15733 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Ross & Macdonald fonds
Ross & Macdonald fonds
Reference number:
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
People:
Date:
1902-1982
1902-1982
Title:
Ross & Macdonald fonds
Actions:
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Ross & Macdonald fonds
Actions:
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1902-1982
1902-1982
People:
Form:
events
events
Title:
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Actions:
Description:
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
Location:
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Date:
18 November 2010 , 6PM
18 November 2010 , 6PM
Title:
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Actions:
Description:
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Actions:
Description:
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
Form:
events
events
Date:
18 November 2010
6PM
18 November 2010
6PM
Location:
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Form:
exhibitions
exhibitions
Title:
Mirrors / Miroirs
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Location:
Hall cases
Hall cases
Date:
22 June 2017 to 14 January 2018
22 June 2017 to 14 January 2018
Title:
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Form:
exhibitions
exhibitions
Date:
22 June 2017 to
14 January 2018
22 June 2017 to
14 January 2018
Location:
Hall cases
Hall cases
Level of archival description:
Series
Series
Actions:
Reference number:
AP184.S1
Description:
Series 1, Three Dimensional Trading Floor, 1990 - 2009, relates to Asymptote Architecture’s design of a virtualized NYSE Trading Floor that visualized real-time numerical and statistical data. This series includes textual, born-digital, and audiovisual components, as well as digital artefacts, and chiefly dates from 1997 to 2002. The intent of the New York Stock Exchange Three Dimensional Trading Floor (3DTF) was to detect suspicious trading activity, track the impact of global news events on the market and potentially predict a crash before it happened. In order to achieve this technically, Asymptote worked with Silicon Graphics Incorporated (SGI) RealityEngine hardware which had been built specifically for these visualization-intensive applications. They also worked with Softimage and Alias software for modeling, rendering and animating, and VRML (Virtual Reality Markup Language) and Macromedia Flash in order to integrate real-time data into a navigable three-dimensional environment. The main elements of the virtual environment include posts, containers, and back wall. The two container types, Index Container (IC) and Group Container (GC), allow for visualization and comparison of stock histories and behaviors. The posts display stock information, corresponding heat maps on floors, and alerts. The back wall integrates live news broadcasts. Materials in this series are largely digital and primarily include still raster images and video demonstrating 3DTF functionality. There is also a small body of CAD material in Maya, Alias, Microstation, and Form-Z formats. Other digital materials include Virtual Reality Markup Language (VRML) files, HTML files, Silicon Graphics Images databases, research material, press kits, presentations, and handout files. The textual records are largely materials that were handed out at presentation meetings for each phase of the project. These typically illustrate major virtual components of 3DTF, like the heat maps and posts, and overlap significantly with the related digital files. There is also one VHS tape which compiles nearly twenty minutes of animated renderings. Finally, this series includes 43 CDs. The CDs were processed and are included as part of the digital records; the CDs themselves were kept in instances where they may have artefactual value, especially if they were visually interesting or informationally important.
AP184.S1
Description:
Series 1, Three Dimensional Trading Floor, 1990 - 2009, relates to Asymptote Architecture’s design of a virtualized NYSE Trading Floor that visualized real-time numerical and statistical data. This series includes textual, born-digital, and audiovisual components, as well as digital artefacts, and chiefly dates from 1997 to 2002. The intent of the New York Stock Exchange Three Dimensional Trading Floor (3DTF) was to detect suspicious trading activity, track the impact of global news events on the market and potentially predict a crash before it happened. In order to achieve this technically, Asymptote worked with Silicon Graphics Incorporated (SGI) RealityEngine hardware which had been built specifically for these visualization-intensive applications. They also worked with Softimage and Alias software for modeling, rendering and animating, and VRML (Virtual Reality Markup Language) and Macromedia Flash in order to integrate real-time data into a navigable three-dimensional environment. The main elements of the virtual environment include posts, containers, and back wall. The two container types, Index Container (IC) and Group Container (GC), allow for visualization and comparison of stock histories and behaviors. The posts display stock information, corresponding heat maps on floors, and alerts. The back wall integrates live news broadcasts. Materials in this series are largely digital and primarily include still raster images and video demonstrating 3DTF functionality. There is also a small body of CAD material in Maya, Alias, Microstation, and Form-Z formats. Other digital materials include Virtual Reality Markup Language (VRML) files, HTML files, Silicon Graphics Images databases, research material, press kits, presentations, and handout files. The textual records are largely materials that were handed out at presentation meetings for each phase of the project. These typically illustrate major virtual components of 3DTF, like the heat maps and posts, and overlap significantly with the related digital files. There is also one VHS tape which compiles nearly twenty minutes of animated renderings. Finally, this series includes 43 CDs. The CDs were processed and are included as part of the digital records; the CDs themselves were kept in instances where they may have artefactual value, especially if they were visually interesting or informationally important.
