29337 Results
Level of archival description:
Project
Project
Title:
M. Emory Games
M. Emory Games
Actions:
Reference number:
AP143.S6.D10
Description:
File documents the exhibition M Emory Games held at Harvard Graduate School of Design, Harvard University, Cambridge, Massachusetts, 1993.
AP143.S6.D10
Description:
File documents the exhibition M Emory Games held at Harvard Graduate School of Design, Harvard University, Cambridge, Massachusetts, 1993.
People:
Date:
1993-1994
1993-1994
Title:
M. Emory Games
Actions:
AP143.S6.D10
Description:
File documents the exhibition M Emory Games held at Harvard Graduate School of Design, Harvard University, Cambridge, Massachusetts, 1993.
M. Emory Games
Actions:
AP143.S6.D10
Description:
File documents the exhibition M Emory Games held at Harvard Graduate School of Design, Harvard University, Cambridge, Massachusetts, 1993.
Level of archival description:
File 10
File 10
Date:
1993-1994
1993-1994
People:
Form:
born digital
born digital
Actions:
Reference number:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
People:
Date:
1996-2014
1996-2014
Title:
Renderings of the Kansai-kan of the National Diet Library
Actions:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Renderings of the Kansai-kan of the National Diet Library
Actions:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Form:
born digital
born digital
Date:
1996-2014
1996-2014
People:
Level of archival description:
Project
Project
Title:
Sample Mats
Sample Mats
Actions:
Reference number:
AP140.S2.SS3.D18
Description:
File consists of sample exhibition mats. Material in this file was probably produced between 1974 and 1999. File contains 4 mats.
AP140.S2.SS3.D18
Description:
File consists of sample exhibition mats. Material in this file was probably produced between 1974 and 1999. File contains 4 mats.
People:
Date:
circa 1974-1999
circa 1974-1999
Title:
Sample Mats
Actions:
AP140.S2.SS3.D18
Description:
File consists of sample exhibition mats. Material in this file was probably produced between 1974 and 1999. File contains 4 mats.
Sample Mats
Actions:
AP140.S2.SS3.D18
Description:
File consists of sample exhibition mats. Material in this file was probably produced between 1974 and 1999. File contains 4 mats.
Level of archival description:
File 18
File 18
Date:
circa 1974-1999
circa 1974-1999
People:
Level of archival description:
Project
Project
Title:
Sample Frames
Sample Frames
Actions:
Reference number:
AP140.S2.SS3.D19
Description:
File consists of sample exhibition frames. Material in this file was probably produced between 1971 and 1991. File contains 4 frames.
AP140.S2.SS3.D19
Description:
File consists of sample exhibition frames. Material in this file was probably produced between 1971 and 1991. File contains 4 frames.
People:
Date:
circa 1971-1991
circa 1971-1991
Title:
Sample Frames
Actions:
AP140.S2.SS3.D19
Description:
File consists of sample exhibition frames. Material in this file was probably produced between 1971 and 1991. File contains 4 frames.
Sample Frames
Actions:
AP140.S2.SS3.D19
Description:
File consists of sample exhibition frames. Material in this file was probably produced between 1971 and 1991. File contains 4 frames.
Level of archival description:
File 19
File 19
Date:
circa 1971-1991
circa 1971-1991
People:
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP187.S1.1956.PR02
Description:
This project series documents a multi-storey exhibition hall. Material was produced in 1956 and 1957. Documenting the project is one conceptual drawing.
AP187.S1.1956.PR02
Description:
This project series documents a multi-storey exhibition hall. Material was produced in 1956 and 1957. Documenting the project is one conceptual drawing.
People:
Date:
1956-1957
1956-1957
Title:
Entwurf für eine Mehrgeschossige Ausstellungshalle (1956-1957)
Actions:
AP187.S1.1956.PR02
Description:
This project series documents a multi-storey exhibition hall. Material was produced in 1956 and 1957. Documenting the project is one conceptual drawing.
Entwurf für eine Mehrgeschossige Ausstellungshalle (1956-1957)
Actions:
AP187.S1.1956.PR02
Description:
This project series documents a multi-storey exhibition hall. Material was produced in 1956 and 1957. Documenting the project is one conceptual drawing.
Level of archival description:
Project
Project
Date:
1956-1957
1956-1957
People:
Reference number:
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
People:
Date:
1998-2000
1998-2000
Title:
Reviews, Announcements, Catalogues 1998-2000
Actions:
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1998-2000
Actions:
PHCON2002:0016:009
Description:
Binder documents exhibitions from 1998 to 2000 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. Additional documentation of the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany, is found in this binder. Binder contains photographs and textual records.
Date:
1998-2000
1998-2000
People:
Form:
textual records
textual records
Reference number:
AP206.S2.094
Description:
These papers were originally in a folder along with content arranged in AP206.S2.091 and AP206.S2.092. This file includes the following papers: "Manifesto on Urbanisation" Poems in Urdu Papers in Hindi "Linear Growth of Chandigarh" Artist's statement by Aditya Prakash for one of his exhibitions, 1998 "Royal Festival Hall"
AP206.S2.094
Description:
These papers were originally in a folder along with content arranged in AP206.S2.091 and AP206.S2.092. This file includes the following papers: "Manifesto on Urbanisation" Poems in Urdu Papers in Hindi "Linear Growth of Chandigarh" Artist's statement by Aditya Prakash for one of his exhibitions, 1998 "Royal Festival Hall"
People:
Date:
1999
1999
Title:
Notebooks and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.094
Description:
These papers were originally in a folder along with content arranged in AP206.S2.091 and AP206.S2.092. This file includes the following papers: "Manifesto on Urbanisation" Poems in Urdu Papers in Hindi "Linear Growth of Chandigarh" Artist's statement by Aditya Prakash for one of his exhibitions, 1998 "Royal Festival Hall"
Notebooks and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.094
Description:
These papers were originally in a folder along with content arranged in AP206.S2.091 and AP206.S2.092. This file includes the following papers: "Manifesto on Urbanisation" Poems in Urdu Papers in Hindi "Linear Growth of Chandigarh" Artist's statement by Aditya Prakash for one of his exhibitions, 1998 "Royal Festival Hall"
Form:
textual records
textual records
Date:
1999
1999
People:
Level of archival description:
Project
Project
Title:
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Actions:
Reference number:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
People:
Date:
2000
2000
Title:
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Actions:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Actions:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Level of archival description:
Project
Project
Date:
2000
2000
People:
Level of archival description:
Project
Project
Title:
Pipes
Pipes
Reference number:
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
People:
Date:
1971
1971
Title:
Pipes
Actions:
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
Pipes
Actions:
CP138.S5.D9
Description:
File consists of 1971 photographs for a 1971-1972 exhibition project presented at the Museum of Fine Arts, in Boston, Massachusetts. File contains photographs.
Level of archival description:
File 9
File 9
Date:
1971
1971
People:
