33372 Results
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
People:
Subject:
interior design
interior design
Date:
1953
1953
Title:
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Form:
drawings
drawings
Date:
1953
1953
People:
Subject:
interior design
interior design
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
People:
Subject:
interior design
interior design
Date:
1952-1953
1952-1953
Title:
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Form:
drawings
drawings
Date:
1952-1953
1952-1953
People:
Subject:
interior design
interior design
Form:
works of art
works of art
Actions:
Reference number:
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
People:
Subject:
architecture
architecture
Date:
1543
1543
Title:
Design for the capital and base of a column
Actions:
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Form:
works of art
works of art
Date:
1543
1543
People:
Subject:
architecture
architecture
Form:
works of art
works of art
Actions:
Reference number:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
People:
Subject:
architecture
architecture
Date:
1545
1545
Title:
Design for the capital and base of a column
Actions:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Form:
works of art
works of art
Date:
1545
1545
People:
Subject:
architecture
architecture
Form:
works of art
works of art
Actions:
Reference number:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
People:
Subject:
architecture
architecture
Date:
1545
1545
Title:
Design for the capital and base of a column
Actions:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Form:
works of art
works of art
Date:
1545
1545
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
People:
Date:
published 1875
published 1875
Title:
Album titled "Le nouvel Opéra de Paris: Bronzes, candélabres, lustres, torchères, appliques, lampadaires par Charles Garnier"
Actions:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Album titled "Le nouvel Opéra de Paris: Bronzes, candélabres, lustres, torchères, appliques, lampadaires par Charles Garnier"
Actions:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Form:
photographs
photographs
Date:
published 1875
published 1875
People:
Form:
journals and magazines
journals and magazines
Actions:
Reference number:
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
People:
Date:
November 1992
November 1992
Title:
Serial ''de Architect'' with an article on projects by NOX
Actions:
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
Serial ''de Architect'' with an article on projects by NOX
Actions:
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
Form:
journals and magazines
journals and magazines
Date:
November 1992
November 1992
People:
Form:
textual records
textual records
Reference number:
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
People:
Date:
1982-1985
1982-1985
Title:
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
Form:
textual records
textual records
Date:
1982-1985
1982-1985
People:
Form:
drawings, graphic materials
drawings, graphic materials
Reference number:
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
People:
Subject:
architecture
architecture
Date:
after 20 December 1806
after 20 December 1806
Title:
Projet pour la Madeleine. Album de 5 dessins (vers 1806).
Actions:
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
Projet pour la Madeleine. Album de 5 dessins (vers 1806).
Actions:
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
Form:
drawings, graphic materials
drawings, graphic materials
Date:
after 20 December 1806
after 20 December 1806
People:
Subject:
architecture
architecture
Form:
textual records
textual records
Reference number:
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
People:
Date:
2008-2017
2008-2017
Title:
Professional correspondence from 2008-2017
Actions:
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
Professional correspondence from 2008-2017
Actions:
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
Form:
textual records
textual records
Date:
2008-2017
2008-2017
People:
