L'archipel Tschumi
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De La Villette (1982) au Zoo de Vincennes (2014) et du Joyce's Garden (1976) aux Event-cities 1, 2 et 3 (1994-2005), Bernard Tschumi a essaimé à travers le monde une ode à l'« évènement architectural » comme dis-/trans-/programmation – si possible frelatée, modifiée, transcendée. À mi-chemin de Lausanne (où il a grandi) et de New York (où il exerce), la France accueille(...)
L'archipel Tschumi
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De La Villette (1982) au Zoo de Vincennes (2014) et du Joyce's Garden (1976) aux Event-cities 1, 2 et 3 (1994-2005), Bernard Tschumi a essaimé à travers le monde une ode à l'« évènement architectural » comme dis-/trans-/programmation – si possible frelatée, modifiée, transcendée. À mi-chemin de Lausanne (où il a grandi) et de New York (où il exerce), la France accueille d'autres réalisations : des écoles au Fresnoy et à Marne-la-Vallée, des Zénith à Rouen et Limoges ou deux parcs à Cenon et Alésia. Compatriote et ancien chef de projet pour le concours de La Villette, Luca Merlini nous offre un insulaire poétique et personnel, d'îles visibles et de villes invisibles, permettant de nous retrouver dans cet archipel... ou de nous y perdre ! Luca Merlini enseigne à l'école d'architecture de Paris-Malaquais, notamment au sein du Laboratoire Infrastructure, Architecture, Territoire (LIAT).
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One of the fundamental dimensions of urbanization is its radical transformation of nature. Today domestic animals make up more than twice the biomass of people on the planet, and cities are replete with nonhuman life. Yet current accounts of the urban remain resolutely anthropocentric. ''Lively cities'' departs from conventions of urban studies to argue that cities are(...)
Lively cities: Reconfiguring urban ecology
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One of the fundamental dimensions of urbanization is its radical transformation of nature. Today domestic animals make up more than twice the biomass of people on the planet, and cities are replete with nonhuman life. Yet current accounts of the urban remain resolutely anthropocentric. ''Lively cities'' departs from conventions of urban studies to argue that cities are lived achievements forged by a multitude of entities, drawing attention to a suite of beings— human and nonhuman— that make up the material politics of city making. From macaques and cattle in Delhi to the invasive parakeet colonies in London, Maan Barua examines the rhythms, paths, and agency of nonhumans across the city. He reconceptualizes several key themes in urban thought, including infrastructure, the built environment, design, habitation, and everyday practices of dwelling and provides a critical intervention in animal and urban studies. Generating fresh conversations between posthumanism, postcolonialism, and political economy, Barua reveals how human and nonhuman actors shape, integrate, subsume, and relate to urban space in fascinating ways.
Urban Theory
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Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In "The lives of Lake Ontario" Daniel Macfarlane details the lake’s relationship with the Indigenous nations, settler(...)
The lives of Lake Ontario: An environmental history
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Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In "The lives of Lake Ontario" Daniel Macfarlane details the lake’s relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada’s largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario’s health.
Architecture in Canada
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The classical architectural and planning schemes conceived by Canada’s Anglo-settler elite in the early twentieth century embodied a prescriptive vision of power and grandeur for the country and its people on a scale almost unimaginable today. This provocative collection of essays examines the classical design precepts that shaped much of Canada’s built environment –(...)
Classicism in Canada: Ambition, utopia, hubris
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The classical architectural and planning schemes conceived by Canada’s Anglo-settler elite in the early twentieth century embodied a prescriptive vision of power and grandeur for the country and its people on a scale almost unimaginable today. This provocative collection of essays examines the classical design precepts that shaped much of Canada’s built environment – leaving an imprint for how we continue to experience place today. "Classicism in Canada" brings together essays by planning, architectural, art, political, and social historians. Drawing on primary sources and the physical sites themselves, the contributors probe the meaning of a style that melded the École des Beaux-Arts with the sensibilities of the City Beautiful movement and that was rooted in assumptions about order and historical continuity. The transformation of built space and land was motivated by pragmatism, aesthetics, and an ideological infrastructure that reverberated with utopian zeal as much as it was driven by racial discrimination and Indigenous erasure.
Architecture in Canada
Informal city : Caracas case
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This urban research project examines the often overlooked areas known as "barrios," "shantytowns," or "slums" and assesses their validity as an architectural phenomenon in their own right. The hills outside Caracas are dotted with transient, dilapidated structures which are home to thousands of people who create their own socio-economic environment, one which has a(...)
Urban Theory
August 2005, Munich / Berlin / London / New York
Informal city : Caracas case
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This urban research project examines the often overlooked areas known as "barrios," "shantytowns," or "slums" and assesses their validity as an architectural phenomenon in their own right. The hills outside Caracas are dotted with transient, dilapidated structures which are home to thousands of people who create their own socio-economic environment, one which has a unique place in the city's infrastructure. This publication can be understood as a handbook of informal urban and cultural practice. Its validity extends far beyond Caracas and encompasses nearly all Latin American metropolises. Its essays question the value of traditional Western-style socio-economic and socio-political structures, present a new form of urbanism as a subject for discussion, and show the need for a profound change in our understanding of urban culture, especially in today's era, which is characterized by increasing insecurity and uncertainty. This project was jointly initiated by the "Federal Cultural Foundation" of Germany and the "Urban Think Tank" in Caracas, Venezuela.
Urban Theory
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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of(...)
Photography monographs
July 2024
Edward Burtynsky: Extraction/Abstraction
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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of large-scale extractive processes, and how, through his practice, Burtynsky transforms the landscape of industry into complete abstraction. Other essential themes in his oeuvre, such as agriculture, manufacturing, infrastructure and waste, also find their rightful place here. With more than 130 color plates, the book also has a special section, the “Process Archive,” featuring previously unpublished, behind-the-scenes photographs showing Burtynsky at work on the ground and in the air throughout his career. The archive provides a glimpse into the artist’s progression through the evolution of the medium itself, from mid-20th-century large-format analog cameras through to 21st-century high-resolution digital technologies, including explorations into photogrammetry and augmented reality.
Photography monographs
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This is the first serious publication in which the architects present themselves as a group. This new brand of monograph stands in good stead with a contradictory world in which architects have to be chameleonic one moment and instantly recognizable the next, and their architecture both technocratic and popular. In their essays Crimson broach such issues as the changing(...)
Profession architect : De Architekten Cie.
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This is the first serious publication in which the architects present themselves as a group. This new brand of monograph stands in good stead with a contradictory world in which architects have to be chameleonic one moment and instantly recognizable the next, and their architecture both technocratic and popular. In their essays Crimson broach such issues as the changing role of government as patron, client and everything in-between. Another phenomenon to feel the heat of the Crimson spotlight is the increasing demand for soft qualities in architecture and urban design. Market players in particular expect architects to design experiences. At the same time architects have to operate within hard confines that are ever narrowing in a country getting fuller all the time, not just of infrastructure and buildings but more particularly of rules and regulations. In his photographs Marcel Molle gives a focused look at the messy reality of a building in use.
Architecture Monographs
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar(...)
Circa 1700 : architecture in Europe and the Americas
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar urban images of the eighteenth century date from this period. In all of this activity, architects and architectural ideas, formed mostly in Italy and influenced by the baroque architecture of Rome, especially the late works of Francesco Borromini and Gian Lorenzo Bernini, played a central role. Twelve contributors provide a comprehensive look at the design, renewal, and expansion of capitals and countries including Naples, Rome, Vienna, Stockholm, Saint Petersburg, England, Amsterdam, Cádiz, Lisbon, Quebec City, and Lima. The result is a fascinating cross section that allows a comparative reading of baroque architecture: from country to country, from region to region, and from the Old World to the New.
History until 1900
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''Spatializing justice'' calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts—building blocks for a new kind of architecture—Spatializing Justice offers a practical handbook for confronting social and(...)
October 2022
Spatializing justice: Building blocks
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''Spatializing justice'' calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts—building blocks for a new kind of architecture—Spatializing Justice offers a practical handbook for confronting social and economic inequality and uneven urban growth in architectural and planning practice, urging practitioners to adopt approaches that range from redefining infrastructure to retrofitting McMansions. These building blocks call for expanded modes of practice, through which architects can imagine new spatial procedures, political and economic strategies, and modalities of sociability. Challenging existing exclusionary policies can advance a more experimental architecture not bound by formal parameters. Architects must think of themselves as designers not only of things but of civic processes, complicate the ideas of ownership and property, and imagine new sites of research, pedagogy, and intervention. As one of the texts advises, ''The questions must be different questions if we want different answers.''
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Following the legacy of Rosalind Krauss, EXPANDED FIELD: Installation Architecture Beyond Art by Ila Berman and Douglas Burnham explores the realm of art and architecture across a broad terrain of installation practices, revealing a critical territory that, despite its exuberant proliferation, has been historically defined as a negativity: the progeny of that which is(...)
Expanded field: architectural installation beyond art
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Following the legacy of Rosalind Krauss, EXPANDED FIELD: Installation Architecture Beyond Art by Ila Berman and Douglas Burnham explores the realm of art and architecture across a broad terrain of installation practices, revealing a critical territory that, despite its exuberant proliferation, has been historically defined as a negativity: the progeny of that which is both not-architecture and not-art. Within this book, a wide range of art and architectural works are positioned and mapped as constellations within a newly expanded field suspended between Architecture, Interiors, Sculpture, and Landscape. These four terms are the initial reference points used to elaborate a more extensive taxonomical framework defining twelve distinct territories where the analytical drawings and photographic indexes of seventy-five installation projects are situated. The expanded field diagram is a conceptual framework that operates on many levels. It acts as a lens through which to theorize and classify the trajectories of current installation practices and serves as an infrastructure to organize the content of the book.
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