21274 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH278610
ARCH278610
People:
Date:
1971
1971
Title:
Letterhead for the CASE 8 conference held at MoMA in New York on May 21- 22 1971
Actions:
ARCH278610
Letterhead for the CASE 8 conference held at MoMA in New York on May 21- 22 1971
Actions:
ARCH278610
Form:
textual records
textual records
Date:
1971
1971
People:
Level of archival description:
Series
Series
Title:
Une architecture des humeurs
Une architecture des humeurs
Actions:
Reference number:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
People:
Date:
2008-2011
2008-2011
Title:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Level of archival description:
Series
Series
Date:
2008-2011
2008-2011
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
People:
Date:
1984-1990
1984-1990
Title:
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Form:
textual records
textual records
Date:
1984-1990
1984-1990
People:
Level of archival description:
Series
Series
Reference number:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
People:
Date:
1932-1975
1932-1975
Title:
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Level of archival description:
Série 3
Série 3
Date:
1932-1975
1932-1975
People:
Form:
exhibitions
exhibitions
Title:
Old Books New Cities
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Location:
Hall cases
Hall cases
Date:
12 December 2013 to 15 June 2014
12 December 2013 to 15 June 2014
Title:
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Form:
exhibitions
exhibitions
Date:
12 December 2013 to
15 June 2014
12 December 2013 to
15 June 2014
Location:
Hall cases
Hall cases
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1986.D3
Description:
This project series documents the urban plan for the Plaza del Marques de Mamblas, Sevilla la Nueva, Community of Madrid, Spain. Abalos & Herreros, with project architect director Pablo Tarrago Hernandez, designed the project for the Comunidad Autonoma de Madrid, Consejeria de gobernacion, Direccion general de cooperacion local, Servicio de proyectos y obras. The project was build by another firm. Abalos & Herreros identified this project as number 37. The design for this plaza and the Plaza Mayor, Villamantilla (AP164.S1.1986.D2) were presented at the same time. Documenting the project are design development drawings and photographic materials.
AP164.S1.1986.D3
Description:
This project series documents the urban plan for the Plaza del Marques de Mamblas, Sevilla la Nueva, Community of Madrid, Spain. Abalos & Herreros, with project architect director Pablo Tarrago Hernandez, designed the project for the Comunidad Autonoma de Madrid, Consejeria de gobernacion, Direccion general de cooperacion local, Servicio de proyectos y obras. The project was build by another firm. Abalos & Herreros identified this project as number 37. The design for this plaza and the Plaza Mayor, Villamantilla (AP164.S1.1986.D2) were presented at the same time. Documenting the project are design development drawings and photographic materials.
People:
Date:
1986
1986
Title:
Ordenación de la Plaza del Marqués de Mamblas, Sevilla la Nueva, Spain (1986)
Actions:
AP164.S1.1986.D3
Description:
This project series documents the urban plan for the Plaza del Marques de Mamblas, Sevilla la Nueva, Community of Madrid, Spain. Abalos & Herreros, with project architect director Pablo Tarrago Hernandez, designed the project for the Comunidad Autonoma de Madrid, Consejeria de gobernacion, Direccion general de cooperacion local, Servicio de proyectos y obras. The project was build by another firm. Abalos & Herreros identified this project as number 37. The design for this plaza and the Plaza Mayor, Villamantilla (AP164.S1.1986.D2) were presented at the same time. Documenting the project are design development drawings and photographic materials.
Ordenación de la Plaza del Marqués de Mamblas, Sevilla la Nueva, Spain (1986)
Actions:
AP164.S1.1986.D3
Description:
This project series documents the urban plan for the Plaza del Marques de Mamblas, Sevilla la Nueva, Community of Madrid, Spain. Abalos & Herreros, with project architect director Pablo Tarrago Hernandez, designed the project for the Comunidad Autonoma de Madrid, Consejeria de gobernacion, Direccion general de cooperacion local, Servicio de proyectos y obras. The project was build by another firm. Abalos & Herreros identified this project as number 37. The design for this plaza and the Plaza Mayor, Villamantilla (AP164.S1.1986.D2) were presented at the same time. Documenting the project are design development drawings and photographic materials.
Level of archival description:
Project
Project
Date:
1986
1986
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR07
Description:
The project series documents "Citta Futura", a series of architectural drawings made by Pettena as part of his graduation thesis at University of Florence in 1968. Pettena's thesis was on the urban requalification of the Santa Croce area in Florence damaged by a flood in 1966. For this project Pettena was "influcenced by the many visionary proposals of 'cities of the future' of the early '60s" [1] The project series contains project descriptions in English and in Italian, and scanned copies of drawings by Pettena for his thesis at the end of the 1960s. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-cities-of-the-future-1968/ (last accessed 12 November 2019).
AP207.S1.1968.PR07
Description:
The project series documents "Citta Futura", a series of architectural drawings made by Pettena as part of his graduation thesis at University of Florence in 1968. Pettena's thesis was on the urban requalification of the Santa Croce area in Florence damaged by a flood in 1966. For this project Pettena was "influcenced by the many visionary proposals of 'cities of the future' of the early '60s" [1] The project series contains project descriptions in English and in Italian, and scanned copies of drawings by Pettena for his thesis at the end of the 1960s. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-cities-of-the-future-1968/ (last accessed 12 November 2019).
People:
Date:
2011-2015
2011-2015
Title:
Citta Futura [Citites of the Future] (1968)
Actions:
AP207.S1.1968.PR07
Description:
The project series documents "Citta Futura", a series of architectural drawings made by Pettena as part of his graduation thesis at University of Florence in 1968. Pettena's thesis was on the urban requalification of the Santa Croce area in Florence damaged by a flood in 1966. For this project Pettena was "influcenced by the many visionary proposals of 'cities of the future' of the early '60s" [1] The project series contains project descriptions in English and in Italian, and scanned copies of drawings by Pettena for his thesis at the end of the 1960s. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-cities-of-the-future-1968/ (last accessed 12 November 2019).
Citta Futura [Citites of the Future] (1968)
Actions:
AP207.S1.1968.PR07
Description:
The project series documents "Citta Futura", a series of architectural drawings made by Pettena as part of his graduation thesis at University of Florence in 1968. Pettena's thesis was on the urban requalification of the Santa Croce area in Florence damaged by a flood in 1966. For this project Pettena was "influcenced by the many visionary proposals of 'cities of the future' of the early '60s" [1] The project series contains project descriptions in English and in Italian, and scanned copies of drawings by Pettena for his thesis at the end of the 1960s. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-cities-of-the-future-1968/ (last accessed 12 November 2019).
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Level of archival description:
Project
Project
Reference number:
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
People:
Date:
1986
1986
Title:
Casa sul Lungomare [House on Lungamore], Otranto, Italy (1986-1987)
Actions:
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
Casa sul Lungomare [House on Lungamore], Otranto, Italy (1986-1987)
Actions:
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
Level of archival description:
Project
Project
Date:
1986
1986
People:
Form:
exhibitions
exhibitions
Title:
Speed Limits
Speed Limits
Actions:
Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Location:
Main galleries
Main galleries
Date:
20 May 2009 to 8 November 2009
20 May 2009 to 8 November 2009
Title:
Speed Limits
Actions:
Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Speed Limits
Actions:
Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Form:
exhibitions
exhibitions
Date:
20 May 2009 to
8 November 2009
20 May 2009 to
8 November 2009
Location:
Main galleries
Main galleries
Form:
events
events
Title:
Learning from... Mumbai
Learning from... Mumbai
Actions:
Description:
Rahul Mehrotra presents a reading of Mumbai’s form as a symbol of India’s emerging urban culture. The lecture examines Mumbai, a megalopolis with more than 13 million inhabitants, as two distinct elements that occupy the same physical space. The first, the Static City, built of permanent materials like concrete, steel and brick, can be captured as a two-dimensional entity(...)
Rahul Mehrotra presents a reading of Mumbai’s form as a symbol of India’s emerging urban culture. The lecture examines Mumbai, a megalopolis with more than 13 million inhabitants, as two distinct elements that occupy the same physical space. The first, the Static City, built of permanent materials like concrete, steel and brick, can be captured as a two-dimensional entity(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
9 April 2009
9 April 2009
Title:
Learning from... Mumbai
Actions:
Description:
Rahul Mehrotra presents a reading of Mumbai’s form as a symbol of India’s emerging urban culture. The lecture examines Mumbai, a megalopolis with more than 13 million inhabitants, as two distinct elements that occupy the same physical space. The first, the Static City, built of permanent materials like concrete, steel and brick, can be captured as a two-dimensional entity(...)
Learning from... Mumbai
Actions:
Description:
Rahul Mehrotra presents a reading of Mumbai’s form as a symbol of India’s emerging urban culture. The lecture examines Mumbai, a megalopolis with more than 13 million inhabitants, as two distinct elements that occupy the same physical space. The first, the Static City, built of permanent materials like concrete, steel and brick, can be captured as a two-dimensional entity(...)
Form:
events
events
Date:
9 April 2009
9 April 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
