29628 Results
Level of archival description:
Project
Project
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Reference number:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
People:
Date:
2003-2006
2003-2006
Title:
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Level of archival description:
Project
Project
Date:
2003-2006
2003-2006
People:
Level of archival description:
Project
Project
Title:
Pliny on my mind
Pliny on my mind
Reference number:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
People:
Date:
1983
1983
Title:
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Level of archival description:
Project
Project
Date:
1983
1983
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP140.S2.SS3.D15
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the Six British Architects exhibition at the Fondation Claude-Nicolas Ledoux, in Arc-et-Senans, France. This was the second showing of the British Architecture Today exhibition, first held in 1991 at the British Pavilion, Biennale di Venezia in Venice, Italy. Material in this file was produced between 1992 and 1993. File contains textual records, including correspondence and photographs. File also contains correspondence relating to door handles designed by James Stirling.
AP140.S2.SS3.D15
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the Six British Architects exhibition at the Fondation Claude-Nicolas Ledoux, in Arc-et-Senans, France. This was the second showing of the British Architecture Today exhibition, first held in 1991 at the British Pavilion, Biennale di Venezia in Venice, Italy. Material in this file was produced between 1992 and 1993. File contains textual records, including correspondence and photographs. File also contains correspondence relating to door handles designed by James Stirling.
People:
Date:
1992-1993
1992-1993
Title:
Six British Architects, Fondation Claude-Nicolas Ledoux
Actions:
AP140.S2.SS3.D15
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the Six British Architects exhibition at the Fondation Claude-Nicolas Ledoux, in Arc-et-Senans, France. This was the second showing of the British Architecture Today exhibition, first held in 1991 at the British Pavilion, Biennale di Venezia in Venice, Italy. Material in this file was produced between 1992 and 1993. File contains textual records, including correspondence and photographs. File also contains correspondence relating to door handles designed by James Stirling.
Six British Architects, Fondation Claude-Nicolas Ledoux
Actions:
AP140.S2.SS3.D15
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the Six British Architects exhibition at the Fondation Claude-Nicolas Ledoux, in Arc-et-Senans, France. This was the second showing of the British Architecture Today exhibition, first held in 1991 at the British Pavilion, Biennale di Venezia in Venice, Italy. Material in this file was produced between 1992 and 1993. File contains textual records, including correspondence and photographs. File also contains correspondence relating to door handles designed by James Stirling.
Level of archival description:
File 15
File 15
Date:
1992-1993
1992-1993
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP187.S1.1968.PR03
Description:
This project series documents designs for exhibition structures or buildings developed from composite geodetic systems. Material was produced in 1968-1969. Documenting the project are drawings and black-and-white photographs.
AP187.S1.1968.PR03
Description:
This project series documents designs for exhibition structures or buildings developed from composite geodetic systems. Material was produced in 1968-1969. Documenting the project are drawings and black-and-white photographs.
People:
Date:
1968-1969
1968-1969
Title:
Entwürfe Ausstellungsbauten aus zusammengesetzten geodätischen Systemen (1968-1969)
Actions:
AP187.S1.1968.PR03
Description:
This project series documents designs for exhibition structures or buildings developed from composite geodetic systems. Material was produced in 1968-1969. Documenting the project are drawings and black-and-white photographs.
Entwürfe Ausstellungsbauten aus zusammengesetzten geodätischen Systemen (1968-1969)
Actions:
AP187.S1.1968.PR03
Description:
This project series documents designs for exhibition structures or buildings developed from composite geodetic systems. Material was produced in 1968-1969. Documenting the project are drawings and black-and-white photographs.
Level of archival description:
Project
Project
Date:
1968-1969
1968-1969
People:
Level of archival description:
Series
Series
Reference number:
CD047.S2
Description:
The series consists of ephemera, textual records, a phonograph record related to Expo 67, Montréal, Québec (ca. 1967), and a phonograph record and textual record on the exhibition 'Man and His World'.
CD047.S2
Description:
The series consists of ephemera, textual records, a phonograph record related to Expo 67, Montréal, Québec (ca. 1967), and a phonograph record and textual record on the exhibition 'Man and His World'.
People:
Date:
1967-1968
1967-1968
Title:
Textual documents and audiovisual materials
Actions:
CD047.S2
Description:
The series consists of ephemera, textual records, a phonograph record related to Expo 67, Montréal, Québec (ca. 1967), and a phonograph record and textual record on the exhibition 'Man and His World'.
Textual documents and audiovisual materials
Actions:
CD047.S2
Description:
The series consists of ephemera, textual records, a phonograph record related to Expo 67, Montréal, Québec (ca. 1967), and a phonograph record and textual record on the exhibition 'Man and His World'.
Level of archival description:
Series
Series
Date:
1967-1968
1967-1968
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS3.D1
Description:
File documents the Three University Buildings exhibition at the Museum of Modern Art, in New York City, New York, United States. Material in this file was produced in 1969. File contains photographs by photographer George Cserna.
AP140.S2.SS3.D1
Description:
File documents the Three University Buildings exhibition at the Museum of Modern Art, in New York City, New York, United States. Material in this file was produced in 1969. File contains photographs by photographer George Cserna.
People:
Date:
1969
1969
Title:
Three University Buildings, Museum of Modern Art
Actions:
AP140.S2.SS3.D1
Description:
File documents the Three University Buildings exhibition at the Museum of Modern Art, in New York City, New York, United States. Material in this file was produced in 1969. File contains photographs by photographer George Cserna.
Three University Buildings, Museum of Modern Art
Actions:
AP140.S2.SS3.D1
Description:
File documents the Three University Buildings exhibition at the Museum of Modern Art, in New York City, New York, United States. Material in this file was produced in 1969. File contains photographs by photographer George Cserna.
Level of archival description:
File 1
File 1
Date:
1969
1969
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP140.S2.SS4.D2
Description:
File documents the publication of the second edition of the exhibition catalogue 'James Stirling, RIBA Drawings Collection'. Material in this file was produced between 1975 and 1977. File contains textual records.
AP140.S2.SS4.D2
Description:
File documents the publication of the second edition of the exhibition catalogue 'James Stirling, RIBA Drawings Collection'. Material in this file was produced between 1975 and 1977. File contains textual records.
People:
Date:
1975-1977
1975-1977
Title:
James Stirling, RIBA Drawings Collection, Second Edition
Actions:
AP140.S2.SS4.D2
Description:
File documents the publication of the second edition of the exhibition catalogue 'James Stirling, RIBA Drawings Collection'. Material in this file was produced between 1975 and 1977. File contains textual records.
James Stirling, RIBA Drawings Collection, Second Edition
Actions:
AP140.S2.SS4.D2
Description:
File documents the publication of the second edition of the exhibition catalogue 'James Stirling, RIBA Drawings Collection'. Material in this file was produced between 1975 and 1977. File contains textual records.
Level of archival description:
File 2
File 2
Date:
1975-1977
1975-1977
People:
Level of archival description:
Project
Project
Title:
Paper Art Installation
Paper Art Installation
Actions:
Reference number:
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
People:
Date:
1996
1996
Title:
Paper Art Installation
Actions:
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
Paper Art Installation
Actions:
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
Level of archival description:
File 13
File 13
Date:
1996
1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP140.S2.SS3.D9
Description:
File documents the Cornell University, Performing Arts Centre exhibition at the Architectural League, in New York City, New York, United States. Material in this file was produced in 1983. File contains presentation panels.
AP140.S2.SS3.D9
Description:
File documents the Cornell University, Performing Arts Centre exhibition at the Architectural League, in New York City, New York, United States. Material in this file was produced in 1983. File contains presentation panels.
People:
Date:
1983
1983
Title:
Cornell University, Performing Arts Centre, Architectural League
Actions:
AP140.S2.SS3.D9
Description:
File documents the Cornell University, Performing Arts Centre exhibition at the Architectural League, in New York City, New York, United States. Material in this file was produced in 1983. File contains presentation panels.
Cornell University, Performing Arts Centre, Architectural League
Actions:
AP140.S2.SS3.D9
Description:
File documents the Cornell University, Performing Arts Centre exhibition at the Architectural League, in New York City, New York, United States. Material in this file was produced in 1983. File contains presentation panels.
Level of archival description:
File 9
File 9
Date:
1983
1983
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
People:
Date:
1993-1994
1993-1994
Title:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Level of archival description:
File 106
File 106
Date:
1993-1994
1993-1994
People:
