story that enhances our awareness of something important. This AD reveals how engagement with the machine as an allegorical device in architectural discourse provides an avenue for architecture to provoke new ideas in response to current environmental, political, economic, cultural and social issues. At the forefront of this discussion, it extends the criticality of the topic within the broader spectrum of history, theory, philosophy, allegory and new technologies.
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December 2024
December 2024
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"Welcome to Issue #3 of Sociotype Journal, the type specimen for designers who like to read. Our theme this time is Home. What makes a home? Or a home away from home? And how does power (or a lack of it) change the concept and the reality of what ‘home’ means? Join us for a top-down and bottom-up tour of domesticity, from geometrically pristine masterplanned utopias, to(...)
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"Welcome to Issue #3 of Sociotype Journal, the type specimen for designers who like to read. Our theme this time is Home. What makes a home? Or a home away from home? And how does power (or a lack of it) change the concept and the reality of what ‘home’ means? Join us for a top-down and bottom-up tour of domesticity, from geometrically pristine masterplanned utopias, to(...)
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Sociotype Journal, issue 3 : Home
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"Welcome to Issue #3 of Sociotype Journal, the type specimen for designers who like to read. Our theme this time is Home. What makes a home? Or a home away from home? And how does power (or a lack of it) change the concept and the reality of what ‘home’ means? Join us for a top-down and bottom-up tour of domesticity, from geometrically pristine masterplanned utopias, to an altogether more DIY approach: unplanned and off-grid, into the margins, into ruin, and into hiding in plain sight. We’ll look at Potemkin villages and replica cities, McMansions and sham castles, cube farms and hot desks; spite fences, coffin homes, hippie communes, suburban malls, Cold War-era radar stations and more."
Sociotype Journal, issue 3 : Home
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"Welcome to Issue #3 of Sociotype Journal, the type specimen for designers who like to read. Our theme this time is Home. What makes a home? Or a home away from home? And how does power (or a lack of it) change the concept and the reality of what ‘home’ means? Join us for a top-down and bottom-up tour of domesticity, from geometrically pristine masterplanned utopias, to an altogether more DIY approach: unplanned and off-grid, into the margins, into ruin, and into hiding in plain sight. We’ll look at Potemkin villages and replica cities, McMansions and sham castles, cube farms and hot desks; spite fences, coffin homes, hippie communes, suburban malls, Cold War-era radar stations and more."
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October 2024
October 2024
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Magazines
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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first(...)
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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first(...)
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Emergence Magazine vol. 5: Time
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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first hardcover edition, journeys through the many landscapes of Time: deep time, geological time, kinship time, ancestral time, sacramental time. If we can recognize a different kind of Time, can we come to dwell within it?
Emergence Magazine vol. 5: Time
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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first hardcover edition, journeys through the many landscapes of Time: deep time, geological time, kinship time, ancestral time, sacramental time. If we can recognize a different kind of Time, can we come to dwell within it?
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journals and magazines
journals and magazines
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October 2024
October 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
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$15.00
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los(...)
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los(...)
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Kolaj #40
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los Angeles artist Wendy Tigerman‘s collaborative book of dog collages.
Kolaj #40
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los Angeles artist Wendy Tigerman‘s collaborative book of dog collages.
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
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E-flux index #4
E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
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E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
e-flux index #3
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
Log 62 : fall 2024
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
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Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
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journals and magazines
journals and magazines
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October 2024
October 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
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$36.95
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Summary:
Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des(...)
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des(...)
Title:
EKES (EarthKeeping EarthShaking) n° 02 : Sonder les droits de la Terre
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des projets et des propos présentés dans l'ouvrage trouve son reflet dans la variété textuelle et iconographique qui constitue Sonder les droits de la Terre. La mise en regard d'entretiens, d'essais, de conférences avec plus de 130 images donne à voir les formes par lesquelles la création contemporaine s'exprime pour, par et avec la nature.
EKES (EarthKeeping EarthShaking) n° 02 : Sonder les droits de la Terre
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des projets et des propos présentés dans l'ouvrage trouve son reflet dans la variété textuelle et iconographique qui constitue Sonder les droits de la Terre. La mise en regard d'entretiens, d'essais, de conférences avec plus de 130 images donne à voir les formes par lesquelles la création contemporaine s'exprime pour, par et avec la nature.
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journals and magazines
journals and magazines
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November 2024
November 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
Detail 12 2024 : Masonry
Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This(...)
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This(...)
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Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This issue also turns to masonry architecture, with explorations of natural stone traditions in France’s Bouches-du- Rhône region, the Brighton College campus in southern England, and Denmark’s brick building heritage.
Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This issue also turns to masonry architecture, with explorations of natural stone traditions in France’s Bouches-du- Rhône region, the Brighton College campus in southern England, and Denmark’s brick building heritage.
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journals and magazines
journals and magazines
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January 2025
January 2025
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Magazines
Magazines
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journals and magazines
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
Title:
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
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journals and magazines
journals and magazines
Publication:
January 2025
January 2025
Subject:
Magazines
Magazines
