1820 Results
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books
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Title:
Le Corbusier
Le Corbusier
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«Tout art qui cesse d'être de son époque, meurt.» - «When art is no longer of its time, it dies.»
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«Tout art qui cesse d'être de son époque, meurt.» - «When art is no longer of its time, it dies.»
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Le Corbusier
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«Tout art qui cesse d'être de son époque, meurt.» - «When art is no longer of its time, it dies.»
Le Corbusier
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«Tout art qui cesse d'être de son époque, meurt.» - «When art is no longer of its time, it dies.»
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books
books
Publication:
May 2015
May 2015
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$62.95
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This book describes a series of different visual and mental models by which the urban environment has been recognized, depicted, and planned. Boyer identifies three major ''maps'': one common to the traditional city -- the city as a work of art; one characteristic of the modern city -- the city as panorama; and one appropriate to the contemporary city --(...)
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This book describes a series of different visual and mental models by which the urban environment has been recognized, depicted, and planned. Boyer identifies three major ''maps'': one common to the traditional city -- the city as a work of art; one characteristic of the modern city -- the city as panorama; and one appropriate to the contemporary city --(...)
Title:
City of collective memory : its historical imagery and architectural entertainments
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$62.95
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This book describes a series of different visual and mental models by which the urban environment has been recognized, depicted, and planned. Boyer identifies three major ''maps'': one common to the traditional city -- the city as a work of art; one characteristic of the modern city -- the city as panorama; and one appropriate to the contemporary city -- the city as spectacle. It is a richly illustrated and documented study that pays considerable attention to the normally hidden and unspoken codes that regulate the order imposed on and derived from the city.
City of collective memory : its historical imagery and architectural entertainments
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$62.95
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This book describes a series of different visual and mental models by which the urban environment has been recognized, depicted, and planned. Boyer identifies three major ''maps'': one common to the traditional city -- the city as a work of art; one characteristic of the modern city -- the city as panorama; and one appropriate to the contemporary city -- the city as spectacle. It is a richly illustrated and documented study that pays considerable attention to the normally hidden and unspoken codes that regulate the order imposed on and derived from the city.
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books
books
Publication:
June 1994, Cambridge, Mass.
June 1994, Cambridge, Mass.
Subject:
Urban Theory
Urban Theory
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books
books
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Description:
xxii, 173 pages : illustrations ; 24 cm.
Description:
xxii, 173 pages : illustrations ; 24 cm.
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Publication:
London ; New York : Routledge, Taylor & Francis Group, 2015.
London ; New York : Routledge, Taylor & Francis Group, 2015.
Title:
Intersections of space and ethos / edited by Kyriaki Tsoukala, Nikolaos-Ion Terzoglou and Charikleia Pantelidou.
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xxii, 173 pages : illustrations ; 24 cm.
Intersections of space and ethos / edited by Kyriaki Tsoukala, Nikolaos-Ion Terzoglou and Charikleia Pantelidou.
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Description:
xxii, 173 pages : illustrations ; 24 cm.
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books
books
Publication:
London ; New York : Routledge, Taylor & Francis Group, 2015.
London ; New York : Routledge, Taylor & Francis Group, 2015.
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books
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$47.95
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Summary:
Plastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, COVID-19, decapitated mountains, drone-fighting eagles, standardized bananas: all of these specimens—some more familiar than others—are examples of the hybridity that shapes the current landscapes of science, technology and everyday life. Inspired by medieval bestiaries and the(...)
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Plastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, COVID-19, decapitated mountains, drone-fighting eagles, standardized bananas: all of these specimens—some more familiar than others—are examples of the hybridity that shapes the current landscapes of science, technology and everyday life. Inspired by medieval bestiaries and the(...)
Title:
A bestiary of the Anthropocene. Hybrid plants, animals, minerals, fungi, and other specimens
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Plastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, COVID-19, decapitated mountains, drone-fighting eagles, standardized bananas: all of these specimens—some more familiar than others—are examples of the hybridity that shapes the current landscapes of science, technology and everyday life. Inspired by medieval bestiaries and the increasingly visible effects of climate change on the planet, French researcher Nicolas Nova & art collective DISNOVATION.ORG provide an ethnographic guide to the ''post-natural'' era in which we live, highlighting the amalgamations of nature and artifice that already co-exist in the 21st century. A sort of field handbook, ''A bestiary of the Anthropocene'' aims to help us orient ourselves within the technosphere and the biosphere. What happens when technologies and their unintended consequences become so ubiquitous that it is difficult to define what is “natural” or not? What does it mean to live in a hybrid environment made of organic and synthetic matter? In order to answer such questions, Nova & DISNOVATION.ORG bring their own research together with contributions from collectives such as the Center for Genomic Gastronomy and Aliens in Green as well as text by scholars and researchers from around the world. Polish graphic designer Maria Roszkowska provides illustrations.
