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Architect Bijoy Jain of Studio Mumbai present[ed] his latest work. Rooms You May Have Missed: Bijoy Jain, Umberto Riva present[ed] the work of Bijoy Jain and Umberto Riva, architects deeply engaged with architectural processes, materials and craft.
Architect Bijoy Jain of Studio Mumbai present[ed] his latest work. Rooms You May Have Missed: Bijoy Jain, Umberto Riva present[ed] the work of Bijoy Jain and Umberto Riva, architects deeply engaged with architectural processes, materials and craft.
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
6 November 2014 , 6pm
6 November 2014 , 6pm
Title:
Rooms in Mumbai: a Discussion with Bijoy Jain
Actions:
Description:
Architect Bijoy Jain of Studio Mumbai present[ed] his latest work. Rooms You May Have Missed: Bijoy Jain, Umberto Riva present[ed] the work of Bijoy Jain and Umberto Riva, architects deeply engaged with architectural processes, materials and craft.
Rooms in Mumbai: a Discussion with Bijoy Jain
Actions:
Description:
Architect Bijoy Jain of Studio Mumbai present[ed] his latest work. Rooms You May Have Missed: Bijoy Jain, Umberto Riva present[ed] the work of Bijoy Jain and Umberto Riva, architects deeply engaged with architectural processes, materials and craft.
Form:
events
events
Date:
6 November 2014
6pm
6 November 2014
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Project
Project
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Reference number:
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
People:
Date:
1960-1963
1960-1963
Title:
McLean Park Rental Housing Project, Vancouver, British Columbia (1960-1963)
Actions:
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
McLean Park Rental Housing Project, Vancouver, British Columbia (1960-1963)
Actions:
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
Level of archival description:
Project
Project
Date:
1960-1963
1960-1963
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
People:
Date:
1979-1982
1979-1982
Title:
Montiverdi Estates, West Vancouver, British Columbia (1979)
Actions:
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
Montiverdi Estates, West Vancouver, British Columbia (1979)
Actions:
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
Level of archival description:
Project
Project
Date:
1979-1982
1979-1982
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
People:
Date:
1984
1984
Title:
Terminal City Tower, Vancouver, British Columbia (1984)
Actions:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
Terminal City Tower, Vancouver, British Columbia (1984)
Actions:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
Level of archival description:
Project
Project
Date:
1984
1984
People:
Form:
exhibitions
exhibitions
Actions:
Location:
Main galleries
Main galleries
Date:
1 May 2018 to 7 October 2018
1 May 2018 to 7 October 2018
Form:
exhibitions
exhibitions
Date:
1 May 2018 to
7 October 2018
1 May 2018 to
7 October 2018
Location:
Main galleries
Main galleries
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
People:
Date:
2015-2016
2015-2016
Title:
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Form:
textual records
textual records
Date:
2015-2016
2015-2016
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
People:
Date:
n.d.
n.d.
Title:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh
Actions:
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh
Actions:
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
Form:
textual records
textual records
Date:
n.d.
n.d.
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
People:
Date:
1969-1970
1969-1970
Title:
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Level of archival description:
Project
Project
Date:
1969-1970
1969-1970
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1990.D2
Description:
The project series documents the competition, design, and execution of a sports centre in Valladolid, Spain for the account of the Consejo superior de deportes, Ministerio de educacion y ciencia and the city council. The firm worked with Juan José Nunez and Florentino Moreton. Documenting the project are design development, presentation and working drawings, a project description, and photographic materials.
AP164.S1.1990.D2
Description:
The project series documents the competition, design, and execution of a sports centre in Valladolid, Spain for the account of the Consejo superior de deportes, Ministerio de educacion y ciencia and the city council. The firm worked with Juan José Nunez and Florentino Moreton. Documenting the project are design development, presentation and working drawings, a project description, and photographic materials.
People:
Date:
1989-1991
1989-1991
Title:
Polideportivo Parquesol, Valladolid, Spain (1990)
Actions:
AP164.S1.1990.D2
Description:
The project series documents the competition, design, and execution of a sports centre in Valladolid, Spain for the account of the Consejo superior de deportes, Ministerio de educacion y ciencia and the city council. The firm worked with Juan José Nunez and Florentino Moreton. Documenting the project are design development, presentation and working drawings, a project description, and photographic materials.
Polideportivo Parquesol, Valladolid, Spain (1990)
Actions:
AP164.S1.1990.D2
Description:
The project series documents the competition, design, and execution of a sports centre in Valladolid, Spain for the account of the Consejo superior de deportes, Ministerio de educacion y ciencia and the city council. The firm worked with Juan José Nunez and Florentino Moreton. Documenting the project are design development, presentation and working drawings, a project description, and photographic materials.
Level of archival description:
Project
Project
Date:
1989-1991
1989-1991
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
People:
Date:
circa 1992
circa 1992
Title:
Caja de Ahorros de Granada, Spain (1992)
Actions:
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
Caja de Ahorros de Granada, Spain (1992)
Actions:
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
Level of archival description:
Project
Project
Date:
circa 1992
circa 1992
People:
