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Alice Aycock (b. 1946) emerged onto the New York art scene in the 1970s and is best known for her large-scale public sculptures that often combine an industrial appearance with references to weightlessness as well as to science and cosmology. Aycock also has embraced the practice of drawing throughout her enormously productive career. This book is the first exploration of(...)
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Alice Aycock (b. 1946) emerged onto the New York art scene in the 1970s and is best known for her large-scale public sculptures that often combine an industrial appearance with references to weightlessness as well as to science and cosmology. Aycock also has embraced the practice of drawing throughout her enormously productive career. This book is the first exploration of(...)
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Alice Aycock drawings: some stories are worth repeating
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Alice Aycock (b. 1946) emerged onto the New York art scene in the 1970s and is best known for her large-scale public sculptures that often combine an industrial appearance with references to weightlessness as well as to science and cosmology. Aycock also has embraced the practice of drawing throughout her enormously productive career. This book is the first exploration of her spectacular drawings, which include elements of mirage, fantasy, and science, and evoke both abstract thinking and bodily sensation. The works on paper featured in this volume highlight the major themes that have governed her artistic practice: the role of architecture as a founding point of reference; the importance of mechanics and structure; and references to nature. As author Jonathan Fineberg demonstrates, Aycock is an artist who thinks on paper.
Alice Aycock drawings: some stories are worth repeating
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Alice Aycock (b. 1946) emerged onto the New York art scene in the 1970s and is best known for her large-scale public sculptures that often combine an industrial appearance with references to weightlessness as well as to science and cosmology. Aycock also has embraced the practice of drawing throughout her enormously productive career. This book is the first exploration of her spectacular drawings, which include elements of mirage, fantasy, and science, and evoke both abstract thinking and bodily sensation. The works on paper featured in this volume highlight the major themes that have governed her artistic practice: the role of architecture as a founding point of reference; the importance of mechanics and structure; and references to nature. As author Jonathan Fineberg demonstrates, Aycock is an artist who thinks on paper.
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books
books
Publication:
May 2013
May 2013
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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A pioneering figure in kinetic and programmed art, Gianni Colombo anticipated many of the themes in today’s contemporary art. This book covers Colombo’s artistic career from 1959-1980. Colombo’s practice aimed at overcoming the traditional notion of art as an object to contemplate, in order to create work that requires the active involvement of the viewer. From his(...)
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A pioneering figure in kinetic and programmed art, Gianni Colombo anticipated many of the themes in today’s contemporary art. This book covers Colombo’s artistic career from 1959-1980. Colombo’s practice aimed at overcoming the traditional notion of art as an object to contemplate, in order to create work that requires the active involvement of the viewer. From his(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2016
February 2016
Title:
Gianni Colombo: the body and the space 1959-1980
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A pioneering figure in kinetic and programmed art, Gianni Colombo anticipated many of the themes in today’s contemporary art. This book covers Colombo’s artistic career from 1959-1980. Colombo’s practice aimed at overcoming the traditional notion of art as an object to contemplate, in order to create work that requires the active involvement of the viewer. From his tactile pieces and works in motion of the late 1950s, to his immersive light installations of the 1960, into his mature large-scale environments, he conceived art as the place for an experience which belongs to both the body and the mind. His investigation of space is led by this idea of changing the spectator’s conventional relationship with reality, both physically and psychically, encompassing also a broad dialogue with technology and architecture.
Gianni Colombo: the body and the space 1959-1980
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A pioneering figure in kinetic and programmed art, Gianni Colombo anticipated many of the themes in today’s contemporary art. This book covers Colombo’s artistic career from 1959-1980. Colombo’s practice aimed at overcoming the traditional notion of art as an object to contemplate, in order to create work that requires the active involvement of the viewer. From his tactile pieces and works in motion of the late 1950s, to his immersive light installations of the 1960, into his mature large-scale environments, he conceived art as the place for an experience which belongs to both the body and the mind. His investigation of space is led by this idea of changing the spectator’s conventional relationship with reality, both physically and psychically, encompassing also a broad dialogue with technology and architecture.
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books
books
Publication:
February 2016
February 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Calder / Prouvé
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel(...)
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2014
October 2014
Title:
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in their parallel practices as artist and designer. Considered together, the works in this book testify to the fruitful exchange between two giants of modernism in its most utopian aspirations.
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in their parallel practices as artist and designer. Considered together, the works in this book testify to the fruitful exchange between two giants of modernism in its most utopian aspirations.
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books
books
Publication:
October 2014
October 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Oscar Tuazon: Building
Oscar Tuazon: Building
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of(...)
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of(...)
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Oscar Tuazon: Building
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of exhibition into a field for performative, improvisatory forms of building. Tracing a trajectory of sculptural interruptions in the utilitarian-built environment, the career survey at Kunst Museum Winterthur frames the progression of Tuazon's work through a series of objects. The project at Bergen Kunsthall concentrates on the scale model as a propositional device for imagining other spaces, as well as a means of temporary occupation of the exhibition space, culminating in a 1:1 scale model of the artist's current work Water School.
Oscar Tuazon: Building
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of exhibition into a field for performative, improvisatory forms of building. Tracing a trajectory of sculptural interruptions in the utilitarian-built environment, the career survey at Kunst Museum Winterthur frames the progression of Tuazon's work through a series of objects. The project at Bergen Kunsthall concentrates on the scale model as a propositional device for imagining other spaces, as well as a means of temporary occupation of the exhibition space, culminating in a 1:1 scale model of the artist's current work Water School.
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books
books
Publication:
April 2023
April 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$24.00
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Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series(...)
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Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2005, New York
September 2005, New York
Title:
Course of empire : paintings of Ed Ruscha, United State pavilion, 51st Venice biennale, 2005
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Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series with a new color canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some seemingly gentrifying. The exhibition will travel in 2006 to The Whitney museum of American art in New York. Essays from Linda Norden, the U.S. commissioner for the Venice Biennale, and artist Frances Stark celebrate the work, while Joan Didion’s coolly written but deeply felt piece about her own brokenhearted longing for Los Angeles hits a perfect note.
Course of empire : paintings of Ed Ruscha, United State pavilion, 51st Venice biennale, 2005
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Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series with a new color canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some seemingly gentrifying. The exhibition will travel in 2006 to The Whitney museum of American art in New York. Essays from Linda Norden, the U.S. commissioner for the Venice Biennale, and artist Frances Stark celebrate the work, while Joan Didion’s coolly written but deeply felt piece about her own brokenhearted longing for Los Angeles hits a perfect note.
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books
books
Publication:
September 2005, New York
September 2005, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$27.95
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2005, Chicago / New York
September 2005, Chicago / New York
Title:
Beyond green : toward a sustainable art
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
Beyond green : toward a sustainable art
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$27.95
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Summary:
Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
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books
books
Publication:
September 2005, Chicago / New York
September 2005, Chicago / New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Petra Blaisse: Art applied
Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban(...)
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban(...)
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Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban landscapes to intimate domestic spaces defined by soft textile walls. The resulting spaces defy conventional classification. This comprehensive survey encompasses renowned projects including the recently completed Taipei Performing Arts Center; the Kunsthal Rotterdam; Biblioteca degli Alberi in Milan, a park spanning almost ten hectares; and LocHal Library in Tilburg, a vast factory repurposed using an architecture of semi-translucent curtains. It also presents revelatory unrealised projects and explores the studio’s many collaborations, including the rich body of work produced with OMA since the late 1980s.
Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban landscapes to intimate domestic spaces defined by soft textile walls. The resulting spaces defy conventional classification. This comprehensive survey encompasses renowned projects including the recently completed Taipei Performing Arts Center; the Kunsthal Rotterdam; Biblioteca degli Alberi in Milan, a park spanning almost ten hectares; and LocHal Library in Tilburg, a vast factory repurposed using an architecture of semi-translucent curtains. It also presents revelatory unrealised projects and explores the studio’s many collaborations, including the rich body of work produced with OMA since the late 1980s.
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books
books
Publication:
March 2024
March 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$102.00
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This elegant clothbound volume gives unique insights into the creative process that led to the architectural realization of the Calder Gardens in Philadelphia—a new cultural destination that brings together the visionary architecture of Herzog & de Meuron and the meticulous garden design of Piet Oudolf to celebrate the human spirit through Alexander Calder's art. Packaged(...)
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This elegant clothbound volume gives unique insights into the creative process that led to the architectural realization of the Calder Gardens in Philadelphia—a new cultural destination that brings together the visionary architecture of Herzog & de Meuron and the meticulous garden design of Piet Oudolf to celebrate the human spirit through Alexander Calder's art. Packaged(...)
Title:
Calder Gardens: Drawings and Texts by Jacques Herzog
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This elegant clothbound volume gives unique insights into the creative process that led to the architectural realization of the Calder Gardens in Philadelphia—a new cultural destination that brings together the visionary architecture of Herzog & de Meuron and the meticulous garden design of Piet Oudolf to celebrate the human spirit through Alexander Calder's art. Packaged in a beautiful clothbound cover, embossed with Herzog's own handwriting taken from his notes, this large-format publication invites readers to look over Jacques Herzog's shoulder during the development of the project. Numerous sketches and drawings are grouped into 10 chapters, from "Vertical Stacks of Fragments" to "The Underground Is Not Innocent," each accompanied by an equally personal short text. A selection of collages and study models round out this deep-dive into the acclaimed architect's working method, artistic intelligence and questioning, creative approach.
Calder Gardens: Drawings and Texts by Jacques Herzog
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This elegant clothbound volume gives unique insights into the creative process that led to the architectural realization of the Calder Gardens in Philadelphia—a new cultural destination that brings together the visionary architecture of Herzog & de Meuron and the meticulous garden design of Piet Oudolf to celebrate the human spirit through Alexander Calder's art. Packaged in a beautiful clothbound cover, embossed with Herzog's own handwriting taken from his notes, this large-format publication invites readers to look over Jacques Herzog's shoulder during the development of the project. Numerous sketches and drawings are grouped into 10 chapters, from "Vertical Stacks of Fragments" to "The Underground Is Not Innocent," each accompanied by an equally personal short text. A selection of collages and study models round out this deep-dive into the acclaimed architect's working method, artistic intelligence and questioning, creative approach.
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books
books
Publication:
November 2025
November 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
David Adjaye Adam Pendleton
David Adjaye Adam Pendleton
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$82.00
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The(...)
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The(...)
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David Adjaye Adam Pendleton
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space- whether architectonic or on canvas- and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye’s works to the meeting of ink and canvas in Pendleton’s studio.
David Adjaye Adam Pendleton
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$82.00
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space- whether architectonic or on canvas- and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye’s works to the meeting of ink and canvas in Pendleton’s studio.
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books
books
Publication:
August 2021
August 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$62.00
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at(...)
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at(...)
Title:
Ellsworth Kelly: Color panels for a large wall
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at over 125 feet wide, was the biggest painting he had ever made, and its trajectory would pass through not just Cincinnati but also Amsterdam, New York and Munich before ending up at its permanent home, the National Gallery of Art in Washington, DC, where it has been prominently installed in the I.M. Pei–designed East Building since 2004.The smaller version, over 30 feet wide, remained in the artist's possession. This catalog tells the complete story of these two remarkable paintings.
Ellsworth Kelly: Color panels for a large wall
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at over 125 feet wide, was the biggest painting he had ever made, and its trajectory would pass through not just Cincinnati but also Amsterdam, New York and Munich before ending up at its permanent home, the National Gallery of Art in Washington, DC, where it has been prominently installed in the I.M. Pei–designed East Building since 2004.The smaller version, over 30 feet wide, remained in the artist's possession. This catalog tells the complete story of these two remarkable paintings.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
