14843 Results
Form:
drawings
drawings
Reference number:
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
People:
Date:
October-November 1998
October-November 1998
Title:
Sketchbook 453: BBI I - Valencia - Amsterdam - Brasil Ibere
Actions:
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
Sketchbook 453: BBI I - Valencia - Amsterdam - Brasil Ibere
Actions:
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
Form:
drawings
drawings
Date:
October-November 1998
October-November 1998
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
J.J.P. Oud Collection
J.J.P. Oud Collection
Reference number:
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
People:
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Title:
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Form:
archives
Level of archival description:
Collection institutionnelle
archives
Level of archival description:
Collection institutionnelle
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP226
Synopsis:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
AP226
Synopsis:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
People:
Date:
1970 - 2011
1970 - 2011
Title:
Toyo Ito & Associates, Architects fonds
Actions:
AP226
Synopsis:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
Toyo Ito & Associates, Architects fonds
Actions:
AP226
Synopsis:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1970 - 2011
1970 - 2011
People:
Form:
journals and magazines
journals and magazines
Actions:
Reference number:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
People:
Date:
June 2007
June 2007
Title:
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Form:
journals and magazines
journals and magazines
Date:
June 2007
June 2007
People:
Form:
graphic materials
graphic materials
Reference number:
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
People:
Date:
1900 - 1980
1900 - 1980
Title:
Reproduction de l'artiste James W. Bessey
Actions:
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
Reproduction de l'artiste James W. Bessey
Actions:
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
Form:
graphic materials
graphic materials
Date:
1900 - 1980
1900 - 1980
People:
Form:
born digital
Quantity:
4025 digital file(s)
born digital
Quantity:
4025 digital file(s)
Reference number:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
People:
Date:
2002-2014
2002-2014
Title:
Photographs of 3D Systems models and exhibits
Actions:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
Photographs of 3D Systems models and exhibits
Actions:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
Form:
born digital
Quantity:
4025 digital file(s)
born digital
Quantity:
4025 digital file(s)
Date:
2002-2014
2002-2014
People:
Actions:
Reference number:
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
People:
Date:
1989
1989
Title:
16mm film print of Matta-Clark retrospective at MAC in Montreal
Actions:
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
16mm film print of Matta-Clark retrospective at MAC in Montreal
Actions:
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
Date:
1989
1989
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
People:
Date:
2004-2006
2004-2006
Title:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Level of archival description:
Series
Series
Date:
2004-2006
2004-2006
People:
Form:
events
events
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
photographs
photographs
Actions:
Reference number:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
People:
Date:
ca. 1985
ca. 1985
Title:
Slides documenting a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona
Actions:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Slides documenting a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona
Actions:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Form:
photographs
photographs
Date:
ca. 1985
ca. 1985
People:
