171 Results
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In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of(...)
$37.95
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Summary:
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of(...)
Title:
The city after property: Abandonment and repair in postindustrial Detroit
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In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
The city after property: Abandonment and repair in postindustrial Detroit
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$37.95
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Summary:
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
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books
books
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August 2023
August 2023
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books
books
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$102.00
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The Clyfford Still Museum was designed by the leading architectural practice Allied Works and its founder, Brad Cloepfil. The building creates space for the voice and artistic vision of American painter Clyfford Still (1904–1980), housing the vast majority of his creative output over a sixty-year period. The museum’s design is inspired by the work of Still and by its(...)
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The Clyfford Still Museum was designed by the leading architectural practice Allied Works and its founder, Brad Cloepfil. The building creates space for the voice and artistic vision of American painter Clyfford Still (1904–1980), housing the vast majority of his creative output over a sixty-year period. The museum’s design is inspired by the work of Still and by its(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2022
February 2022
Title:
Cyfford Still Museum: Allied Works architecture
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$102.00
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The Clyfford Still Museum was designed by the leading architectural practice Allied Works and its founder, Brad Cloepfil. The building creates space for the voice and artistic vision of American painter Clyfford Still (1904–1980), housing the vast majority of his creative output over a sixty-year period. The museum’s design is inspired by the work of Still and by its monumental context: the site is located at the intersection of prairie and mountains, within an urban district of major cultural buildings, vacant lots, historic housing, and new development. The building looks to the earth as a source of silence and profound connection to the elemental forces the artist explored through his painting. This publication presents the vision and realization of the museum from initial concepts to completion. A rich collection of stories, artifacts, documents, and conversations trace the evolution of the building and Allied Works’ unique creative process. New essays and photography examine its significance within contemporary architectural discourse and the singular experience of the completed work.
Cyfford Still Museum: Allied Works architecture
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$102.00
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Summary:
The Clyfford Still Museum was designed by the leading architectural practice Allied Works and its founder, Brad Cloepfil. The building creates space for the voice and artistic vision of American painter Clyfford Still (1904–1980), housing the vast majority of his creative output over a sixty-year period. The museum’s design is inspired by the work of Still and by its monumental context: the site is located at the intersection of prairie and mountains, within an urban district of major cultural buildings, vacant lots, historic housing, and new development. The building looks to the earth as a source of silence and profound connection to the elemental forces the artist explored through his painting. This publication presents the vision and realization of the museum from initial concepts to completion. A rich collection of stories, artifacts, documents, and conversations trace the evolution of the building and Allied Works’ unique creative process. New essays and photography examine its significance within contemporary architectural discourse and the singular experience of the completed work.
Form:
books
books
Publication:
February 2022
February 2022
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$34.95
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It is said that the history of modern architecture can be observed through the evolution of the single-family home. Over generations, each has hoped to improve on the last, rethinking and reinventing this seemingly simple building type. At certain historic moments in the discourse, new ideas about domesticity have given form to radically different configurations of home(...)
$34.95
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It is said that the history of modern architecture can be observed through the evolution of the single-family home. Over generations, each has hoped to improve on the last, rethinking and reinventing this seemingly simple building type. At certain historic moments in the discourse, new ideas about domesticity have given form to radically different configurations of home(...)
Title:
From the gournd up : innovative green homes
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It is said that the history of modern architecture can be observed through the evolution of the single-family home. Over generations, each has hoped to improve on the last, rethinking and reinventing this seemingly simple building type. At certain historic moments in the discourse, new ideas about domesticity have given form to radically different configurations of home and community. Current emphasis on sustainability presents a unique opportunity to design affordable houses that respond to specific economic, social, and environmental challenges. In From the Ground Up, editor Peggy Tully presents the results of an international competition to create new models for affordable high-performance green homes in urban residential neighborhoods. Developed for a vacant infill site in Syracuse's Near Westside, these ambitious projects offer an array of innovative designs that provide a new vision for once-vital urban residential neighborhoods and well-designed energy-efficient homes throughout the United States. From the Ground Up includes topical essays by series editor Mark Robbins, architect Michael Sorkin, and architectural historianSusan Henderson.
From the gournd up : innovative green homes
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$34.95
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Summary:
It is said that the history of modern architecture can be observed through the evolution of the single-family home. Over generations, each has hoped to improve on the last, rethinking and reinventing this seemingly simple building type. At certain historic moments in the discourse, new ideas about domesticity have given form to radically different configurations of home and community. Current emphasis on sustainability presents a unique opportunity to design affordable houses that respond to specific economic, social, and environmental challenges. In From the Ground Up, editor Peggy Tully presents the results of an international competition to create new models for affordable high-performance green homes in urban residential neighborhoods. Developed for a vacant infill site in Syracuse's Near Westside, these ambitious projects offer an array of innovative designs that provide a new vision for once-vital urban residential neighborhoods and well-designed energy-efficient homes throughout the United States. From the Ground Up includes topical essays by series editor Mark Robbins, architect Michael Sorkin, and architectural historianSusan Henderson.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Green Architecture
Green Architecture
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books
books
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$54.95
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What form of housing will emerge in Dubai, where the majority of the population are non-citizens and average length of stay three days? How will depopulating cities reclaim vacant space, reorganize infrastructure and redefine their economic identity? What type of architecture results from the prevalence of airborne contaminants? What kind of urbanism does Google Earth(...)
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What form of housing will emerge in Dubai, where the majority of the population are non-citizens and average length of stay three days? How will depopulating cities reclaim vacant space, reorganize infrastructure and redefine their economic identity? What type of architecture results from the prevalence of airborne contaminants? What kind of urbanism does Google Earth(...)
Title:
Distributed urbanism : cities after Google Earth
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What form of housing will emerge in Dubai, where the majority of the population are non-citizens and average length of stay three days? How will depopulating cities reclaim vacant space, reorganize infrastructure and redefine their economic identity? What type of architecture results from the prevalence of airborne contaminants? What kind of urbanism does Google Earth produce? Exploring the increasingly decentralized systems through which cities are organized and produced, this publication highlights the architectural practices that are emerging in response. Unlike early models of urbanism, in which centralized models of production, communication and governance were sited within a central business district, contemporary urbanism is shaped by remote, distributed mechanisms such as information technologies, (i.e. SatNav, Google Earth, E-trade, Photosynth or RSS web feeds) cooperative economic models and environmental networks, many of which are physically remote from the cities they shape. Consisting of a collection of case studies on global cities including Rotterdam, Tokyo, Barcelona, Detroit, Hong Kong, Dubai, Beijing and Mumbai, the authors draw on these cities in relation to current events, urban schemes and demographic data.
Distributed urbanism : cities after Google Earth
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$54.95
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Summary:
What form of housing will emerge in Dubai, where the majority of the population are non-citizens and average length of stay three days? How will depopulating cities reclaim vacant space, reorganize infrastructure and redefine their economic identity? What type of architecture results from the prevalence of airborne contaminants? What kind of urbanism does Google Earth produce? Exploring the increasingly decentralized systems through which cities are organized and produced, this publication highlights the architectural practices that are emerging in response. Unlike early models of urbanism, in which centralized models of production, communication and governance were sited within a central business district, contemporary urbanism is shaped by remote, distributed mechanisms such as information technologies, (i.e. SatNav, Google Earth, E-trade, Photosynth or RSS web feeds) cooperative economic models and environmental networks, many of which are physically remote from the cities they shape. Consisting of a collection of case studies on global cities including Rotterdam, Tokyo, Barcelona, Detroit, Hong Kong, Dubai, Beijing and Mumbai, the authors draw on these cities in relation to current events, urban schemes and demographic data.
Form:
books
books
Publication:
July 2010
July 2010
Subject:
Urban Theory
Urban Theory
Form:
books
books
Title:
Todd Hido: witness number 7
Todd Hido: witness number 7
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As guest editor of Witness Number 7, Todd Hido creates a relationship between his own photographs of vacant interiors of foreclosed homes - the first time this series has been published as a group - with portraits made by Leon Borensztein during the 1980s. Hido's images contain traces and impressions of lives previously having been lived in the now-empty homes. His potent(...)
$52.95
(available to order)
Summary:
As guest editor of Witness Number 7, Todd Hido creates a relationship between his own photographs of vacant interiors of foreclosed homes - the first time this series has been published as a group - with portraits made by Leon Borensztein during the 1980s. Hido's images contain traces and impressions of lives previously having been lived in the now-empty homes. His potent(...)
Title:
Todd Hido: witness number 7
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$52.95
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As guest editor of Witness Number 7, Todd Hido creates a relationship between his own photographs of vacant interiors of foreclosed homes - the first time this series has been published as a group - with portraits made by Leon Borensztein during the 1980s. Hido's images contain traces and impressions of lives previously having been lived in the now-empty homes. His potent and surreal photographs of empty spaces evoke a longing for the time when things were better in those homes. What went wrong? Who used to lived there? Borensztein, an immigrant from Poland, visited homes and businesses in the suburbs of Stockton, Fresno and Bakersfield, photographing his subjects in front of a generic backdrop to create a rich sociological document. In Witness Number 7, Borensztein's subjects stand in metaphorically for the families evicted from Hido's foreclosed homes. The book closes with what Hido describes as a slowly cooked stew of books a 40-page run of images documented off the pages of certain books in his library that have influenced Hido's work during the past 20 years, curated into a narrative of echos and inspirations.
Todd Hido: witness number 7
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$52.95
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Summary:
As guest editor of Witness Number 7, Todd Hido creates a relationship between his own photographs of vacant interiors of foreclosed homes - the first time this series has been published as a group - with portraits made by Leon Borensztein during the 1980s. Hido's images contain traces and impressions of lives previously having been lived in the now-empty homes. His potent and surreal photographs of empty spaces evoke a longing for the time when things were better in those homes. What went wrong? Who used to lived there? Borensztein, an immigrant from Poland, visited homes and businesses in the suburbs of Stockton, Fresno and Bakersfield, photographing his subjects in front of a generic backdrop to create a rich sociological document. In Witness Number 7, Borensztein's subjects stand in metaphorically for the families evicted from Hido's foreclosed homes. The book closes with what Hido describes as a slowly cooked stew of books a 40-page run of images documented off the pages of certain books in his library that have influenced Hido's work during the past 20 years, curated into a narrative of echos and inspirations.
Form:
books
books
Publication:
January 2009
January 2009
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$39.95
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What do you do if your alley is strewn with garbage after the sanitation truck comes through? Or if you’re tired of the rowdy teenagers next door keeping you up all night? Is there a vacant lot on your block accumulating weeds, needles, and litter? For a century, Chicagoans have joined block clubs to address problems like these that make daily life in the city a(...)
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What do you do if your alley is strewn with garbage after the sanitation truck comes through? Or if you’re tired of the rowdy teenagers next door keeping you up all night? Is there a vacant lot on your block accumulating weeds, needles, and litter? For a century, Chicagoans have joined block clubs to address problems like these that make daily life in the city a(...)
Title:
Chicago's block clubs: how neighbors shape the city
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What do you do if your alley is strewn with garbage after the sanitation truck comes through? Or if you’re tired of the rowdy teenagers next door keeping you up all night? Is there a vacant lot on your block accumulating weeds, needles, and litter? For a century, Chicagoans have joined block clubs to address problems like these that make daily life in the city a nuisance. When neighbors work together in block clubs, playgrounds get built, local crime is monitored, streets are cleaned up, and every summer is marked by the festivities of day-long block parties. In Chicago’s Block Clubs, Amanda I. Seligman uncovers the history of the block club in Chicago—from its origins in the Urban League in the early 1900s through to the Chicago Police Department’s twenty-first-century community policing program. Recognizing that many neighborhood problems are too big for one resident to handle—but too small for the city to keep up with—city residents have for more than a century created clubs to establish and maintain their neighborhood’s particular social dynamics, quality of life, and appearance.
Chicago's block clubs: how neighbors shape the city
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$39.95
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Summary:
What do you do if your alley is strewn with garbage after the sanitation truck comes through? Or if you’re tired of the rowdy teenagers next door keeping you up all night? Is there a vacant lot on your block accumulating weeds, needles, and litter? For a century, Chicagoans have joined block clubs to address problems like these that make daily life in the city a nuisance. When neighbors work together in block clubs, playgrounds get built, local crime is monitored, streets are cleaned up, and every summer is marked by the festivities of day-long block parties. In Chicago’s Block Clubs, Amanda I. Seligman uncovers the history of the block club in Chicago—from its origins in the Urban League in the early 1900s through to the Chicago Police Department’s twenty-first-century community policing program. Recognizing that many neighborhood problems are too big for one resident to handle—but too small for the city to keep up with—city residents have for more than a century created clubs to establish and maintain their neighborhood’s particular social dynamics, quality of life, and appearance.
Form:
books
books
Publication:
September 2016
September 2016
Subject:
Urban Theory
Urban Theory
Form:
books
books
Price:
$57.00
(available to order)
Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
$57.00
(available to order)
Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
Title:
Local code: 3659 proposals about data, design, and the nature of cities
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$57.00
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With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
Local code: 3659 proposals about data, design, and the nature of cities
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$57.00
(available to order)
Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Urban Theory
Urban Theory
Form:
books
books
Actions:
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$50.00
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Summary:
With "Edens lost & found", filmmakers Harry Wiland and Dale Bell herald a sea change in the relationship between ordinary citizens, environmental groups, and government. From across America they gather evidence of a new spirit of cooperation among neighbors, planners, architects and builders, city officials, and government agencies. Indeed, as urban issues have become(...)
$50.00
(available to order)
Summary:
With "Edens lost & found", filmmakers Harry Wiland and Dale Bell herald a sea change in the relationship between ordinary citizens, environmental groups, and government. From across America they gather evidence of a new spirit of cooperation among neighbors, planners, architects and builders, city officials, and government agencies. Indeed, as urban issues have become(...)
Subject:
Urban Landscapes
Urban Landscapes
Publication:
May 2006, White River Junction
May 2006, White River Junction
Title:
Edens lost and found : how ordinary citizens are restoring our great American cities
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$50.00
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With "Edens lost & found", filmmakers Harry Wiland and Dale Bell herald a sea change in the relationship between ordinary citizens, environmental groups, and government. From across America they gather evidence of a new spirit of cooperation among neighbors, planners, architects and builders, city officials, and government agencies. Indeed, as urban issues have become undeniably urgent problems that demand answers, people from disparate backgrounds and political leanings are joining forces to recast life in American cities. As citizens take action where government has failed, they are finding support, encouragement, and help from their neighbors. Conversely, as progressive-minded government agencies and organizations explore nontraditional solutions, an energized community rallies to the cause. Neither exclusively top-down, nor grass roots, we are in the midst of an unprecedented movement that unites efforts from every quarter in a common cause. Focusing on Chicago, Los Angeles, Philadelphia, and Seattle-four cities that face vastly different challenges-"Edens lost & found" highlights the remarkable power of hope, pride, ingenuity, and chutzpah that characterize this era of collaboration. Bioengineering concepts-now increasingly understood by many to offer the most effective, cost-efficient solutions-are playing a central role. Working with-rather than in opposition to-nature is leading to such innovations as rooftop and urban gardens, restored parks, transformed vacant lots, the re-greening of city streets, and eco-friendly watershed management. Edens Lost & Found shows how working to reshape the land also transforms the relationships people have to one another.
Edens lost and found : how ordinary citizens are restoring our great American cities
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Price:
$50.00
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Summary:
With "Edens lost & found", filmmakers Harry Wiland and Dale Bell herald a sea change in the relationship between ordinary citizens, environmental groups, and government. From across America they gather evidence of a new spirit of cooperation among neighbors, planners, architects and builders, city officials, and government agencies. Indeed, as urban issues have become undeniably urgent problems that demand answers, people from disparate backgrounds and political leanings are joining forces to recast life in American cities. As citizens take action where government has failed, they are finding support, encouragement, and help from their neighbors. Conversely, as progressive-minded government agencies and organizations explore nontraditional solutions, an energized community rallies to the cause. Neither exclusively top-down, nor grass roots, we are in the midst of an unprecedented movement that unites efforts from every quarter in a common cause. Focusing on Chicago, Los Angeles, Philadelphia, and Seattle-four cities that face vastly different challenges-"Edens lost & found" highlights the remarkable power of hope, pride, ingenuity, and chutzpah that characterize this era of collaboration. Bioengineering concepts-now increasingly understood by many to offer the most effective, cost-efficient solutions-are playing a central role. Working with-rather than in opposition to-nature is leading to such innovations as rooftop and urban gardens, restored parks, transformed vacant lots, the re-greening of city streets, and eco-friendly watershed management. Edens Lost & Found shows how working to reshape the land also transforms the relationships people have to one another.
Form:
books
books
Publication:
May 2006, White River Junction
May 2006, White River Junction
Subject:
Urban Landscapes
Urban Landscapes
Form:
books
books
Actions:
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$40.00
(available to order)
Summary:
Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his(...)
$40.00
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Summary:
Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his(...)
Title:
Wim Wenders : places, strange and quiet
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his subsequent global acclaim as a director, Wenders has doggedly maintained his life as a photographer. In fact, the two careers have served each other well, as many of his photographs are created while location-scouting for films. His image repertoire of neglected industrial buildings, vacant lots, cemeteries, dilapidated urban niches and courtyards express a mixture of bemusement, melancholy and dislocation. “When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots,” Wenders says. “It must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.” These strange and quiet color photographs are accompanied by poetical captions, some of which elucidate what is depicted, others of which lightly supplement with an anecdote (one characteristically deadpan caption accompanies an image of a cowboy clown standing at a rodeo: “It is amazing how many different ideas of 'fun' co-exist in this world” ). This publication gathers photographs from 1983 to 2011 in a full panorama of Wenders' photography to date.
Wim Wenders : places, strange and quiet
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his subsequent global acclaim as a director, Wenders has doggedly maintained his life as a photographer. In fact, the two careers have served each other well, as many of his photographs are created while location-scouting for films. His image repertoire of neglected industrial buildings, vacant lots, cemeteries, dilapidated urban niches and courtyards express a mixture of bemusement, melancholy and dislocation. “When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots,” Wenders says. “It must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.” These strange and quiet color photographs are accompanied by poetical captions, some of which elucidate what is depicted, others of which lightly supplement with an anecdote (one characteristically deadpan caption accompanies an image of a cowboy clown standing at a rodeo: “It is amazing how many different ideas of 'fun' co-exist in this world” ). This publication gathers photographs from 1983 to 2011 in a full panorama of Wenders' photography to date.
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Actions:
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$52.95
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Summary:
When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic(...)
$52.95
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Summary:
When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic(...)
Title:
Mixed use, Manhattan : photography and related practices, 1970 to the present
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Summary:
When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic team Shunk-Kender shot a vast series of images of Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Matta-Clark, and William Wegman, among others); and Cindy Sherman staged some of her Untitled Film Stills on the streets of Lower Manhattan. This publication documents and illustrates these projects as well as more recent work by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images, a chronology of the policy decisions and developments that altered the face of New York City from 1950 to the present; an autobiographical story by David Wojnarowicz; and essays by Johanna Burton, Lytle Shaw, Juan Suarez, and the exhibition's curators, Lynne Cooke and Douglas Crimp.
Mixed use, Manhattan : photography and related practices, 1970 to the present
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Price:
$52.95
(available to order)
Summary:
When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic team Shunk-Kender shot a vast series of images of Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Matta-Clark, and William Wegman, among others); and Cindy Sherman staged some of her Untitled Film Stills on the streets of Lower Manhattan. This publication documents and illustrates these projects as well as more recent work by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images, a chronology of the policy decisions and developments that altered the face of New York City from 1950 to the present; an autobiographical story by David Wojnarowicz; and essays by Johanna Burton, Lytle Shaw, Juan Suarez, and the exhibition's curators, Lynne Cooke and Douglas Crimp.
Form:
books
books
Publication:
September 2010
September 2010
Subject:
Public Space
Public Space
