Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The(...)
March 2023
Mining photography
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$63.00
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin.
books
Bâtir avec ce qui reste : quelles ressources pour sortir de de l'extractivisme / Philippe Simay.
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133 pages ; 20 cm.
[Saint-Mandé] : Éditions Terre urbaine, [2024], ©2024
Bâtir avec ce qui reste : quelles ressources pour sortir de de l'extractivisme / Philippe Simay.
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Description:
133 pages ; 20 cm.
books
[Saint-Mandé] : Éditions Terre urbaine, [2024], ©2024
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Critical Theory
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it(...)
Naoya Hatakeyama : excavating the future city
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings.These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.
Photography monographs
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An anthology of essays and artistic contributions from more than 25 voices with diverse practices and backgrounds, this book is a response to climate change and the toxic politics of today. They highlight the urgent need for collective strategies and solidarity to protect the vulnerable and marginalised communities forced to endure the worst effects of climate crises(...)
Environment and environmental theory
October 2022
Climate: Our right to breathe
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An anthology of essays and artistic contributions from more than 25 voices with diverse practices and backgrounds, this book is a response to climate change and the toxic politics of today. They highlight the urgent need for collective strategies and solidarity to protect the vulnerable and marginalised communities forced to endure the worst effects of climate crises because of racialised capitalism. Opening with an introduction from the editors and ‘The Universal Right to Breathe’ by Achille Mbembe, the rest of the book is divided into four sections: ‘Commodification, Energy & Extraction,’ ‘Land & Food Sovereignty,’ ‘Toxicity & Healing,’ and ‘Shelters.’
Environment and environmental theory
$54.00
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by(...)
Picture research: The work of intermediation from pre-photography to post-digitization
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
Theory of Photography
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American homes are typically made of lumber and plywood delivered by a global system of ruthless extraction, or of concrete and steel, which are even worse for the planet. Wood is often the most sustainable material for building, but we need to protect diverse forests as much as we desperately need more houses. Brian Donahue addresses this modern conundrum by(...)
Slow wood: Greener building from local forests
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$42.00
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American homes are typically made of lumber and plywood delivered by a global system of ruthless extraction, or of concrete and steel, which are even worse for the planet. Wood is often the most sustainable material for building, but we need to protect diverse forests as much as we desperately need more houses. Brian Donahue addresses this modern conundrum by documenting his experiences building a timber frame home from the wood growing on his family farm, practicing “worst first” forestry. Through the stories of the trees he used (sugar maple, black cherry, black birch, and hemlock), and some he didn’t (white pine and red oak), the book also explores the history of Americans’ relationship with their forests.
Timber Construction
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Ce livre conte le voyage du marbre vers la lumière, depuis sa périlleuse extraction dans les carrières jusqu'à ses applications les plus prestigieuses dans l'architecture et les œuvres d'art. Pascal Julien retrace l'histoire oubliée des carrières de France qui furent assidûment recherchées et exploitées par les souverains, de la Renaissance aux Lumières, en France comme(...)
Marbres : de carrières en palais
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Ce livre conte le voyage du marbre vers la lumière, depuis sa périlleuse extraction dans les carrières jusqu'à ses applications les plus prestigieuses dans l'architecture et les œuvres d'art. Pascal Julien retrace l'histoire oubliée des carrières de France qui furent assidûment recherchées et exploitées par les souverains, de la Renaissance aux Lumières, en France comme en Italie. Cet ouvrage décrit les marbres d'après la littérature philosophique, savante et religieuse mais aussi partir des techniques utilisées par les carriers et les marbriers sur la roche brute. L'auteur y évoque également le geste créateur qui s'épanouit dans les statues et les monuments, les sanctuaires et les palais, déployant ainsi de fascinants jeux de matière et de lumière.
Materials and Lighting
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
Contemporary Art Monographs
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In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in(...)
Albert Kahn Inc.: Architecture, labor, and industry, 1905-1961
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In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in other kinds of architecture and in the built environment writ large. Generally a marginal subject in histories of architecture, industrialism here exposes the expansionist modern project in Western architecture and culture, which was based on natural resource extraction and labor exploitation. With more than 140 full-color illustrations, the book combines an analysis of industrial architecture with compelling photographic evidence drawn from assorted archives.
Architecture Monographs