ARCH255789
1966-1967
ARCH256260
Description:
"Designed to resemble the planes of a finely-cut jewel, the Austrian pavilion is very much an aluminum pavilion. Its intricate structure was effected by extremely accurate positioning of over 60 variations of triangular aluminum panels into their supporting extruded framework."--Description.
1967
View of the Swiss, Austrian and Telephone Pavilions, Expo 67, Montréal, Québec
Actions:
ARCH256260
Description:
"Designed to resemble the planes of a finely-cut jewel, the Austrian pavilion is very much an aluminum pavilion. Its intricate structure was effected by extremely accurate positioning of over 60 variations of triangular aluminum panels into their supporting extruded framework."--Description.
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
theatre design
probably between 1745-1775
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
theatre design
Detail for the plasterwork between the fluting of the columns for Electric House, Battersea Borough
DR1988:0395
Description:
- This reprographic copy shows a design for plaster ornament consisting of a frieze of lightbulbs with electrical cords and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture, interior design
printed November 1926
Detail for the plasterwork between the fluting of the columns for Electric House, Battersea Borough
Actions:
DR1988:0395
Description:
- This reprographic copy shows a design for plaster ornament consisting of a frieze of lightbulbs with electrical cords and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture, interior design
ARCH255844
1967
View of the German Pavilion with the Australian Pavilion in background, Expo 67, Montréal, Québec
ARCH256294
1967
photographs
ARCH256461
1967
View of the Polymer and Air Canada's Pavilions, Expo 67, Montréal, Québec
Actions:
ARCH256461
photographs
1967
Project
O.C.H. Feasibility Study
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
1927-1967, predominant 1965-1966
O.C.H. Feasibility Study
Actions:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
File 59
1927-1967, predominant 1965-1966
That digital tools have changed the very nature of designing and making buildings is unquestioned. Yet formal innovation and ingenuity—and the technical competence needed to achieve those ends—are not merely a function of the virtuosity of form-making. Rather, they also make evident the dramatic impact that digital capabilities have on the roles, responsibility, and(...)
Paul Desmarais Theatre
20 October 2016, 6pm
Sound Advice and Clear Drawings: Design and Computation in the Second Machine Age
Actions:
Description:
That digital tools have changed the very nature of designing and making buildings is unquestioned. Yet formal innovation and ingenuity—and the technical competence needed to achieve those ends—are not merely a function of the virtuosity of form-making. Rather, they also make evident the dramatic impact that digital capabilities have on the roles, responsibility, and(...)
Paul Desmarais Theatre
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
6 April 2017
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)