3950 Results
Level of archival description:
Project
Project
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Reference number:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
People:
Date:
1973-1977
1973-1977
Title:
Eaton's Store Building, Dundas Square, Toronto (1973-1977)
Actions:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
Eaton's Store Building, Dundas Square, Toronto (1973-1977)
Actions:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
Level of archival description:
Project
Project
Date:
1973-1977
1973-1977
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
People:
Date:
1974-1977
1974-1977
Title:
Minaki Lodge, Renovations, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
Minaki Lodge, Renovations, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
Level of archival description:
Project
Project
Date:
1974-1977
1974-1977
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
People:
Date:
1977, 1994-2009
1977, 1994-2009
Title:
Press clippings and reference material related to Melvin Charney's projects
Actions:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
Press clippings and reference material related to Melvin Charney's projects
Actions:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
Form:
textual records
textual records
Date:
1977, 1994-2009
1977, 1994-2009
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
People:
Date:
circa 1980-1990
circa 1980-1990
Title:
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Level of archival description:
Project
Project
Date:
circa 1980-1990
circa 1980-1990
People:
Level of archival description:
Series
Series
Title:
Personal Papers
Personal Papers
Reference number:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
People:
Date:
1931-1995
1931-1995
Title:
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Level of archival description:
Series 1
Series 1
Date:
1931-1995
1931-1995
People:
Level of archival description:
Series
Series
Title:
Sketchbooks
Sketchbooks
Reference number:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
People:
Date:
1978-1993
1978-1993
Title:
Sketchbooks
Actions:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Sketchbooks
Actions:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Level of archival description:
Series
Series
Date:
1978-1993
1978-1993
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1982.PR19
Description:
This project series documents the design and construction of the Hôtel de la Délégation in Algiers, Algeria from 1982-1985. The office identified the project number as 8220. This hotel was designed with inspiration from traditional Maghrebian and Middle Eastern architecture but made in the modern style. The site for the project consisted of the hotel, a neighbouring villa, a separate office complex, a roundabout at the entrance, two pools, tennis courts, gardens and, an arcade. The project proposed several variations on the design for the hotel, including an eight-level option and a ten-level option, the latter adding two levels of parking to the bottom of the building. The hotel was built into a hill so floors that were subterranean on one side of the building were above ground on the other. This latter side had terraced pergolas at every level with views over the pool. The hotel had a multi-level atrium that contained elaborate indoor gardens and trees. While the ground floor was made up of conference rooms, banquet halls and the reception area, the other levels mostly contained hotel rooms. This project was commissioned by Lavalin International Inc. for the Algerian government, who are referred to in the records as the Présidence de la République, République Algérienne, Démocratique et Populaire. The project is also referred to as Hôtel Alger in the project documentation. The project is recorded through drawings, photographic materials and textual records dating from 1982-1985. Almost all of the records are in French, with the exception of a few interoffice communications. While there are construction drawings in the project materials, there are also a large number of design drawings showing different schemes and ideas for the hotel. The photographic materials include construction progress photos of the hotel. The textual records consist of correspondence, meeting reports, pre-design records and the project scope, financial documentation, schedules, interoffice letters, construction and detail planning records, specifications and progress reports. Box AP018.S1.1982.PR19.041 in this project series includes an index to the textual materials, which was created by the office.
AP018.S1.1982.PR19
Description:
This project series documents the design and construction of the Hôtel de la Délégation in Algiers, Algeria from 1982-1985. The office identified the project number as 8220. This hotel was designed with inspiration from traditional Maghrebian and Middle Eastern architecture but made in the modern style. The site for the project consisted of the hotel, a neighbouring villa, a separate office complex, a roundabout at the entrance, two pools, tennis courts, gardens and, an arcade. The project proposed several variations on the design for the hotel, including an eight-level option and a ten-level option, the latter adding two levels of parking to the bottom of the building. The hotel was built into a hill so floors that were subterranean on one side of the building were above ground on the other. This latter side had terraced pergolas at every level with views over the pool. The hotel had a multi-level atrium that contained elaborate indoor gardens and trees. While the ground floor was made up of conference rooms, banquet halls and the reception area, the other levels mostly contained hotel rooms. This project was commissioned by Lavalin International Inc. for the Algerian government, who are referred to in the records as the Présidence de la République, République Algérienne, Démocratique et Populaire. The project is also referred to as Hôtel Alger in the project documentation. The project is recorded through drawings, photographic materials and textual records dating from 1982-1985. Almost all of the records are in French, with the exception of a few interoffice communications. While there are construction drawings in the project materials, there are also a large number of design drawings showing different schemes and ideas for the hotel. The photographic materials include construction progress photos of the hotel. The textual records consist of correspondence, meeting reports, pre-design records and the project scope, financial documentation, schedules, interoffice letters, construction and detail planning records, specifications and progress reports. Box AP018.S1.1982.PR19.041 in this project series includes an index to the textual materials, which was created by the office.
People:
Date:
1982-1985
1982-1985
Title:
Hôtel de la Délégation, Algiers, Algeria (1982-1985)
Actions:
AP018.S1.1982.PR19
Description:
This project series documents the design and construction of the Hôtel de la Délégation in Algiers, Algeria from 1982-1985. The office identified the project number as 8220. This hotel was designed with inspiration from traditional Maghrebian and Middle Eastern architecture but made in the modern style. The site for the project consisted of the hotel, a neighbouring villa, a separate office complex, a roundabout at the entrance, two pools, tennis courts, gardens and, an arcade. The project proposed several variations on the design for the hotel, including an eight-level option and a ten-level option, the latter adding two levels of parking to the bottom of the building. The hotel was built into a hill so floors that were subterranean on one side of the building were above ground on the other. This latter side had terraced pergolas at every level with views over the pool. The hotel had a multi-level atrium that contained elaborate indoor gardens and trees. While the ground floor was made up of conference rooms, banquet halls and the reception area, the other levels mostly contained hotel rooms. This project was commissioned by Lavalin International Inc. for the Algerian government, who are referred to in the records as the Présidence de la République, République Algérienne, Démocratique et Populaire. The project is also referred to as Hôtel Alger in the project documentation. The project is recorded through drawings, photographic materials and textual records dating from 1982-1985. Almost all of the records are in French, with the exception of a few interoffice communications. While there are construction drawings in the project materials, there are also a large number of design drawings showing different schemes and ideas for the hotel. The photographic materials include construction progress photos of the hotel. The textual records consist of correspondence, meeting reports, pre-design records and the project scope, financial documentation, schedules, interoffice letters, construction and detail planning records, specifications and progress reports. Box AP018.S1.1982.PR19.041 in this project series includes an index to the textual materials, which was created by the office.
Hôtel de la Délégation, Algiers, Algeria (1982-1985)
Actions:
AP018.S1.1982.PR19
Description:
This project series documents the design and construction of the Hôtel de la Délégation in Algiers, Algeria from 1982-1985. The office identified the project number as 8220. This hotel was designed with inspiration from traditional Maghrebian and Middle Eastern architecture but made in the modern style. The site for the project consisted of the hotel, a neighbouring villa, a separate office complex, a roundabout at the entrance, two pools, tennis courts, gardens and, an arcade. The project proposed several variations on the design for the hotel, including an eight-level option and a ten-level option, the latter adding two levels of parking to the bottom of the building. The hotel was built into a hill so floors that were subterranean on one side of the building were above ground on the other. This latter side had terraced pergolas at every level with views over the pool. The hotel had a multi-level atrium that contained elaborate indoor gardens and trees. While the ground floor was made up of conference rooms, banquet halls and the reception area, the other levels mostly contained hotel rooms. This project was commissioned by Lavalin International Inc. for the Algerian government, who are referred to in the records as the Présidence de la République, République Algérienne, Démocratique et Populaire. The project is also referred to as Hôtel Alger in the project documentation. The project is recorded through drawings, photographic materials and textual records dating from 1982-1985. Almost all of the records are in French, with the exception of a few interoffice communications. While there are construction drawings in the project materials, there are also a large number of design drawings showing different schemes and ideas for the hotel. The photographic materials include construction progress photos of the hotel. The textual records consist of correspondence, meeting reports, pre-design records and the project scope, financial documentation, schedules, interoffice letters, construction and detail planning records, specifications and progress reports. Box AP018.S1.1982.PR19.041 in this project series includes an index to the textual materials, which was created by the office.
Level of archival description:
Project
Project
Date:
1982-1985
1982-1985
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP106
Synopsis:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
AP106
Synopsis:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
People:
Date:
1989-1994
1989-1994
Title:
Faubourg Québec project records
Actions:
AP106
Synopsis:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Faubourg Québec project records
Actions:
AP106
Synopsis:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1989-1994
1989-1994
People:
Form:
textual records, born digital
Quantity:
39 file
textual records, born digital
Quantity:
39 file
Reference number:
ARCH240652
Description:
Anything Book & Conference - correspondence, transcriptions from tapes of Germano Celant, Saskia Sassen, Bernard Tschumi Letters to Anything Anything - acknowledgements Anything Discussions Discussion One Discussion Two Discussion Three Discussion Four Discussion Five Discussion Six Individual Presentations, Correspondence, etc: Ben van Berkel Giuliana Bruno Germano Celant Beatriz Colomina Hubert Damisch Elizabeth Diller (texts, 1 computer diskette, 3 zip disks) Peter Eisenman Elizabeth Grosz Ingo Günther (texts and CD-Rom) Zaha Hadid (texts and 2 slides) Jacques Herzog Gary Hill Steven Holl (texts and 2 slides) Osamu Ishiyama Arata Isozaki & Akira Asada Fredric Jameson (texts and computer diskette) Romi Khosla Jeffrey Kipnis Rem Koolhaas Bruce Mau Rafael Moneo Jean Nouvel (texts and 1 slide) Wolf Prix Hani Rashid Saskia Sassen Ignasi de Solà-Morales Mark Taylor Bernard Tschumi Anthony Vidler
ARCH240652
Description:
Anything Book & Conference - correspondence, transcriptions from tapes of Germano Celant, Saskia Sassen, Bernard Tschumi Letters to Anything Anything - acknowledgements Anything Discussions Discussion One Discussion Two Discussion Three Discussion Four Discussion Five Discussion Six Individual Presentations, Correspondence, etc: Ben van Berkel Giuliana Bruno Germano Celant Beatriz Colomina Hubert Damisch Elizabeth Diller (texts, 1 computer diskette, 3 zip disks) Peter Eisenman Elizabeth Grosz Ingo Günther (texts and CD-Rom) Zaha Hadid (texts and 2 slides) Jacques Herzog Gary Hill Steven Holl (texts and 2 slides) Osamu Ishiyama Arata Isozaki & Akira Asada Fredric Jameson (texts and computer diskette) Romi Khosla Jeffrey Kipnis Rem Koolhaas Bruce Mau Rafael Moneo Jean Nouvel (texts and 1 slide) Wolf Prix Hani Rashid Saskia Sassen Ignasi de Solà-Morales Mark Taylor Bernard Tschumi Anthony Vidler
People:
Date:
2000-2001
2000-2001
Title:
Anything Book & Conference - correspondence, transcriptions from tapes
Actions:
ARCH240652
Description:
Anything Book & Conference - correspondence, transcriptions from tapes of Germano Celant, Saskia Sassen, Bernard Tschumi Letters to Anything Anything - acknowledgements Anything Discussions Discussion One Discussion Two Discussion Three Discussion Four Discussion Five Discussion Six Individual Presentations, Correspondence, etc: Ben van Berkel Giuliana Bruno Germano Celant Beatriz Colomina Hubert Damisch Elizabeth Diller (texts, 1 computer diskette, 3 zip disks) Peter Eisenman Elizabeth Grosz Ingo Günther (texts and CD-Rom) Zaha Hadid (texts and 2 slides) Jacques Herzog Gary Hill Steven Holl (texts and 2 slides) Osamu Ishiyama Arata Isozaki & Akira Asada Fredric Jameson (texts and computer diskette) Romi Khosla Jeffrey Kipnis Rem Koolhaas Bruce Mau Rafael Moneo Jean Nouvel (texts and 1 slide) Wolf Prix Hani Rashid Saskia Sassen Ignasi de Solà-Morales Mark Taylor Bernard Tschumi Anthony Vidler
Anything Book & Conference - correspondence, transcriptions from tapes
Actions:
ARCH240652
Description:
Anything Book & Conference - correspondence, transcriptions from tapes of Germano Celant, Saskia Sassen, Bernard Tschumi Letters to Anything Anything - acknowledgements Anything Discussions Discussion One Discussion Two Discussion Three Discussion Four Discussion Five Discussion Six Individual Presentations, Correspondence, etc: Ben van Berkel Giuliana Bruno Germano Celant Beatriz Colomina Hubert Damisch Elizabeth Diller (texts, 1 computer diskette, 3 zip disks) Peter Eisenman Elizabeth Grosz Ingo Günther (texts and CD-Rom) Zaha Hadid (texts and 2 slides) Jacques Herzog Gary Hill Steven Holl (texts and 2 slides) Osamu Ishiyama Arata Isozaki & Akira Asada Fredric Jameson (texts and computer diskette) Romi Khosla Jeffrey Kipnis Rem Koolhaas Bruce Mau Rafael Moneo Jean Nouvel (texts and 1 slide) Wolf Prix Hani Rashid Saskia Sassen Ignasi de Solà-Morales Mark Taylor Bernard Tschumi Anthony Vidler
Form:
textual records, born digital
Quantity:
39 file
textual records, born digital
Quantity:
39 file
Date:
2000-2001
2000-2001
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
People:
Date:
1991-1994
1991-1994
Title:
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Form:
textual records
textual records
Date:
1991-1994
1991-1994
People:
