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By the year 1900, architect Andrew Taylor had designed Bank of Montreal branches across the continent and much of McGill University, helped found the McGill School of Architecture, and played a critical role in creating the first professional organization for Quebec architects. In The Architecture of Andrew Thomas Taylor, Susan Wagg presents a study of the life and work(...)
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By the year 1900, architect Andrew Taylor had designed Bank of Montreal branches across the continent and much of McGill University, helped found the McGill School of Architecture, and played a critical role in creating the first professional organization for Quebec architects. In The Architecture of Andrew Thomas Taylor, Susan Wagg presents a study of the life and work(...)
Title:
The architecture of Andrew Thomas Taylor: Montreal's Square Mile and beyond
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By the year 1900, architect Andrew Taylor had designed Bank of Montreal branches across the continent and much of McGill University, helped found the McGill School of Architecture, and played a critical role in creating the first professional organization for Quebec architects. In The Architecture of Andrew Thomas Taylor, Susan Wagg presents a study of the life and work of a major figure in nineteenth-century Canadian architecture.
The architecture of Andrew Thomas Taylor: Montreal's Square Mile and beyond
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By the year 1900, architect Andrew Taylor had designed Bank of Montreal branches across the continent and much of McGill University, helped found the McGill School of Architecture, and played a critical role in creating the first professional organization for Quebec architects. In The Architecture of Andrew Thomas Taylor, Susan Wagg presents a study of the life and work of a major figure in nineteenth-century Canadian architecture.
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books
books
Publication:
April 2013
April 2013
Subject:
Canadian Architects
Canadian Architects
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archives
archives
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1,072 items, 0.53 l.m. of textual documents., Arranged by series.
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1,072 items, 0.53 l.m. of textual documents., Arranged by series.
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John Bird fonds, 1942-1992, predominant 1954-1992.
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1,072 items, 0.53 l.m. of textual documents., Arranged by series.
John Bird fonds, 1942-1992, predominant 1954-1992.
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1,072 items, 0.53 l.m. of textual documents., Arranged by series.
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$32.95
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Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era(...)
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Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era(...)
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Architectural Theory
Architectural Theory
Publication:
May 2003, Montreal
May 2003, Montreal
Title:
Chora 4 : intervals in the philosophy of architecture
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Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era and explorations on topics ranging from seventeenth-century Amsterdam to architectural insights that can be found in the works of the poet and mathematician Lewis Carroll. Authors examining contemporary issues seek to explicate the spatial poetics of architecture by invoking other artistic disciplines. Essays in this group include a discussion of the accomplishments of Gordon Matta-Clark, a reading of Alfred Hitchcock's Rear Window, and an analysis of the implications of ethical/formal questions in the work of Ludwig Wittgenstein for architecture. Contributors include Caroline Dionne (Université de Québec à Montréal), Mark Dorrian (University of Edinburgh), Michael Emerson (University of New South Wales), Marc Glaudemans (University of Technology), George Hersey (emeritus, Yale University), Robert Kirkbride (design director, Studiolo), Joanna Merwood (doctoral dissertation, Princeton University), Michel Moussette (Ph.D. at the Université de Montréal), Juhani Pallasmaa (architect, Finland, emeritus Washington University in St. Louis), Alberto Pérez-Gómez (McGill University), David Theodore (McGill University), and Dorian Yurchuk (architect, New York City).
Chora 4 : intervals in the philosophy of architecture
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Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era and explorations on topics ranging from seventeenth-century Amsterdam to architectural insights that can be found in the works of the poet and mathematician Lewis Carroll. Authors examining contemporary issues seek to explicate the spatial poetics of architecture by invoking other artistic disciplines. Essays in this group include a discussion of the accomplishments of Gordon Matta-Clark, a reading of Alfred Hitchcock's Rear Window, and an analysis of the implications of ethical/formal questions in the work of Ludwig Wittgenstein for architecture. Contributors include Caroline Dionne (Université de Québec à Montréal), Mark Dorrian (University of Edinburgh), Michael Emerson (University of New South Wales), Marc Glaudemans (University of Technology), George Hersey (emeritus, Yale University), Robert Kirkbride (design director, Studiolo), Joanna Merwood (doctoral dissertation, Princeton University), Michel Moussette (Ph.D. at the Université de Montréal), Juhani Pallasmaa (architect, Finland, emeritus Washington University in St. Louis), Alberto Pérez-Gómez (McGill University), David Theodore (McGill University), and Dorian Yurchuk (architect, New York City).
