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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
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Summary:
In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
Publication:
February 2014
February 2014
Title:
When attitudes become form: Bern 1969/Venice 2013
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
When attitudes become form: Bern 1969/Venice 2013
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$120.00
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Summary:
In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’(...)
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’(...)
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Martha Rosler: the house, the street, the kitchen
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’ to her most recent photographs of the series Transitions and Digressions, Rosler has brought into being a poetics charged with political components marked with a feminist commitment.
Martha Rosler: the house, the street, the kitchen
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’ to her most recent photographs of the series Transitions and Digressions, Rosler has brought into being a poetics charged with political components marked with a feminist commitment.
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
Title:
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
Robert Rauschenberg & Jean Tinguely: collaborations
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Summary:
Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les(...)
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les(...)
Title:
Miriam Sturzenegger : the fog is a light darkness
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les méandres d’un parcours des installations aux dessins dans les carnets, nous cherchons à trouver des repères dans les zones fragiles entre le vide, les traces et la figuration.
Miriam Sturzenegger : the fog is a light darkness
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les méandres d’un parcours des installations aux dessins dans les carnets, nous cherchons à trouver des repères dans les zones fragiles entre le vide, les traces et la figuration.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$54.95
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres(...)
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres(...)
Title:
La maison de Jean-Pierre Raynaud contruction destruction 1969-1993
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres d’art, il est de vivre l’oeuvre d’art comme un but ». « En 23 ans, la maison a connu cinq stades successifs. Et je tenais beaucoup à en assurer moi-même les métamorphoses. Quand j’ai pris conscience, en 1988, qu’elle était réellement terminée, cela a été un choc terrible, comme l’aboutissement d’une recherche, la fin d’une vie. Je n’ai pas voulu accepter que ma relation avec elle prenne fin, aussi, durant quatre ans, j’ai réfléchi sur le sens de cette « oeuvre » qui m’échouait comme si je devais en être le gardien jusqu’à ma mort. J’ai réalisé qu’étant unique elle méritait plus d’audace et d’égard que cette architecture parfaite, figée qu’elle était devenue, ce qui est le propre des objets d’art, il me fallait lui faire subir un sort exceptionnel, digne d’elle. Je décidai de la métamorphoser, de l’emporter ailleurs, de lui faire vivre une expérience absolue. Pour cela, elle devait se soumettre à une ultime transformation : la démolition ». Jean-Pierre Raynaud, 1993. Le livre retrace l'histoire de la maison, de sa construction à sa destruction. Il est accompagné du film de Michelle Porte (33 min).
La maison de Jean-Pierre Raynaud contruction destruction 1969-1993
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres d’art, il est de vivre l’oeuvre d’art comme un but ». « En 23 ans, la maison a connu cinq stades successifs. Et je tenais beaucoup à en assurer moi-même les métamorphoses. Quand j’ai pris conscience, en 1988, qu’elle était réellement terminée, cela a été un choc terrible, comme l’aboutissement d’une recherche, la fin d’une vie. Je n’ai pas voulu accepter que ma relation avec elle prenne fin, aussi, durant quatre ans, j’ai réfléchi sur le sens de cette « oeuvre » qui m’échouait comme si je devais en être le gardien jusqu’à ma mort. J’ai réalisé qu’étant unique elle méritait plus d’audace et d’égard que cette architecture parfaite, figée qu’elle était devenue, ce qui est le propre des objets d’art, il me fallait lui faire subir un sort exceptionnel, digne d’elle. Je décidai de la métamorphoser, de l’emporter ailleurs, de lui faire vivre une expérience absolue. Pour cela, elle devait se soumettre à une ultime transformation : la démolition ». Jean-Pierre Raynaud, 1993. Le livre retrace l'histoire de la maison, de sa construction à sa destruction. Il est accompagné du film de Michelle Porte (33 min).
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$35.00
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure(...)
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure(...)
Title:
Dis/location 2, projet d'articulation urbaine : le parc sans nom
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure telle que la Ville de Montréal, ainsi que des échos des pratiques spatiales dans des contextes urbains singuliers ailleurs dans le monde.
Dis/location 2, projet d'articulation urbaine : le parc sans nom
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure telle que la Ville de Montréal, ainsi que des échos des pratiques spatiales dans des contextes urbains singuliers ailleurs dans le monde.
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$70.00
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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal(...)
$70.00
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Summary:
This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal(...)
Title:
Louise Bourgeois. I have been to hell and back
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$70.00
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Summary:
This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal photographs further document the artist's childhood and family life, with several letters and documents being made available for the first time.
Louise Bourgeois. I have been to hell and back
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$70.00
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Summary:
This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal photographs further document the artist's childhood and family life, with several letters and documents being made available for the first time.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Description:
1 online resource.
Author:
- Soulellis, Paul,,
- Jarboe, Kate,,
- Wright, M.,,
- Chuong, Adam,,
- Ghio, Alessandro,,
- McGuigan, Nicholas,,
- Powell, Lisa,,
- Erickson, Alexis,,
- Smith, Andrew W.,,
- Gardner, Anna,,
- Lobo, Ant M.,,
- Warnick, Anthony,,
- Anderson, Anzia,,
- Katrina, Arthur,,
- Zeros, Athena,,
- Northa, Azulae,,
- Steele, Bailey,,
- Drake, Bean,,
- Vann, Brook,,
- Diehm, Cade,,
- Anthony, Edward,,
- Borruso, Caiti,,
- Kong, Carlos,,
- Ribaudo, Carmen,,
- Sorin, Caroline,,
- Ortiz, Christian,,
- Cole, Christopher,,
- Frew, Connor,,
- Ang, Corinne,,
- Aldred, Danny,,
- Charlot, Edwige,,
- Lopez, Elaine,,
- Andersen, Elie,,
- Nicula, Elisabeth,,
- Zahniser, Ellen,,
- Hoover, May,,
- Barris, Angel,,
- Carter, Brittany,,
- Im, Adriene,,
- Kemp, Emma,,
- Freer, Erik,,
- Epstein, Everett,,
- Karriem, Quran,,
- Uliasz, Rebecca,,
- Fawkes, Gregory Ghilani,,
- Skagerlind, Greta Huang,,
- Strauss, Hannah Azar,,
- Gallo, Hugo,,
- Dugard, Jake,,
- Tobias, Jennifer,,
- Potts, Joe,,
- Quiñonez, John-Francis,,
- Duttweiler, Joshua,,
- Ye, Katherine,,
- Hrbek, Rachel,,
- Cho, Kathy,,
- Sucena, Kelsey,,
- Grasing, Nessa,,
- Schell-Smith, Kirslyn,,
- Peacock, Kitt,,
- Ayogu, Laith A.,,
- Brown-Lavoie, Laura Lamb,,
- Stroh, Lauren,,
- Maione, Lisa J.,,
- Young, Logan K.,,
- Drulhe, Louise,,
- Ghanem, Louna Bou,,
- López, Luis Carlos,,
- Eskenazi, Mae,,
- Siebert, Maggie,,
- Estrada, Marisa Fulper,,
- Prieto, Miriam Navarro,,
- Soda, Molly,,
- White, Nafis M.,,
- Killian, Nicole,,
- Muccia, Nina,,
- Mori, Noa,,
- Gunn, Norah,,
- Godlee, Olive B.,,
- Lerma, Pablo,,
- Maheke, Paul,,
- Gates, Rebecca,,
- Wilkinson, Rebecca,,
- Rong, Rena,,
- Castillo, Ruben,,
- Skrabalak, Ryan,,
- Lawver, Rylie,,
- Randolph, Sal,,
- Inacio, Sara,,
- Eng, Shou Jie,,
- Pauen, Sigrid,,
- Fraga, Sophia Le,,
- Seita, Sophie,,
- Woo, Naomi,,
- Whang, Taehee,,
- Brown-Lavoie, Tess,,
- Rasch, Miriam,,
- Roxanne, Tiara,,
- Patterson, Tiffany,,
- Iersel, Wil van,,
- Pulley, Zoë,,
- anobelisk,,
- Anonymous,,
- Anonymous Nurses,,
- Be Oakley,,
- chariot wish,,
- Chr. Winther,,
- claire m.,,
- D Rosen,,
- Dylan Tescher W.,,
- Gu,,
- Kit,,
- LS,,
- Lermworm,,
- Oliver/Olivier,,
- Pickle Partisans,,
- robynn.xyz,,
- Sabrena & Rose Ghostly,,
- Sam M-H,,
- T. Deutch,,
- The Making Public Collective,,
- wermo,,
- Library Stack,
(See more)
Subject:
Publication:
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
Title:
Urgency Reader 2: Mutual Aid Publishing During Crisis.
Actions:
Description:
1 online resource.
Urgency Reader 2: Mutual Aid Publishing During Crisis.
Actions:
Description:
1 online resource.
Form:
books
books
Publication:
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
Author:
- Soulellis, Paul,,
- Jarboe, Kate,,
- Wright, M.,,
- Chuong, Adam,,
- Ghio, Alessandro,,
- McGuigan, Nicholas,,
- Powell, Lisa,,
- Erickson, Alexis,,
- Smith, Andrew W.,,
- Gardner, Anna,,
- Lobo, Ant M.,,
- Warnick, Anthony,,
- Anderson, Anzia,,
- Katrina, Arthur,,
- Zeros, Athena,,
- Northa, Azulae,,
- Steele, Bailey,,
- Drake, Bean,,
- Vann, Brook,,
- Diehm, Cade,,
- Anthony, Edward,,
- Borruso, Caiti,,
- Kong, Carlos,,
- Ribaudo, Carmen,,
- Sorin, Caroline,,
- Ortiz, Christian,,
- Cole, Christopher,,
- Frew, Connor,,
- Ang, Corinne,,
- Aldred, Danny,,
- Charlot, Edwige,,
- Lopez, Elaine,,
- Andersen, Elie,,
- Nicula, Elisabeth,,
- Zahniser, Ellen,,
- Hoover, May,,
- Barris, Angel,,
- Carter, Brittany,,
- Im, Adriene,,
- Kemp, Emma,,
- Freer, Erik,,
- Epstein, Everett,,
- Karriem, Quran,,
- Uliasz, Rebecca,,
- Fawkes, Gregory Ghilani,,
- Skagerlind, Greta Huang,,
- Strauss, Hannah Azar,,
- Gallo, Hugo,,
- Dugard, Jake,,
- Tobias, Jennifer,,
- Potts, Joe,,
- Quiñonez, John-Francis,,
- Duttweiler, Joshua,,
- Ye, Katherine,,
- Hrbek, Rachel,,
- Cho, Kathy,,
- Sucena, Kelsey,,
- Grasing, Nessa,,
- Schell-Smith, Kirslyn,,
- Peacock, Kitt,,
- Ayogu, Laith A.,,
- Brown-Lavoie, Laura Lamb,,
- Stroh, Lauren,,
- Maione, Lisa J.,,
- Young, Logan K.,,
- Drulhe, Louise,,
- Ghanem, Louna Bou,,
- López, Luis Carlos,,
- Eskenazi, Mae,,
- Siebert, Maggie,,
- Estrada, Marisa Fulper,,
- Prieto, Miriam Navarro,,
- Soda, Molly,,
- White, Nafis M.,,
- Killian, Nicole,,
- Muccia, Nina,,
- Mori, Noa,,
- Gunn, Norah,,
- Godlee, Olive B.,,
- Lerma, Pablo,,
- Maheke, Paul,,
- Gates, Rebecca,,
- Wilkinson, Rebecca,,
- Rong, Rena,,
- Castillo, Ruben,,
- Skrabalak, Ryan,,
- Lawver, Rylie,,
- Randolph, Sal,,
- Inacio, Sara,,
- Eng, Shou Jie,,
- Pauen, Sigrid,,
- Fraga, Sophia Le,,
- Seita, Sophie,,
- Woo, Naomi,,
- Whang, Taehee,,
- Brown-Lavoie, Tess,,
- Rasch, Miriam,,
- Roxanne, Tiara,,
- Patterson, Tiffany,,
- Iersel, Wil van,,
- Pulley, Zoë,,
- anobelisk,,
- Anonymous,,
- Anonymous Nurses,,
- Be Oakley,,
- chariot wish,,
- Chr. Winther,,
- claire m.,,
- D Rosen,,
- Dylan Tescher W.,,
- Gu,,
- Kit,,
- LS,,
- Lermworm,,
- Oliver/Olivier,,
- Pickle Partisans,,
- robynn.xyz,,
- Sabrena & Rose Ghostly,,
- Sam M-H,,
- T. Deutch,,
- The Making Public Collective,,
- wermo,,
- Library Stack,
(See more)
Price:
$90.00
(available to order)
Summary:
The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and(...)
$90.00
(available to order)
Summary:
The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and(...)
Title:
Mamma Andersson and Jockum Nordstrum: who is sleeping on my pillow
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$90.00
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Summary:
The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. This publication showcases Andersson and Nordstrom's work from the late 1980s to the present day in over 200 full-color plates. Alongside these, it also includes family snapshots and source materials, a poem by Stig Claesson and an interview with Nordstrom by Marcel Dzama.
Mamma Andersson and Jockum Nordstrum: who is sleeping on my pillow
Actions:
Price:
$90.00
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Summary:
The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. This publication showcases Andersson and Nordstrom's work from the late 1980s to the present day in over 200 full-color plates. Alongside these, it also includes family snapshots and source materials, a poem by Stig Claesson and an interview with Nordstrom by Marcel Dzama.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Price:
$55.00
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Summary:
In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor(...)
$55.00
(available to order)
Summary:
In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor(...)
Title:
Anish Kapoor: Turning the world upside down in Kensington Gardens
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$55.00
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Summary:
In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor monograph to offer a comprehensive overview of all of the artist's stainless steel sculptures.
Anish Kapoor: Turning the world upside down in Kensington Gardens
Actions:
Price:
$55.00
(available to order)
Summary:
In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor monograph to offer a comprehensive overview of all of the artist's stainless steel sculptures.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs