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Le musée Unterlinden fait peau neuve. Une spectaculaire galerie souterraine relie désormais l’ancien couvent qui abrite le célèbre retable d’Issenheim de Grünewald à la nouvelle aile construite par Herzog et de Meuron. On y découvre les fleurons de la collection d’art du XXe siècle.
Connaissance des arts, hors série n. 693 : Musée Unterlinden, Colmar
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Le musée Unterlinden fait peau neuve. Une spectaculaire galerie souterraine relie désormais l’ancien couvent qui abrite le célèbre retable d’Issenheim de Grünewald à la nouvelle aile construite par Herzog et de Meuron. On y découvre les fleurons de la collection d’art du XXe siècle.
Magazines
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Chefs-d'oeuvre de la Renaissance, classiques envolées ou délires baroques des XVIIe et XVIIIe siècles, grandioses escaliers d'apparat du XIXe siècle, fastes de l'Art nouveau, sensualité du Modernisme catalan, froids escaliers du Bauhaus, escaliers high-tech, créations oniriques urbaines contemporaines, art conceptuel..., les escaliers demeurent l'un des signes(...)
L'escalier, un parcours dénivelé
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Chefs-d'oeuvre de la Renaissance, classiques envolées ou délires baroques des XVIIe et XVIIIe siècles, grandioses escaliers d'apparat du XIXe siècle, fastes de l'Art nouveau, sensualité du Modernisme catalan, froids escaliers du Bauhaus, escaliers high-tech, créations oniriques urbaines contemporaines, art conceptuel..., les escaliers demeurent l'un des signes emblématiques de l'innovation technologique et artistique des temps nouveaux.
Engineering Structures
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Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist(...)
Piero Fornasetti: one hundred years of practical madness
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Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist invention and poetry. This book accompanies the exhibition of the Triennale Design Museum, curated by Barnaba Fornasetti, the first grand and unprecedented exhibition in Italy of the artist’s work.
Design Monographs
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“Does Your House Fit You?” In 1949, the Community Arts Council of Vancouver posed this question in their catalogue for the seminal ''Design for Living'' exhibition at the Vancouver Art Gallery, arguably marking the birth of Canada’s West Coast Modernist tradition in art and architecture. Seventy years later, many of these modernist homes have been demolished for(...)
Design for living : West Coast modern homes revisited
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“Does Your House Fit You?” In 1949, the Community Arts Council of Vancouver posed this question in their catalogue for the seminal ''Design for Living'' exhibition at the Vancouver Art Gallery, arguably marking the birth of Canada’s West Coast Modernist tradition in art and architecture. Seventy years later, many of these modernist homes have been demolished for redevelopment, and yet many more have been renovated and preserved, reminders of the spirit of invention, experimentation, and enlightenment that characterized their original design.
Architecture in Canada
Experimental eating
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Profiling a range of culinary pioneers working across the fields of art, science, theatre, catering and design, Experimental Eating demonstrates how current creative collaborations are pushing the boundaries of how we understand, experience and relate to food and the rituals of dining. The book encompasses unusual and cutting-edge foods, radical dining events, “kitchen(...)
Experimental eating
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Profiling a range of culinary pioneers working across the fields of art, science, theatre, catering and design, Experimental Eating demonstrates how current creative collaborations are pushing the boundaries of how we understand, experience and relate to food and the rituals of dining. The book encompasses unusual and cutting-edge foods, radical dining events, “kitchen laboratory” experiments, food sculptures and other documentation of the transient events that make up this field of work.
Food
Dada art'chitecture
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Cathédrales, châteaux, palais... oui, mais pas seulement ! L'architecture, ce n'est pas que les monuments. L'immeuble où vous habitez, la gare où vous prenez le train, l'école où vous allez chaque jour, c'est aussi de l'architecture. Elle est tellement présente autour de nous qu'on ne prend pas forcément le temps de la regarder, et encore moins de la définir. Quel est cet(...)
Dada art'chitecture
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Cathédrales, châteaux, palais... oui, mais pas seulement ! L'architecture, ce n'est pas que les monuments. L'immeuble où vous habitez, la gare où vous prenez le train, l'école où vous allez chaque jour, c'est aussi de l'architecture. Elle est tellement présente autour de nous qu'on ne prend pas forcément le temps de la regarder, et encore moins de la définir. Quel est cet art pas comme les autres ? Voici un petit tour du monde de l'architecture contemporaine.
Children's Books
Paper works
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Paper Works is a visual exploration of the multitude of ways in which paper can be transformed and sculpted into abstract or realistic designs. The beauty of the medium partly lies in its delicacy, with intricate cutwork created by methods from laser cut to X-acto knife. This title features everything from carved book arts and installation art spanning entire rooms to(...)
Paper works
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Paper Works is a visual exploration of the multitude of ways in which paper can be transformed and sculpted into abstract or realistic designs. The beauty of the medium partly lies in its delicacy, with intricate cutwork created by methods from laser cut to X-acto knife. This title features everything from carved book arts and installation art spanning entire rooms to stunning avant-garde paper couture fashion and animal masks reminiscent of Carnival attire.
Paper and packaging design
Grey room 30
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Grey Room issue number 30 features articles such as "Darkened Rooms: A Genealogy of Avant-Garde Filmstrips from Man Ray to the London Film-Makers' Co-op and Back Again" by Noam M. Elcott; "Human Resources: June 1968, Hair, and the Beginning of Yugoslavia's End" by Branislav Jakovljevic; "All Systems Go: Recovering Hans Haacke's Systems Art" by Luke Skrebowski, and more.
Grey room 30
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Grey Room issue number 30 features articles such as "Darkened Rooms: A Genealogy of Avant-Garde Filmstrips from Man Ray to the London Film-Makers' Co-op and Back Again" by Noam M. Elcott; "Human Resources: June 1968, Hair, and the Beginning of Yugoslavia's End" by Branislav Jakovljevic; "All Systems Go: Recovering Hans Haacke's Systems Art" by Luke Skrebowski, and more.
Magazines
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Fondé en 2001, Cabanon Vertical est l’un des pionniers de cette génération de collectifs qui, entre art et architecture, ont renouvelé en profondeur l'aménagement public. Les installations de Cabanon Vertical se nourrissent du territoire. Ces objets, qui tentent toujours de s’inscrire dans la singularité d’un lieu, dessinent un espace public à expérimenter.
Cabanon Vertical : l'usage des formes
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Fondé en 2001, Cabanon Vertical est l’un des pionniers de cette génération de collectifs qui, entre art et architecture, ont renouvelé en profondeur l'aménagement public. Les installations de Cabanon Vertical se nourrissent du territoire. Ces objets, qui tentent toujours de s’inscrire dans la singularité d’un lieu, dessinent un espace public à expérimenter.
Architecture Monographs
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S'intéressant aux contributions qui explorent le composite comme formes d'art et de design, comme méthodologies et pratiques de recherche et/ou comme concepts théoriques, le numéro 60 de la revue « Azimuts – Design Art Recherche » propose d'appréhender le composite en tant que mode de présentation ou de représentation des réalités.
Azimuts n° 60 : Récits dé-composites
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S'intéressant aux contributions qui explorent le composite comme formes d'art et de design, comme méthodologies et pratiques de recherche et/ou comme concepts théoriques, le numéro 60 de la revue « Azimuts – Design Art Recherche » propose d'appréhender le composite en tant que mode de présentation ou de représentation des réalités.
Magazines