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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941(...)
January 2016
The Soviet photobook, 1920-1941
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941 presents 160 produced photobooks from this period and includes more than 400 additional reference illustrations.
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the(...)
November 2015
Aunties: the seven summers of Alevtina and Ludmila
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the small details and daily rituals of her aunts surprisingly colorful and dreamlike days, taking us not only to another country but to another time. Alevtina and Ludmila, now in their seventies, seem both old and young, as if time itself was as seamless and cyclical as their routines working on puzzles, sewing curtains, tatting lace, picking berries, repairing fences and as full of the same subtle mysteries. Sablin collaborated with her aunts to recreate scenes she remembered from her childhood and to make new images of the patterns of their days. In these photographs, Sablin combines observation and invention, biography and autobiography, to tell the stories of her aunts life together, and in the process, quilts together a thoughtful meditation on memory, aging, and belonging.
Materiality
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Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter—considering material as the essentialized basis of medium specificity—and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for(...)
Materiality
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Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter—considering material as the essentialized basis of medium specificity—and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons’s installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools.
Sustainability
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The word sustainability has been connected to everything from a certain kind of economic development to corporate promises about improved supply sourcing. But despite the apparent ubiquity of the term, the concept of sustainability has come to mean a number of specific things. In this accessible guide to the meanings of sustainability, Kent Portney describes the evolution(...)
Sustainability
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The word sustainability has been connected to everything from a certain kind of economic development to corporate promises about improved supply sourcing. But despite the apparent ubiquity of the term, the concept of sustainability has come to mean a number of specific things. In this accessible guide to the meanings of sustainability, Kent Portney describes the evolution of the idea and examines its application in a variety of contemporary contexts—from economic growth and consumption to government policy and urban planning.
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Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. The publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid and theoreticians like Sylvia Lavin, Christian(...)
August 2016
Wolf D. Prix, Studio Prix: University of Applied Arts 1990-2011
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Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. The publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid and theoreticians like Sylvia Lavin, Christian Reder and Hans Ulrich Reck.
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new(...)
September 2015
Interspace: essays on the digital & the public
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new ways of organising spaces. With regard to the changes that the last substantial structural transformation of the public – web 2.0 – has brought along in architecture, Interspace analyses what has architecture got to do with big data and what is the architects’ role at the time when their expertise is being challenged by digital technologies.
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«Dès le début j'ai essayé de voir si je pouvais faire un art qui produirait ça. Qui surgirait tout d'un coup. Comme un coup de batte dans le visage. Au bas du cou. Qui vous sèche sans qu'on l'ait vu venir. J'aime beaucoup cette idée : l'intensité qui ne laisse pas de place à la question de savoir si vous appréciez ou non.» - Bruce Nauman
March 2023
Bruce Nauman : paroles d'artiste
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«Dès le début j'ai essayé de voir si je pouvais faire un art qui produirait ça. Qui surgirait tout d'un coup. Comme un coup de batte dans le visage. Au bas du cou. Qui vous sèche sans qu'on l'ait vu venir. J'aime beaucoup cette idée : l'intensité qui ne laisse pas de place à la question de savoir si vous appréciez ou non.» - Bruce Nauman
$129.95
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In the post-war decades, Hong Kong architects, many of them having migrated from Mainland China or studied overseas, embraced modern principles when forced to face the problems of housing shortage, mass construction and limited budgets. Although economic efficiencies often prevailed over design, their buildings were rooted in their time and place, reflecting the local(...)
December 2022
Hong Kong modern: Architecture of the 1950s-1970s
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In the post-war decades, Hong Kong architects, many of them having migrated from Mainland China or studied overseas, embraced modern principles when forced to face the problems of housing shortage, mass construction and limited budgets. Although economic efficiencies often prevailed over design, their buildings were rooted in their time and place, reflecting the local climate, social values, materials, technique and use in an often unique and pragmatic fashion. With more than 300 buildings and ensembles documented, the new publication ''Hong Kong modern architecture of the 1950s-1970s'' by Walter Koditek gives a comprehensive overview on the architecture of that transformative period in combining full-page photographs with detailed background information and further b/w images explaining and illustrating the design and history of these buildings.
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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and(...)
October 2023
Ed Ruscha / Now then: A retrospective
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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and his first solo exhibition at the Museum of Modern Art, New York, this richly illustrated catalog highlights Ruscha’s most acclaimed works alongside lesser-known aspects of his practice. Essays by an interdisciplinary group of contributors examine Ruscha’s work under a new light, beyond the categories of Pop and Conceptual art with which he has traditionally been associated, to present fresh perspectives on one of the most influential figures in postwar American art. Taken together, they underscore Ruscha’s singular contributions, including his material exploration of language, experiments with unconventional mediums--nsuch as gunpowder, chocolate or chewing tobacco-- and his groundbreaking self-published books. Supplemented by an illustrated chronology and exhibition history, this publication captures the ceaseless reinvention that has defined his prolific, six-decade career.
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Dans "L'architecture au féminin", Annmarie Adams et Peta Tancred dressent un portrait de l'ensemble des architectes canadiennes, depuis leur entrée dans la profession durant les années 1920 jusqu'aux années 1990. Elles soulignent le parcours de plusieurs de ces femmes architectes, en illustrant comment certaines mettent en question les pratiques traditionnelles tandis que(...)
April 2002, Montréal
L'architecture au féminin : une profession à redéfinir
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Dans "L'architecture au féminin", Annmarie Adams et Peta Tancred dressent un portrait de l'ensemble des architectes canadiennes, depuis leur entrée dans la profession durant les années 1920 jusqu'aux années 1990. Elles soulignent le parcours de plusieurs de ces femmes architectes, en illustrant comment certaines mettent en question les pratiques traditionnelles tandis que d'autres cherchent à élargir le domaine de l'architecture. En s'appuyant sur des documents originaux, incluant des données inédites, des dessins d'architectes, des projets réalisés et des entrevues, les auteures réfutent les idées reçues au sujet du rôle marginal dévolu aux femmes architectes. Elles révèlent comment plusieurs d'entre elles, notamment les Québécoises durant les années 1960, ont participé à la réalisation de projets d'envergure. Elles montrent enfin que, si la profession a souvent cherché à contenir l'apport des femmes architectes dans des limites étroites, celles-ci ont joué un rôle de premier plan dans le développement de l'architecture et continuent encore aujourd'hui de repousser les frontières de la profession.
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April 2002, Montréal