Form:
books
books
Publication:
May 2003, Montreal
May 2003, Montreal
Subject:
Architectural Theory
Architectural Theory
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journals and magazines
journals and magazines
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$8.00
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La formation en architecture; Sommaire: « La recherche fondamentale, un incontournable à priori à l'éducation », Pierre Boyer-Mercier « École d'architecture de l'Université Laval : les équipes de recherche », Carole Després « Changing Ideals : Research initiatives at the School of architecture, McGill University », David Theodore « Pas de théorie sans pratique et(...)
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La formation en architecture; Sommaire: « La recherche fondamentale, un incontournable à priori à l'éducation », Pierre Boyer-Mercier « École d'architecture de l'Université Laval : les équipes de recherche », Carole Després « Changing Ideals : Research initiatives at the School of architecture, McGill University », David Theodore « Pas de théorie sans pratique et(...)
Title:
ARQ novembre 2006, numéro 137
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La formation en architecture; Sommaire: « La recherche fondamentale, un incontournable à priori à l'éducation », Pierre Boyer-Mercier « École d'architecture de l'Université Laval : les équipes de recherche », Carole Després « Changing Ideals : Research initiatives at the School of architecture, McGill University », David Theodore « Pas de théorie sans pratique et inversement : nouvelles directions de la recherche à l'École d'architecture de l'Université de Montréal », Georges Adamczyk « Une table ronde : la formation en architecture », Pierre Boyer-Mercier « Cahier de la jeune architecture » collectif
ARQ novembre 2006, numéro 137
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La formation en architecture; Sommaire: « La recherche fondamentale, un incontournable à priori à l'éducation », Pierre Boyer-Mercier « École d'architecture de l'Université Laval : les équipes de recherche », Carole Després « Changing Ideals : Research initiatives at the School of architecture, McGill University », David Theodore « Pas de théorie sans pratique et inversement : nouvelles directions de la recherche à l'École d'architecture de l'Université de Montréal », Georges Adamczyk « Une table ronde : la formation en architecture », Pierre Boyer-Mercier « Cahier de la jeune architecture » collectif
Form:
journals and magazines
journals and magazines
Publication:
November 2006, Québec
November 2006, Québec
Subject:
Magazines
Magazines
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books
books
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$28.00
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Adam Caruso studied architecture at McGill University in Montreal. He worked for Florian Beigel and Arup Associates before establishing his own practice with Peter St John in 1990. This first and surprising collection of his writings includes the texts "The Emotional City", 2001, "Towards a Canadian Architecture", 2006, and an interview with Mark Francis from the year(...)
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Adam Caruso studied architecture at McGill University in Montreal. He worked for Florian Beigel and Arup Associates before establishing his own practice with Peter St John in 1990. This first and surprising collection of his writings includes the texts "The Emotional City", 2001, "Towards a Canadian Architecture", 2006, and an interview with Mark Francis from the year(...)
Title:
Adam Caruso: the feelings of things
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Adam Caruso studied architecture at McGill University in Montreal. He worked for Florian Beigel and Arup Associates before establishing his own practice with Peter St John in 1990. This first and surprising collection of his writings includes the texts "The Emotional City", 2001, "Towards a Canadian Architecture", 2006, and an interview with Mark Francis from the year 2000. "I think that the most significant writing by architects has been developed in parallel to their work in practice. Neither polemical justification nor theoretical engine."
Adam Caruso: the feelings of things
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Adam Caruso studied architecture at McGill University in Montreal. He worked for Florian Beigel and Arup Associates before establishing his own practice with Peter St John in 1990. This first and surprising collection of his writings includes the texts "The Emotional City", 2001, "Towards a Canadian Architecture", 2006, and an interview with Mark Francis from the year 2000. "I think that the most significant writing by architects has been developed in parallel to their work in practice. Neither polemical justification nor theoretical engine."
Form:
books
books
Publication:
September 2008, Barcelona
September 2008, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Image & imagination
Image & imagination
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Photography and reality are inextricably linked but, whether one is being photographed, making a photograph, or looking at a photograph, photography is an act of the imagination. In nine original essays, art historians and cultural theorists break with photographic tradition to explore the crucial role of the imagination in photography from nineteenth-century studio(...)
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Photography and reality are inextricably linked but, whether one is being photographed, making a photograph, or looking at a photograph, photography is an act of the imagination. In nine original essays, art historians and cultural theorists break with photographic tradition to explore the crucial role of the imagination in photography from nineteenth-century studio(...)
Publication:
August 2005, Montréal
August 2005, Montréal
Title:
Image & imagination
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Photography and reality are inextricably linked but, whether one is being photographed, making a photograph, or looking at a photograph, photography is an act of the imagination. In nine original essays, art historians and cultural theorists break with photographic tradition to explore the crucial role of the imagination in photography from nineteenth-century studio portraiture to twenty-first-century digital innovations. Drawing on the twenty-nine exhibitions of Le Mois de la Photo à Montréal 2005, Image & Imagination features the work of sixty contemporary artists from Canada, Australia, the United States, France, England, Haiti, and Japan, including Marc Audette, Iain Baxter, Diane Borsato, Denis Farley, Alain Bublex, Michel Campeau, Destiny Deacon, Evergon, Adad Hannah, David Hlynsky, Tracey Moffatt, Shana and Robert ParkeHarrison, Lynne Marsh, Polixeni Papapetrou, Martin Parr, Ramona Ramlochand, Carolee Schneemann, Michael Snow, and Hulleah J. Tsinhnahjinnie. Essayists include Geoffrey Batchen (City University of New York), Catherine Bédard (Canadian Cultural Centre, Paris), Fae Brauer (University of New South Wales), Francine Dagenais (McGill University), Martyn Jolly (Australian National University), Petra Halkes (Concordia University), Martha Langford (Concordia University), Kirsty Robertson (Queen's University), and Ian Walker (University of Wales College).
Image & imagination
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Summary:
Photography and reality are inextricably linked but, whether one is being photographed, making a photograph, or looking at a photograph, photography is an act of the imagination. In nine original essays, art historians and cultural theorists break with photographic tradition to explore the crucial role of the imagination in photography from nineteenth-century studio portraiture to twenty-first-century digital innovations. Drawing on the twenty-nine exhibitions of Le Mois de la Photo à Montréal 2005, Image & Imagination features the work of sixty contemporary artists from Canada, Australia, the United States, France, England, Haiti, and Japan, including Marc Audette, Iain Baxter, Diane Borsato, Denis Farley, Alain Bublex, Michel Campeau, Destiny Deacon, Evergon, Adad Hannah, David Hlynsky, Tracey Moffatt, Shana and Robert ParkeHarrison, Lynne Marsh, Polixeni Papapetrou, Martin Parr, Ramona Ramlochand, Carolee Schneemann, Michael Snow, and Hulleah J. Tsinhnahjinnie. Essayists include Geoffrey Batchen (City University of New York), Catherine Bédard (Canadian Cultural Centre, Paris), Fae Brauer (University of New South Wales), Francine Dagenais (McGill University), Martyn Jolly (Australian National University), Petra Halkes (Concordia University), Martha Langford (Concordia University), Kirsty Robertson (Queen's University), and Ian Walker (University of Wales College).
Form:
books
books
Publication:
August 2005, Montréal
August 2005, Montréal
Form:
books
books
Title:
Image & imagination
Image & imagination
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La photographie et la réalité sont intimement liées, et pourtant, que l'on se fasse photographier, que l'on produise ou que l'on regarde une image photographique, la photographie demeure un acte d'imagination. À travers neuf textes de fond originaux, des historiens de l'art et des théoriciens de la culture rompent avec la tradition photographique pour explorer le rôle(...)
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La photographie et la réalité sont intimement liées, et pourtant, que l'on se fasse photographier, que l'on produise ou que l'on regarde une image photographique, la photographie demeure un acte d'imagination. À travers neuf textes de fond originaux, des historiens de l'art et des théoriciens de la culture rompent avec la tradition photographique pour explorer le rôle(...)
Publication:
September 2005, Montréal
September 2005, Montréal
Title:
Image & imagination
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La photographie et la réalité sont intimement liées, et pourtant, que l'on se fasse photographier, que l'on produise ou que l'on regarde une image photographique, la photographie demeure un acte d'imagination. À travers neuf textes de fond originaux, des historiens de l'art et des théoriciens de la culture rompent avec la tradition photographique pour explorer le rôle crucial de l'imagination en photographie, depuis les portraits de studio du XIXe siècle jusqu'aux innovations numériques du XXIe siècle. Prenant appui sur les vingt-neuf expositions du Mois de la Photo à Montréal 2005, Image & Imagination présente les travaux de soixante artistes contemporains en provenance du Canada, de l'Australie, des États-Unis, de la France, de l'Angleterre, d'Haïti et du Japon, dont Marc Audette, Iain Baxter, Diane Borsato, Alain Bublex, Michel Campeau, Destiny Deacon, Evergon, Denis Farley, Adad Hannah, David Hlynsky, Tracey Moffatt, Shana et Robert ParkeHarrison, Lynne Marsh, Polixeni Papapetrou, Martin Parr, Ramona Ramlochand, Carolee Schneemann, Michael Snow et Hulleah J. Tsinhnahjinnie. On retrouve, parmi les auteurs, Geoffrey Batchen (City University of New York), Catherine Bédard (Centre culturel canadien, Paris), Fae Brauer (University of New South Wales), Francine Dagenais (Université McGill), Martyn Jolly (Australian National University), Petra Halkes (Université Concordia), Martha Langford (Université Concordia), Kirsty Robertson (Queen's University) et Ian Walker (University of Wales College).
Image & imagination
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$10.00
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Summary:
La photographie et la réalité sont intimement liées, et pourtant, que l'on se fasse photographier, que l'on produise ou que l'on regarde une image photographique, la photographie demeure un acte d'imagination. À travers neuf textes de fond originaux, des historiens de l'art et des théoriciens de la culture rompent avec la tradition photographique pour explorer le rôle crucial de l'imagination en photographie, depuis les portraits de studio du XIXe siècle jusqu'aux innovations numériques du XXIe siècle. Prenant appui sur les vingt-neuf expositions du Mois de la Photo à Montréal 2005, Image & Imagination présente les travaux de soixante artistes contemporains en provenance du Canada, de l'Australie, des États-Unis, de la France, de l'Angleterre, d'Haïti et du Japon, dont Marc Audette, Iain Baxter, Diane Borsato, Alain Bublex, Michel Campeau, Destiny Deacon, Evergon, Denis Farley, Adad Hannah, David Hlynsky, Tracey Moffatt, Shana et Robert ParkeHarrison, Lynne Marsh, Polixeni Papapetrou, Martin Parr, Ramona Ramlochand, Carolee Schneemann, Michael Snow et Hulleah J. Tsinhnahjinnie. On retrouve, parmi les auteurs, Geoffrey Batchen (City University of New York), Catherine Bédard (Centre culturel canadien, Paris), Fae Brauer (University of New South Wales), Francine Dagenais (Université McGill), Martyn Jolly (Australian National University), Petra Halkes (Université Concordia), Martha Langford (Université Concordia), Kirsty Robertson (Queen's University) et Ian Walker (University of Wales College).
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books
books
Publication:
September 2005, Montréal
September 2005, Montréal
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archives
archives
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217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
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217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
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Title:
Fonds Marcel Parizeau, 1917-1955 ca. 1923-1944.
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217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
Fonds Marcel Parizeau, 1917-1955 ca. 1923-1944.
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Description:
217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
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archives
archives
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