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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play.(...)
Description of San Marco by Michel Butor
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play. Six decades later, the artist Giovanna Silva stumbled upon an English translation of the French essayist's queer text in an archive at the New York Public Library. Returning to Venice, she cast her eye to the square and its surrounds, an iconic space at once populated by signs of contemporary life, but also astonishingly unchanged.
Photography monographs
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial,(...)
The Funambulist 50: Redefining our terms
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial, antiracist, queer, feminist, among others) nomenclature surge into public imaginaries, has led to a dilution of this vocabulary’s political meanings. Each contribution of this issue thus proposes a subjective definition of a such a term, the issue acting like a useful glossary to reflect on our struggles.
Magazines
books
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Framed by the author's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schuyler and Björk,(...)
The importance of being Iceland: travel essays in art
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Framed by the author's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schuyler and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.
books
October 2008
Art Theory
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« La gentrification des esprits » est un retour captivant sur les « années SIDA » et l'activisme d'ACT UP dans le New York des années 1980 et 1990. Sarah Schulman, elle-même new-yorkaise et militante de la cause LGBT, se souvient de la disparition, pratiquement du jour au lendemain, de la culture rebelle queer, des loyers à bas coûts et du prolifique mouvement artistique(...)
La gentrification des esprits
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« La gentrification des esprits » est un retour captivant sur les « années SIDA » et l'activisme d'ACT UP dans le New York des années 1980 et 1990. Sarah Schulman, elle-même new-yorkaise et militante de la cause LGBT, se souvient de la disparition, pratiquement du jour au lendemain, de la culture rebelle queer, des loyers à bas coûts et du prolifique mouvement artistique qui se développait au coeur de Manhattan ; remplacés par des porte-parole gays conservateurs, ainsi que par le consumérisme de masse. Sarah Schulman décrit avec précision et engagement le « remplacement d'une communauté par une autre » et le processus de gentrification qui toucha ces quartiers concomitamment à la crise du SIDA.
Architectural Theory
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Published by Steve Lawrence and edited alongside Peter Hujar and Andrew Ullrick, Newspaper was issued in New York City between 1968 and 1971. A wordless, picture-only periodical that replicated the scale of the New York Times, Newspaper ran for 14 issues and featured the disparate practices of over 40 artists. With an editorial focus on placing appropriated material(...)
Photography Collections
March 2023
Newspaper
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Published by Steve Lawrence and edited alongside Peter Hujar and Andrew Ullrick, Newspaper was issued in New York City between 1968 and 1971. A wordless, picture-only periodical that replicated the scale of the New York Times, Newspaper ran for 14 issues and featured the disparate practices of over 40 artists. With an editorial focus on placing appropriated material alongside new artworks, the periodical sought to codify a visual language of high and low culture that represented contemporary society in the late 1960s. While largely overlooked in art-historical discourse, Newspaper showcased many of the most revered artists working in the United States at the time, as well as an emerging coterie of queer artists.
Photography Collections
Saké Blue: Selected Writings
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Nobody writes about art like Estelle Hoy. Overpriced cheesecakes are the starting point for an essay on art writing; shoplifting in Berlin opens to a reflection on the economies of activist practices; fiction allows for discussion of the legacy of institutional critique, queer mélanges or quiet melancholy. To her, the story of art becomes more nuanced in light of lyrics(...)
Saké Blue: Selected Writings
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Nobody writes about art like Estelle Hoy. Overpriced cheesecakes are the starting point for an essay on art writing; shoplifting in Berlin opens to a reflection on the economies of activist practices; fiction allows for discussion of the legacy of institutional critique, queer mélanges or quiet melancholy. To her, the story of art becomes more nuanced in light of lyrics by Arthur Russell, the posthumous sorrow of Sylvia Plath or a poem by Yvonne Rainer. "Saké Blue" gathers Hoy’s critical essays and reviews, primarily on women artists. Echoing the work of Hervé Guibert or Camille Henrot, Hoy’s writing suggests that art can be the place for subjectivities to take shape in relation to forms, ideas and the other.
Art Theory
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and(...)
Alice Neel: people come first
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel’s emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel’s portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity.
Contemporary Art Monographs
Speed Racer
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De Muybridge aux sœurs Wachowski, de Proust à la Queer théorie et du cubisme à la révolution numérique, Speed Racer raconte sous un nouveau jour l’histoire de l’accélération du monde. Une histoire de la vitesse qui n’interroge pas que ses conséquences économiques, sociales et techniques, mais décrypte comment celles-ci prennent forme dans l’art et la pop culture. De la(...)
Speed Racer
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De Muybridge aux sœurs Wachowski, de Proust à la Queer théorie et du cubisme à la révolution numérique, Speed Racer raconte sous un nouveau jour l’histoire de l’accélération du monde. Une histoire de la vitesse qui n’interroge pas que ses conséquences économiques, sociales et techniques, mais décrypte comment celles-ci prennent forme dans l’art et la pop culture. De la peinture au cinéma en passant par la littérature, la musique, le jeu vidéo ou le manga, Julien Abadie signe un essai trépidant qui, tout en prenant comme personnage central le film culte Speed Racer, peut se lire comme une plaidoirie pour une contre-accélération, le manifeste trans de toute une bit génération.
Illustration
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games.(...)
The monster Leviathan: Anarchitecture
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes.
Architectural Theory
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In "On Activism, friendships, and fighting" veteran organizer and social worker Benjamin Heim Shepard traces a pressing dynamic of social movements: friendship and conflict. The project builds on oral histories with more than thirty movement organizers—from AIDS, queer, trade union, community, Occupy, and harm reduction-based movements—reflecting on the lessons,(...)
On activism, friendships, and fighting
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In "On Activism, friendships, and fighting" veteran organizer and social worker Benjamin Heim Shepard traces a pressing dynamic of social movements: friendship and conflict. The project builds on oral histories with more than thirty movement organizers—from AIDS, queer, trade union, community, Occupy, and harm reduction-based movements—reflecting on the lessons, meanings, and future directions of movements and collective organizing efforts. "There is a hunger for radical history – to give credit to past struggles, to learn from our mistakes and to improve our strategies for the future," writes Lesley Wood. Oral histories trace the stories of these movements. The book goes in depth into the reasons and ways the interviewees became involved in activism, the friendships they formed, and the conflicts they faced.
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