books
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252 pages : illustrations (some color), maps (some color), portraits ; 29 cm
Kansas City, Mo. : Hall Family Foundation : in association with the Nelson-Atkins Museum of Art ; New Haven, Conn. : Distributed by Yale University Press, ©2011.
Timothy H. O'Sullivan : the King Survey photographs / Keith F. Davis & Jane L. Aspinwall ; with François Brunet, John P. Herron, Mark Klett ; director's forward by Julián Zugazagoitia.
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252 pages : illustrations (some color), maps (some color), portraits ; 29 cm
books
Kansas City, Mo. : Hall Family Foundation : in association with the Nelson-Atkins Museum of Art ; New Haven, Conn. : Distributed by Yale University Press, ©2011.
books
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viii, 483 pages : illustrations ; 26 cm
Montreal : McGill-Queen's University Press, 2013., ©2013
On architecture : Melvin Charney : a critical anthology / edited by Louis Martin.
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viii, 483 pages : illustrations ; 26 cm
books
Montreal : McGill-Queen's University Press, 2013., ©2013
books
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805 pages : illustrations (some color) ; 29 cm
Chicago : University of Chicago Press, ©2002.
History of the Surrealist movement / Gérard Durozoi ; translated by Alison Anderson.
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805 pages : illustrations (some color) ; 29 cm
books
Chicago : University of Chicago Press, ©2002.
$36.95
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An early advocate of color photography, Joel Meyerowitz has impacted and influenced generations of artists. For fifty-eight years, the master photographer has documented the United States’ ever-changing social landscape. During the late 1960s, Meyerowitz carried two cameras: one loaded with monochrome stock, the other with color. Just how, when, and why American fine(...)
Joel Meyerowitz: A question of color
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An early advocate of color photography, Joel Meyerowitz has impacted and influenced generations of artists. For fifty-eight years, the master photographer has documented the United States’ ever-changing social landscape. During the late 1960s, Meyerowitz carried two cameras: one loaded with monochrome stock, the other with color. Just how, when, and why American fine art photographers switched from black-and-white image-making, prized within the gallery system, to color photography, once seen as the preserve of tourist photography, has been the cause of much debate. In ''Joel Meyerowitz: A Question of Color'', Meyerowitz tells the story of his early days as a photographer when he was told that serious photographers took black-and-white pictures. “But why,” he asked, “when the world is in color?” He then bought a color camera and various rolls of film and began to experiment with color techniques: a passion he continues to pursue.
Photography monographs
From Lascaux to Brooklyn
$64.95
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos,(...)
From Lascaux to Brooklyn
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$64.95
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos, this book awakens readers to the lessons of the cave paintings of Lascaux and demonstrates how this learning is later conveyed in artworks ranging from the Tower of Pisa to a Cézanne painting, an African sculpture, or a park in Brooklyn. Topics discussed include the relationship between art and business, the presentation of design concepts to prospective clients, the debate over typographic style, and the aesthetics of combinatorial geometry. This book engages and enlightens anyone interested in the practice or theory of graphic design.
Graphic Designers, Monographs
$38.50
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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism(...)
Positions on emancipation: architecture between aesthetics and politics
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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism as more engaged with the social and political effects of global capitalism. This book relays a passionate debate between some of the most outstanding theoreticians and eloquent protagonists of this new attitude, leaving us with an overview of such postulated ambitions. Against the liberal “anything goes” and the revival of architectural autonomy, these attitudes believe less in the possibility for even the most experimental architectural object to have a changing effect on society. Their approaches instead vary from activism to the construction of new critical narratives.
Architectural Theory
$59.95
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering(...)
Rome, 1630: The horizon of early Baroque, and other essays
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering monuments like Bernini's imposing bronze columns in St. Peter's Basilica, Rome, 1630 came to be the crossroads of seventeenth-century art, religion, and power. In ''Rome, 1630,'' the renowned French poet and critic Yves Bonnefoy devotes his attention to this single year in the Baroque period in European art. The inclusion of five additional essays on seventeenth-century art situate Bonnefoy's analysis within a lively debate on Baroque art and art history. Translator Hoyt Rogers's afterword pays homage to the author himself, situating ''Rome, 1630'' in Bonnefoy's productive career as a premier French poet and critic.
Art Theory
books
The city in mind
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In the highly acclaimed "The Geography of Nowhere," James Howard Kunstler declared suburbia "a tragic landscape" and fueled a fierce debate over how we will live in twenty-first-century America. Here, Kunstler turns his discerning eye to urban life in America and beyond in dazzling excursions to classical Rome, the Aztec capital of Tenochtitlan, Louis-Napoleon's Paris,(...)
The city in mind
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In the highly acclaimed "The Geography of Nowhere," James Howard Kunstler declared suburbia "a tragic landscape" and fueled a fierce debate over how we will live in twenty-first-century America. Here, Kunstler turns his discerning eye to urban life in America and beyond in dazzling excursions to classical Rome, the Aztec capital of Tenochtitlan, Louis-Napoleon's Paris, the "gigantic hairball" that is contemporary Atlanta, the ludicrous spectacle of Las Vegas, and more. Seeking to discover what is constant and enduring in cities at their greatest, Kunstler explores how America got lost in suburban wilderness and locates pathways that might lead to civic revival. His authoritative tour is both a concise history of cities and a stunning critique of how they can aid or hinder social and civil progress. By turns dramatic and comic, "The City in Mind" is an exceptional glimpse into the urban condition.
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January 2003, New York
Urban Theory
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This book examines the fierce debate on the styles and forms of garden design that took place in England c. 1870–1914. Focusing on the wild garden, the cottage garden, the formal garden and the synthesis of the formal and natural styles, Anne Helmreich argues that design principles and debates between designers including William Robinson, Reginald Blomfield, Gertrude(...)
The English garden & national identity : the competing styles of garden design, 1870-1914
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This book examines the fierce debate on the styles and forms of garden design that took place in England c. 1870–1914. Focusing on the wild garden, the cottage garden, the formal garden and the synthesis of the formal and natural styles, Anne Helmreich argues that design principles and debates between designers including William Robinson, Reginald Blomfield, Gertrude Jekyll, and Edwin Lutyens, were indelibly shaped by the quest for a powerful English national identity. She demonstrates how ‘Englishness’ was purportedly expressed through the leading styles of garden design and why the garden was promoted as a symbol of national identity. A wide range of cultural practices and institutions, from garden treatises, popular journals, historic preservation organizations, art exhibitions, and two world’s fairs, are investigated to reveal how the garden, as a physical artifact and as an idea, circulated widely to produce a unifying national image.
Gardens
Staging the moon: Resource extraction beyond earth. Luxembourg Pavilion, Biennale Venizia 2023
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"Staging the Moon: Resource extraction beyond Earth" is a publication of the Luxembourg Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia 2023. It critically unpacks Luxembourg’s role in space-mining developments from the perspective of resources. Curators Francelle Cane and Marija Mari? transform the pavilion into a "lunar laboratory":(...)
Staging the moon: Resource extraction beyond earth. Luxembourg Pavilion, Biennale Venizia 2023
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"Staging the Moon: Resource extraction beyond Earth" is a publication of the Luxembourg Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia 2023. It critically unpacks Luxembourg’s role in space-mining developments from the perspective of resources. Curators Francelle Cane and Marija Mari? transform the pavilion into a "lunar laboratory": a space for testing human technologies on the Moon that also doubles as a media studio "staging" corporate narratives of positive change. From the development of human settlements on the Moon to the mining of asteroids for rare minerals and metals, the wild imaginaries of extraction-driven growth have, quite literally, transcended the boundaries of Earth. This volume collects essays and fragments of research on the shifting of resource exploitation from the exhausted Earth to its celestial hinterland, and begins an urgent debate on the impact this shift will have on our understanding of land, resources and commons.
Biennial