books
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277 pages, 16 unnumbered pages of plates : illustrations (some color) ; 27 cm
New Haven, CT : Yale University Press, ©2001.
Louis Kahn's situated modernism / Sarah Williams Goldhagen.
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277 pages, 16 unnumbered pages of plates : illustrations (some color) ; 27 cm
books
New Haven, CT : Yale University Press, ©2001.
$48.95
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These sharp and insightful texts, whether addressing the impact of digital technology, the design of an effective hotel, the emergence of the Los Angeles vanguard, or the proper execution of a thesis project, combine frontline reportage, archival scholarship, trenchant prose, and impressive critical acumen to cut through the cacophony of recent architectural discourse(...)
Figments of the architectural imagination
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$48.95
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These sharp and insightful texts, whether addressing the impact of digital technology, the design of an effective hotel, the emergence of the Los Angeles vanguard, or the proper execution of a thesis project, combine frontline reportage, archival scholarship, trenchant prose, and impressive critical acumen to cut through the cacophony of recent architectural discourse with uncommon clarity, intelligence, rigor, and wit. Taken together, these essays provide essential orientation for practitioners, academics, students, and afficionados hoping to understand how contemporary architecture came to be where it is and to speculate on where it might go next.
Architectural Theory
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Compiling the most important essays and backgound articles published in OASE over the last 25 years, this anthology affords an overview of the themes that have dominated architectural discourse over recent decades in the Lowlands and beyond.
Magazines
September 2008, Rotterdam
Oase 75: 25 years of critical reflection on architecture
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Compiling the most important essays and backgound articles published in OASE over the last 25 years, this anthology affords an overview of the themes that have dominated architectural discourse over recent decades in the Lowlands and beyond.
Magazines
books
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224 pages, 2 unnumbered pages : illustrations (chiefly color), color maps, plans (chiefly color) ; 31 cm
New York, NY : Cooper-Hewitt, Smithsonian Design Museum, [2022], New York, NY : Distributed (North America) by Artbook / D.A.P., London : Distributed (worldwide) by Thames & Hudson, UK
Designing peace : building a better future now / Cynthia E. Smith.
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224 pages, 2 unnumbered pages : illustrations (chiefly color), color maps, plans (chiefly color) ; 31 cm
books
New York, NY : Cooper-Hewitt, Smithsonian Design Museum, [2022], New York, NY : Distributed (North America) by Artbook / D.A.P., London : Distributed (worldwide) by Thames & Hudson, UK
books
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xvii, 406 pages : illustrations ; 24 cm
Cambridge, Mass. : MIT Press, 2001.
Le Corbusier in America : travels in the land of the timid / Mardges Bacon.
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xvii, 406 pages : illustrations ; 24 cm
books
Cambridge, Mass. : MIT Press, 2001.
$48.95
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural(...)
Schlepping through ambivalence : essays on an American architectural condition
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural practice. This collection of essays, most previously unpublished, spans the course of Tigerman's career. Included are writings on the history of Chicago architecture, architectural theory, and commentary on contemporaries. Tigerman's engaging words, at times humorous and humble, at times biting and cantankerous, will captivate students and scholars as well as the general reader.
Architectural Theory
books
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viii, 322 pages : illustrations ; 24 cm
Oakland, California : University of California Press, [2020]
In the studio : visual creation and its material environments / edited by Brian R. Jacobson.
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viii, 322 pages : illustrations ; 24 cm
books
Oakland, California : University of California Press, [2020]
$55.90
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In this manifesto, Nadir Lahiji asserts that today, architectonic reason has fallen into ruins. As soon as architecture leaves the limits set to it by architectonic reason, no other path is open to it but the path to aestheticism. In its reduction to a pure aesthetic object, architecture negatively affects the human sensorium. Capitalist consumer society creates desires(...)
An architecture manifesto: critical reason and theories of a failed practice
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In this manifesto, Nadir Lahiji asserts that today, architectonic reason has fallen into ruins. As soon as architecture leaves the limits set to it by architectonic reason, no other path is open to it but the path to aestheticism. In its reduction to a pure aesthetic object, architecture negatively affects the human sensorium. Capitalist consumer society creates desires by generating ‘surplus-enjoyment’ for capitalist profit and contemporary architecture has become an instrument in generating this ‘surplus-enjoyment’, with fatal consequences. This manifesto is thus both a critique and a work of theory. It is a siren, alarm, klaxon to the current status quo within architectural discourse and a timely response to the conditions of architecture today.
Architectural Theory
New York global: Critical writings and proposals 1970-2020. Housing, infrastructure, pedagogy
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Framed by the period of the Great Acceleration, these writings and projects represent a critical commentary on the state of architecture and urbanism and their causal role in global metamorphosis. On the eve of Plunz’s status as Emeritus at Columbia University, "New York global" bridges five decades of his pedagogical commitment to question the cannons of the design(...)
New York global: Critical writings and proposals 1970-2020. Housing, infrastructure, pedagogy
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Framed by the period of the Great Acceleration, these writings and projects represent a critical commentary on the state of architecture and urbanism and their causal role in global metamorphosis. On the eve of Plunz’s status as Emeritus at Columbia University, "New York global" bridges five decades of his pedagogical commitment to question the cannons of the design and urbanism fields and their relationship to the contemporary built environment. Global urbanization serves as a backdrop for a heightened consideration of the intermingling of housing, infrastructure, and pedagogy, as he negotiates the evolution of mainstream theory and praxis in architecture and planning. Through interviews, syllabi excerpts, essays, discussions, and projects, New York City is projected as a lens for understanding the potential for metropolises everywhere to serve as firewalls against dystopic social inequities and ecological adversity. In questioning the discourse surrounding urban research and action, Plunz engages with the primordial question of "urban" itself. This book is not a cautionary tale, but rather an assemblage of timestamped evidence toward understanding our current condition. Closely studying the very tools that have fostered today’s environmental and societal consequences, each segment contributes to understanding engagement with a post-accelerated future.
Architectural Theory
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture(...)
Style and solitude: The history of an architectural problem
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture actually work? How was it used and what did it mean? In ''Style and solitude,'' Mari Hvattum seeks to understand the apparent death of style, returning to its birthplace in the late eighteenth century, and charting how it grew to influence modern architectural discourse and practice. As Hvattum explains, German thinkers of the eighteenth and nineteenth century offered competing ideas of what style was and how it should be applied in architecture. From Karl Friedrich Schinkel’s thoughtful eclecticism to King Maximilian II’s attempt to capture the zeitgeist in an architectural competition, style was at the center of fascinating experiments and furious disputes. Starting with Johann Joachim Winckelmann’s invention of the period style and ending a century later with Gottfried Semper’s generative theory of style, Hvattum explores critical debates that are still ongoing today.
Architectural Theory