A bestiary of the Anthropocene. Hybrid plants, animals, minerals, fungi, and other specimens
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$47.95
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Summary:
Plastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, COVID-19, decapitated mountains, drone-fighting eagles, standardized bananas: all of these specimens—some more familiar than others—are examples of the hybridity that shapes the current landscapes of science, technology and everyday life. Inspired by medieval bestiaries and the increasingly visible effects of climate change on the planet, French researcher Nicolas Nova & art collective DISNOVATION.ORG provide an ethnographic guide to the ''post-natural'' era in which we live, highlighting the amalgamations of nature and artifice that already co-exist in the 21st century. A sort of field handbook, ''A bestiary of the Anthropocene'' aims to help us orient ourselves within the technosphere and the biosphere. What happens when technologies and their unintended consequences become so ubiquitous that it is difficult to define what is “natural” or not? What does it mean to live in a hybrid environment made of organic and synthetic matter? In order to answer such questions, Nova & DISNOVATION.ORG bring their own research together with contributions from collectives such as the Center for Genomic Gastronomy and Aliens in Green as well as text by scholars and researchers from around the world. Polish graphic designer Maria Roszkowska provides illustrations.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Environment and environmental theory
Environment and environmental theory
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books
books
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Description:
385 pages : color illustrations ; 35 cm
Description:
385 pages : color illustrations ; 35 cm
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Subject:
Publication:
[Casablanca?] : LAK International, [1993]
[Casablanca?] : LAK International, [1993]
Title:
Mosquée Hassan II / ouvrage collectif sous la direction de Driss Basri, Abou Bakr Kadiri, Michel Pinseau.
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Description:
385 pages : color illustrations ; 35 cm
Mosquée Hassan II / ouvrage collectif sous la direction de Driss Basri, Abou Bakr Kadiri, Michel Pinseau.
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Description:
385 pages : color illustrations ; 35 cm
Form:
books
books
Publication:
[Casablanca?] : LAK International, [1993]
[Casablanca?] : LAK International, [1993]
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books
books
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$21.99
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Summary:
Based on practical experiments, ''Unlearning with Translation'' posits the act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times. Written by French curator, writer, editor, and self-taught translatress Virginie Bobin, the essay revisits a series of workshops, exhibitions, and other collective activities(...)
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Based on practical experiments, ''Unlearning with Translation'' posits the act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times. Written by French curator, writer, editor, and self-taught translatress Virginie Bobin, the essay revisits a series of workshops, exhibitions, and other collective activities(...)
Title:
Unlearning with translation: A critical and collective practice
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Based on practical experiments, ''Unlearning with Translation'' posits the act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times. Written by French curator, writer, editor, and self-taught translatress Virginie Bobin, the essay revisits a series of workshops, exhibitions, and other collective activities that took translation as both subject and method to unsettle entrenched conceptions of language, identity, and belonging. In particular, the ambiguous notion of "untranslatability" is used as a lens through which to examine the power relations at play in those institutional, economic, and political contexts inhabited by art workers. Alongside collaborations with artists including Mercedes Azpilicueta, Serena Lee, and Mounira Al Solh, Bobin's reflections are grounded in her experience co-founding and facilitating the editorial and curatorial platform Qalqalah, which relies on translation as a tool for the production and publication of situated knowledge in three languages—French, Arabic, and English. Informed by feminist genealogies and methodologies throughout, the book maintains that collective labor and relations are key aspects of any critical practice, as exemplified in the concluding correspondence with Andrea Ancira.
Unlearning with translation: A critical and collective practice
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$21.99
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Summary:
Based on practical experiments, ''Unlearning with Translation'' posits the act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times. Written by French curator, writer, editor, and self-taught translatress Virginie Bobin, the essay revisits a series of workshops, exhibitions, and other collective activities that took translation as both subject and method to unsettle entrenched conceptions of language, identity, and belonging. In particular, the ambiguous notion of "untranslatability" is used as a lens through which to examine the power relations at play in those institutional, economic, and political contexts inhabited by art workers. Alongside collaborations with artists including Mercedes Azpilicueta, Serena Lee, and Mounira Al Solh, Bobin's reflections are grounded in her experience co-founding and facilitating the editorial and curatorial platform Qalqalah, which relies on translation as a tool for the production and publication of situated knowledge in three languages—French, Arabic, and English. Informed by feminist genealogies and methodologies throughout, the book maintains that collective labor and relations are key aspects of any critical practice, as exemplified in the concluding correspondence with Andrea Ancira.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Museology
Museology
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books
books
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$47.50
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Summary:
Cofounder of the Droog Design collective, the Dutch designer, art historian, critic and curator Renny Ramakers (born 1946) has championed the notion of furniture and industrial design as a reimagination of today's world for more than three decades, combining virtual technologies and social media with the craft of design to develop new social relations. When Droog first(...)