People:
Date:
1990-2009
1990-2009
Title:
Three Dimensional Trading Floor
Actions:
AP184.S1
Description:
Series 1, Three Dimensional Trading Floor, 1990 - 2009, relates to Asymptote Architecture’s design of a virtualized NYSE Trading Floor that visualized real-time numerical and statistical data. This series includes textual, born-digital, and audiovisual components, as well as digital artefacts, and chiefly dates from 1997 to 2002. The intent of the New York Stock Exchange Three Dimensional Trading Floor (3DTF) was to detect suspicious trading activity, track the impact of global news events on the market and potentially predict a crash before it happened. In order to achieve this technically, Asymptote worked with Silicon Graphics Incorporated (SGI) RealityEngine hardware which had been built specifically for these visualization-intensive applications. They also worked with Softimage and Alias software for modeling, rendering and animating, and VRML (Virtual Reality Markup Language) and Macromedia Flash in order to integrate real-time data into a navigable three-dimensional environment. The main elements of the virtual environment include posts, containers, and back wall. The two container types, Index Container (IC) and Group Container (GC), allow for visualization and comparison of stock histories and behaviors. The posts display stock information, corresponding heat maps on floors, and alerts. The back wall integrates live news broadcasts. Materials in this series are largely digital and primarily include still raster images and video demonstrating 3DTF functionality. There is also a small body of CAD material in Maya, Alias, Microstation, and Form-Z formats. Other digital materials include Virtual Reality Markup Language (VRML) files, HTML files, Silicon Graphics Images databases, research material, press kits, presentations, and handout files. The textual records are largely materials that were handed out at presentation meetings for each phase of the project. These typically illustrate major virtual components of 3DTF, like the heat maps and posts, and overlap significantly with the related digital files. There is also one VHS tape which compiles nearly twenty minutes of animated renderings. Finally, this series includes 43 CDs. The CDs were processed and are included as part of the digital records; the CDs themselves were kept in instances where they may have artefactual value, especially if they were visually interesting or informationally important.
Three Dimensional Trading Floor
Actions:
AP184.S1
Description:
Series 1, Three Dimensional Trading Floor, 1990 - 2009, relates to Asymptote Architecture’s design of a virtualized NYSE Trading Floor that visualized real-time numerical and statistical data. This series includes textual, born-digital, and audiovisual components, as well as digital artefacts, and chiefly dates from 1997 to 2002. The intent of the New York Stock Exchange Three Dimensional Trading Floor (3DTF) was to detect suspicious trading activity, track the impact of global news events on the market and potentially predict a crash before it happened. In order to achieve this technically, Asymptote worked with Silicon Graphics Incorporated (SGI) RealityEngine hardware which had been built specifically for these visualization-intensive applications. They also worked with Softimage and Alias software for modeling, rendering and animating, and VRML (Virtual Reality Markup Language) and Macromedia Flash in order to integrate real-time data into a navigable three-dimensional environment. The main elements of the virtual environment include posts, containers, and back wall. The two container types, Index Container (IC) and Group Container (GC), allow for visualization and comparison of stock histories and behaviors. The posts display stock information, corresponding heat maps on floors, and alerts. The back wall integrates live news broadcasts. Materials in this series are largely digital and primarily include still raster images and video demonstrating 3DTF functionality. There is also a small body of CAD material in Maya, Alias, Microstation, and Form-Z formats. Other digital materials include Virtual Reality Markup Language (VRML) files, HTML files, Silicon Graphics Images databases, research material, press kits, presentations, and handout files. The textual records are largely materials that were handed out at presentation meetings for each phase of the project. These typically illustrate major virtual components of 3DTF, like the heat maps and posts, and overlap significantly with the related digital files. There is also one VHS tape which compiles nearly twenty minutes of animated renderings. Finally, this series includes 43 CDs. The CDs were processed and are included as part of the digital records; the CDs themselves were kept in instances where they may have artefactual value, especially if they were visually interesting or informationally important.
Level of archival description:
Series
Series
Date:
1990-2009
1990-2009
People:
Form:
articles
articles
Actions:
Sofia Nannini
Published:
15 July 2024
15 July 2024
Form:
events
events
Actions:
Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Date:
17 October 2002
17 October 2002
Title:
Philip Ursprung: Close Encounters: Herzog & de Meuron en collaboration avec des artistes
Actions:
Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Philip Ursprung: Close Encounters: Herzog & de Meuron en collaboration avec des artistes
Actions:
Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Form:
events
events
Date:
17 October 2002
17 October 2002
Form:
exhibitions
exhibitions
Actions:
Description:
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
Location:
Hall cases
Hall cases
Date:
12 October 1994 to 15 January 1995
12 October 1994 to 15 January 1995
Title:
From Society to Solitude: Public and Private Space in Seventeenth-Century France
Actions:
Description:
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
From Society to Solitude: Public and Private Space in Seventeenth-Century France
Actions:
Description:
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
Form:
exhibitions
exhibitions
Date:
12 October 1994 to
15 January 1995
12 October 1994 to
15 January 1995
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
6 June 2013 to 11 August 2013
6 June 2013 to 11 August 2013
Title:
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Form:
exhibitions
exhibitions
Date:
6 June 2013 to
11 August 2013
6 June 2013 to
11 August 2013
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Description:
2011 Visiting Scholar Penelope Dean examines the forms of architectural and design history that dominated the twentieth century and speculates on a world in which choice is only imaginable through the prior and pervasive saturation of design. Click here for the Facebook event.
2011 Visiting Scholar Penelope Dean examines the forms of architectural and design history that dominated the twentieth century and speculates on a world in which choice is only imaginable through the prior and pervasive saturation of design. Click here for the Facebook event.
Location:
Shaughnessy House
Shaughnessy House
Date:
21 July 2011 , 6pm
21 July 2011 , 6pm
Title:
Visiting Scholar Seminar: Penelope Dean
Actions:
Description:
2011 Visiting Scholar Penelope Dean examines the forms of architectural and design history that dominated the twentieth century and speculates on a world in which choice is only imaginable through the prior and pervasive saturation of design. Click here for the Facebook event.
Visiting Scholar Seminar: Penelope Dean
Actions:
Description:
2011 Visiting Scholar Penelope Dean examines the forms of architectural and design history that dominated the twentieth century and speculates on a world in which choice is only imaginable through the prior and pervasive saturation of design. Click here for the Facebook event.
Form:
events
events
Date:
21 July 2011
6pm
21 July 2011
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
events
events
Title:
Isola and Norzi: Conshelf II
Isola and Norzi: Conshelf II
Actions:
Description:
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
13 May 2010 , 7pm
13 May 2010 , 7pm
Title:
Isola and Norzi: Conshelf II
Actions:
Description:
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Isola and Norzi: Conshelf II
Actions:
Description:
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Form:
events
events
Date:
13 May 2010
7pm
13 May 2010
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
