PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
1964-1976
Gordon Matta-Clark Mother's papers: Family Letters 1964 to 1976
Actions:
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
1964-1976
drawings, textual records
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
1968-1986
Project documentation, Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto
Actions:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
drawings, textual records
1968-1986
textual records
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
circa 1964-1990
Kenneth Frampton texts, articles and notes (A-Z)
Actions:
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
textual records
circa 1964-1990
textual records
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
circa 1967-2015
Kenneth Frampton texts, articles and notes MO-Z
Actions:
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
textual records
circa 1967-2015
textual records
AP197.S1.SS9.013
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from CO-FR.The largest portion of the box is comprised of: a dossier on DO.CO, MO.MO which includes correspondence, pamphlets, programs and newsletters; drafts and correspondence for "the Evolution of 20th Century: a Synoptic Account;" and transcripts of interviews with Kenneth Frampton. Other subjects and architects explored in these texts include the work of Charles Correa, Czech architecture and the avant-garde, Peter Felix, and Norman Foster.
circa 1965-2015
Kenneth Frampton writings (CO-FR)
Actions:
AP197.S1.SS9.013
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from CO-FR.The largest portion of the box is comprised of: a dossier on DO.CO, MO.MO which includes correspondence, pamphlets, programs and newsletters; drafts and correspondence for "the Evolution of 20th Century: a Synoptic Account;" and transcripts of interviews with Kenneth Frampton. Other subjects and architects explored in these texts include the work of Charles Correa, Czech architecture and the avant-garde, Peter Felix, and Norman Foster.
textual records
circa 1965-2015
textual records
Kenneth Frampton writings M
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
circa 1980-2016
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
textual records
circa 1980-2016
drawings, textual records
Documentation préparatoire à la fabrication du document de présentation exigé par le concours
ARCH167816
Description:
25 feuillets:Documentation préparatoire à la fabrication du document de présentation exigé par le concours 1 dessin: Installation, mine de plastique sur mylar 23 x 31 cm 15 feuillets: photocopies d'un livre non-identifié 21,5 x 25,5 cm 1 dossier aux couleurs du Comité d'organisation des Jeux Olympiques de Calgary contenant: -106 feuillets: Correspondance et brouillons de lettres, comprenant: description de projet, liste des architectes participant au concours et contrat 10 octobre 1986- 6 avril 1988 -7 photocopies: coupures de presse 21,5 x 35,5 cm 2 invitations à des inaugurations 19 15 cm Rapport annuel des jeux olympiques de Calgary pour l'année 1986 Programmation des jeux 1 page: Bulletin semestriel de l'IRAC "En Bref", un extrait 3 cartes d'affaire 1 facture
Documentation préparatoire à la fabrication du document de présentation exigé par le concours
Actions:
ARCH167816
Description:
25 feuillets:Documentation préparatoire à la fabrication du document de présentation exigé par le concours 1 dessin: Installation, mine de plastique sur mylar 23 x 31 cm 15 feuillets: photocopies d'un livre non-identifié 21,5 x 25,5 cm 1 dossier aux couleurs du Comité d'organisation des Jeux Olympiques de Calgary contenant: -106 feuillets: Correspondance et brouillons de lettres, comprenant: description de projet, liste des architectes participant au concours et contrat 10 octobre 1986- 6 avril 1988 -7 photocopies: coupures de presse 21,5 x 35,5 cm 2 invitations à des inaugurations 19 15 cm Rapport annuel des jeux olympiques de Calgary pour l'année 1986 Programmation des jeux 1 page: Bulletin semestriel de l'IRAC "En Bref", un extrait 3 cartes d'affaire 1 facture
drawings, textual records
Front to Rear: Architecture and Planning during World War II, held at the Institute of Fine Arts, New York University, brings together research investigating a wide range of architectural activities, taking place in diverse geographical locations, and occurring between the bombings of Guernica in 1937 and Hiroshima in 1945. World War II was a key moment in the process of(...)
Institute of Fine Arts, New York University
7 March 2009 to 8 March 2009
Front to Rear: Architecture and Planning during World War II
Actions:
Description:
Front to Rear: Architecture and Planning during World War II, held at the Institute of Fine Arts, New York University, brings together research investigating a wide range of architectural activities, taking place in diverse geographical locations, and occurring between the bombings of Guernica in 1937 and Hiroshima in 1945. World War II was a key moment in the process of(...)
Institute of Fine Arts, New York University
Project
AP178.S1.1985.PR02
Description:
This project series documents the Recuperação da Área do Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. In 1983, the IACP (Istituto Autonomo Case Popolari) initiated an architectural competition to modernize the existing housing and rehabilitate the urban space of Giudecca. The criteria were undefined in order to give the architect flexibility but insisted on respecting Venetian heritage. Álvaro Siza won the competition and selected Aldo Rossi (building completed in 2004), Carlo Aymonino (building completed in 2004), Rafael Moneo (not built) to collaborate on individual buildings. Siza's building was completed in 2016.
1984-2012
Recuperação da Área do Campo di Marte [Restoration of Campo di Marte], Giudecca, Venice, Italy (1985)
Actions:
AP178.S1.1985.PR02
Description:
This project series documents the Recuperação da Área do Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. In 1983, the IACP (Istituto Autonomo Case Popolari) initiated an architectural competition to modernize the existing housing and rehabilitate the urban space of Giudecca. The criteria were undefined in order to give the architect flexibility but insisted on respecting Venetian heritage. Álvaro Siza won the competition and selected Aldo Rossi (building completed in 2004), Carlo Aymonino (building completed in 2004), Rafael Moneo (not built) to collaborate on individual buildings. Siza's building was completed in 2016.
Project
1984-2012
Project
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
1918
De Vonk Holiday Hostel, Noordwijkerhout, Netherlands (1917-1919)
Actions:
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
project
1918