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Summary:
Cofounder of the Droog Design collective, the Dutch designer, art historian, critic and curator Renny Ramakers (born 1946) has championed the notion of furniture and industrial design as a reimagination of today's world for more than three decades, combining virtual technologies and social media with the craft of design to develop new social relations. When Droog first(...)
Title:
Renny Ramakers: rethinking design, curator of change. Droog design collective
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Cofounder of the Droog Design collective, the Dutch designer, art historian, critic and curator Renny Ramakers (born 1946) has championed the notion of furniture and industrial design as a reimagination of today's world for more than three decades, combining virtual technologies and social media with the craft of design to develop new social relations. When Droog first exhibited at the Milan furniture fair in 1993, its assemblies of found materials and witty forms instantly changed the landscape of design. Since then, Ramakers has worked with makers and creators to move beyond slick objects and toward critical projects that open our eyes to our multifaceted realities while bringing great access and joy to users.
Renny Ramakers: rethinking design, curator of change. Droog design collective
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$47.50
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Summary:
Cofounder of the Droog Design collective, the Dutch designer, art historian, critic and curator Renny Ramakers (born 1946) has championed the notion of furniture and industrial design as a reimagination of today's world for more than three decades, combining virtual technologies and social media with the craft of design to develop new social relations. When Droog first exhibited at the Milan furniture fair in 1993, its assemblies of found materials and witty forms instantly changed the landscape of design. Since then, Ramakers has worked with makers and creators to move beyond slick objects and toward critical projects that open our eyes to our multifaceted realities while bringing great access and joy to users.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
Price:
$63.00
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Summary:
Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that(...)
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that(...)
Title:
Collective threads: Anna Andreeva at the Red Rose Silk Factory
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.
Collective threads: Anna Andreeva at the Red Rose Silk Factory
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
Design Monographs
Design Monographs
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books
books
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$34.95
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Summary:
Les dimensions sociales du livre d'artiste (ouvrage collectif édité par Anne Mœglin-Delcroix, avec un ensemble d'études et de témoignages de chercheurs, d'historiens, de bibliothécaires, d'éditeurs et d'artistes, ainsi que la réédition de deux textes historiques de Dick Higgins).
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Les dimensions sociales du livre d'artiste (ouvrage collectif édité par Anne Mœglin-Delcroix, avec un ensemble d'études et de témoignages de chercheurs, d'historiens, de bibliothécaires, d'éditeurs et d'artistes, ainsi que la réédition de deux textes historiques de Dick Higgins).
Title:
Le livre d'artiste: quels projets pour l'art?
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$34.95
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Les dimensions sociales du livre d'artiste (ouvrage collectif édité par Anne Mœglin-Delcroix, avec un ensemble d'études et de témoignages de chercheurs, d'historiens, de bibliothécaires, d'éditeurs et d'artistes, ainsi que la réédition de deux textes historiques de Dick Higgins).
Le livre d'artiste: quels projets pour l'art?
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$34.95
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Les dimensions sociales du livre d'artiste (ouvrage collectif édité par Anne Mœglin-Delcroix, avec un ensemble d'études et de témoignages de chercheurs, d'historiens, de bibliothécaires, d'éditeurs et d'artistes, ainsi que la réédition de deux textes historiques de Dick Higgins).
Form:
books
books
Publication:
April 2014
April 2014
Subject:
Book Design
Book Design
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books
books
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Description:
339 pages : illustrations (some color) ; 29 cm
Description:
339 pages : illustrations (some color) ; 29 cm
Subject:
Publication:
Lausanne : Payot, [1986]
Lausanne : Payot, [1986]
Title:
19-39 : la Suisse romande entre les deux guerres / collectif de recherches de l'Université et musées lausannois.
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Description:
339 pages : illustrations (some color) ; 29 cm
19-39 : la Suisse romande entre les deux guerres / collectif de recherches de l'Université et musées lausannois.
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Description:
339 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
Lausanne : Payot, [1986]
Lausanne : Payot, [1986]
Subject:
