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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of(...)
October 2005, New York
Stanley Saitowitz : buildings and projects
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of opportunity; the use of generative systems; the role of architecture as a support for human activity; and the visible trace of building techniques. This monograph, the first on Stanley Saitowitz office, presents fifty projects from more than thirty years of practice. The projects, divided by building type, are accompanied by a personal text in which Saitowitz plainly discusses his influences and interests. Landscape houses, often built on spectacular sites in Marin, Napa, and Sonoma, have evolved to include the noted "bar houses." Urban houses, while compact and dense, incorporate a sense of volume; similarly, multifamily housing provides indeterminate space to allow for personalization. Buildings for schools range from the riverside campus of the Oxbow School in Napa to the structurally innovative Building 23B at UCSF Mission Bay. Among the public landscapes is Mill Race Park in Columbus, Indiana, an assemblage of constructions specific to both place and function. Finally, Saitowitz has developed a series of designs that explore the formation of a Jewish architecture, notably synagogues in San Francisco and La Jolla and the Holocaust Memorial in Boston. Principal photography by Richard Barnes and Tim Griffith.
Finn Juhl and his house
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The Danish design scholar Birgit Lyngbye Pedersen discovered the work of Finn Juhl (1912-1989) when she was looking for a suitable sofa for her 1950s home. Juhl's furniture is undergoing a renaissance at present, and when his house in Charlottenlund--which he designed and decorated in 1941-42--came up for sale, Pedersen purchased the building and all of its furnishings,(...)
Finn Juhl and his house
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The Danish design scholar Birgit Lyngbye Pedersen discovered the work of Finn Juhl (1912-1989) when she was looking for a suitable sofa for her 1950s home. Juhl's furniture is undergoing a renaissance at present, and when his house in Charlottenlund--which he designed and decorated in 1941-42--came up for sale, Pedersen purchased the building and all of its furnishings, presenting it immediately afterward to the adjacent Ordrupgaard Museum. This monograph takes a look at Finn Juhl-who, alongside Hans J. Wegner and Arne Jacobsen, is one of the most important Danish modernists-in an agreeable, unpretentious fashion. Per H. Hansen, a renowned expert in Scandinavian furniture design, provides a humorous, extremely informative description of Juhl's unconventional character and his classic furniture
Design Monographs
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Grounded in personal experience, "Eviction" uncovers a hidden history of housing injustice and working-class resistance in what has become a perennial battleground for social conflict in modern Britain.In 2017, Jessica Field’s parents and more than a hundred of their neighbours received warning of imminent eviction. Their corporate landlord intended to demolish their(...)
Eviction: A social history of rent
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Grounded in personal experience, "Eviction" uncovers a hidden history of housing injustice and working-class resistance in what has become a perennial battleground for social conflict in modern Britain.In 2017, Jessica Field’s parents and more than a hundred of their neighbours received warning of imminent eviction. Their corporate landlord intended to demolish their affordable, privately rented homes to replace them with middle-class houses for sale. Led by the women of the estate, tenants launched an anti-eviction campaign to save their close-knit community from destruction.The neighbourhood was the last remnant of a 1950s National Coal Board estate constructed to house local miners. When the coal industry declined in the 1970s, whole estates were auctioned off to speculators. Low-income tenants were at the mercy of global investors. Houses were left to rot. Rents soared. Tenants were exploited every step of the way. Yet time and again, tenant activists – especially women – fought back.
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Analyzing Ambasz
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Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry,(...)
Analyzing Ambasz
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Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry, wonder, and myth are often ascribed to his designs. In this penetrating collection of essays, prominent scholars and architects take up the challenge and set about rigorously "analyzing Ambasz."
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Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters.(...)
April 2003, San Francisco
Readymades : American roadside artifacts
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Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters. Brouws treats his subjects as readymade art found in the landscape, brought together to create an idiosyncratic roadside panorama. Provocative essays by leading writers and cultural commentators such as Luc Sante, DJ Waldie, M. Mark, Diana Gaston, Bruce Caron, and Phil Patton are juxtaposed with these images of all that is unique in the uniform, and striking in the mundane.
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature(...)
October 2010
Casa Modernista: A history of the Brazil Modern house
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature and built forms, so that the one was not dominated by the other. The undulating and amorphous buildings of Oscar Niemeyer are perhaps the best known expressions of this philosophy, in which the typical straight line of Europe’s Modern home becomes a graceful arabesque. Casa Modernista features not only the work of Niemeyer, but also that of the most important modern architects of this extremely rich, multifaceted nation, including Affonso Eduardo Reidy, Jorge Machado Moreira, Carlos Leao, Alvaro Vital Brazil, Paulo Mendes da Rocha, Joao Walter Toscano, and Abrahao Sanovicz.
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall,(...)
October 2008, Köln
Architecture materials glass verre glas
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.
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This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity(...)
Buildings without architects: a global guide to everyday architecture
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This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity of the world’s vernacular building traditions are illustrated, and the materials and techniques are explored. With examples from every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressively handmade finished products through diagrams, cross-sections, and photographs. Unlike modern buildings that rely on industrially produced materials and specialized tools and techniques, the everyday architecture featured here represents a rapidly disappearing genre of handcrafted and beautifully composed structures that are irretrievably "of their place." These structures are the work of unsung and often anonymous builders that combine artistic beauty, practical form, and necessity.
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237 pages, 3 unnumbered pages : illustrations (chiefly color), facsimiles, color maps, color plans ; 33 cm
Paris : Parigramme, 2006., ©2006
Atlas de Paris au Moyen Âge : espace urbain, habitat, société, religion, lieux de pouvoir / Philippe Lorentz & Dany Sandron ; photographies Jacques Lebar ; cartographie, Bénédicte Loisel.
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237 pages, 3 unnumbered pages : illustrations (chiefly color), facsimiles, color maps, color plans ; 33 cm
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Paris : Parigramme, 2006., ©2006