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[167] leaves : illustrations, plans ; 42 cm
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[167] leaves : illustrations, plans ; 42 cm
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London : Printed by Benj. Motte ..., sold by John Sturt ..., 1707.
London : Printed by Benj. Motte ..., sold by John Sturt ..., 1707.
Title:
Rules and examples of perspective proper for painters and architects, etc. : in English and Latin ... / by ... Andrea Pozzo ... ; engraven in 105 ample folio plates, and adorn'd with 200 initial letters ... by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr. John James of Greenwich.
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[167] leaves : illustrations, plans ; 42 cm
Rules and examples of perspective proper for painters and architects, etc. : in English and Latin ... / by ... Andrea Pozzo ... ; engraven in 105 ample folio plates, and adorn'd with 200 initial letters ... by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr. John James of Greenwich.
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[167] leaves : illustrations, plans ; 42 cm
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books
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London : Printed by Benj. Motte ..., sold by John Sturt ..., 1707.
London : Printed by Benj. Motte ..., sold by John Sturt ..., 1707.
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journals and magazines
journals and magazines
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Pi Mu Epsilon journal.
Pi Mu Epsilon journal.
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1 online resource (volumes) illustrations, portraits, diagrams
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[Rapid City, S.D., etc.] [publisher not identified]
[Rapid City, S.D., etc.] [publisher not identified]
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Pi Mu Epsilon journal.
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1 online resource (volumes) illustrations, portraits, diagrams
Pi Mu Epsilon journal.
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1 online resource (volumes) illustrations, portraits, diagrams
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journals and magazines
journals and magazines
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[Rapid City, S.D., etc.] [publisher not identified]
[Rapid City, S.D., etc.] [publisher not identified]
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books
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vii, 82 pages : illustrations, maps ; 24 cm
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vii, 82 pages : illustrations, maps ; 24 cm
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New Castle, Del. : Oak Knoll Press, 2002.
New Castle, Del. : Oak Knoll Press, 2002.
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Eric Gill in Ditchling : four essays / edited by Peter Holliday.
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vii, 82 pages : illustrations, maps ; 24 cm
Eric Gill in Ditchling : four essays / edited by Peter Holliday.
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vii, 82 pages : illustrations, maps ; 24 cm
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books
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New Castle, Del. : Oak Knoll Press, 2002.
New Castle, Del. : Oak Knoll Press, 2002.
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112 pages : illustrations (some color) ; 32 cm
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112 pages : illustrations (some color) ; 32 cm
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Boston : Little, Brown and Company ; Houston : Museum of Fine Arts, [1986], ©1986
Boston : Little, Brown and Company ; Houston : Museum of Fine Arts, [1986], ©1986
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Robert Frank : New York to Nova Scotia / editor, Anne Wilkes Tucker ; associate editor, Philip Brookman.
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112 pages : illustrations (some color) ; 32 cm
Robert Frank : New York to Nova Scotia / editor, Anne Wilkes Tucker ; associate editor, Philip Brookman.
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112 pages : illustrations (some color) ; 32 cm
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books
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Boston : Little, Brown and Company ; Houston : Museum of Fine Arts, [1986], ©1986
Boston : Little, Brown and Company ; Houston : Museum of Fine Arts, [1986], ©1986
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$39.95
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
$39.95
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
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Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
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books
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March 2015
March 2015
Subject:
Canadian art
Canadian art
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books
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$20.00
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien,(...)
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien,(...)
Title:
Artaud 1937 Apocalypse: letters from Ireland
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several 'magic spells,' intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through.
Artaud 1937 Apocalypse: letters from Ireland
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several 'magic spells,' intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through.
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books
books
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May 2019
May 2019
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Journeys
Journeys
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135 pages : illustrations (chiefly color) ; 22 cm
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135 pages : illustrations (chiefly color) ; 22 cm
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Ciudad de México : MUAC, Museo Universitario Arte Contemporáneo, UNAM : RM Editorial, 2017.
Ciudad de México : MUAC, Museo Universitario Arte Contemporáneo, UNAM : RM Editorial, 2017.
Title:
Jill Magid : una carta siempre llega a su destino : los Archivos Barragán = a letter always arrives at its destination : the Barragán archives / textos, Christopher Fraga, Jill Magid, Cuauhtémoc Medina.
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135 pages : illustrations (chiefly color) ; 22 cm
Jill Magid : una carta siempre llega a su destino : los Archivos Barragán = a letter always arrives at its destination : the Barragán archives / textos, Christopher Fraga, Jill Magid, Cuauhtémoc Medina.
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135 pages : illustrations (chiefly color) ; 22 cm
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books
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Ciudad de México : MUAC, Museo Universitario Arte Contemporáneo, UNAM : RM Editorial, 2017.
Ciudad de México : MUAC, Museo Universitario Arte Contemporáneo, UNAM : RM Editorial, 2017.
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graphic materials
graphic materials
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1 art print : lithograph ; 58 x 40 cm. in aluminum frame 59 x 41 cm. + 1 sheet (58 x 40 cm.)
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1 art print : lithograph ; 58 x 40 cm. in aluminum frame 59 x 41 cm. + 1 sheet (58 x 40 cm.)
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1968.
1968.
Title:
City as alphabet / [Claes] Oldenburg.
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1 art print : lithograph ; 58 x 40 cm. in aluminum frame 59 x 41 cm. + 1 sheet (58 x 40 cm.)
City as alphabet / [Claes] Oldenburg.
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1 art print : lithograph ; 58 x 40 cm. in aluminum frame 59 x 41 cm. + 1 sheet (58 x 40 cm.)
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graphic materials
graphic materials
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1968.
1968.
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32 pages 30 (i.e. 28) plates (some color, 2 double, including frontispiece) 32 cm
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32 pages 30 (i.e. 28) plates (some color, 2 double, including frontispiece) 32 cm
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London, G. Bell 1849.
London, G. Bell 1849.
Title:
Examples of ancient pulpits existing in England. Selected and drawn from sketches and measurements taken on the spot, with descriptive letter-press, by Francis T. Dollman.
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32 pages 30 (i.e. 28) plates (some color, 2 double, including frontispiece) 32 cm
Examples of ancient pulpits existing in England. Selected and drawn from sketches and measurements taken on the spot, with descriptive letter-press, by Francis T. Dollman.
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32 pages 30 (i.e. 28) plates (some color, 2 double, including frontispiece) 32 cm
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books
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London, G. Bell 1849.
London, G. Bell 1849.
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xiii, 98 pages 377 facsimiles 32 cm
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xiii, 98 pages 377 facsimiles 32 cm
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Chicago, University of Chicago Press, ©1963]
Chicago, University of Chicago Press, ©1963]
Title:
The typographic book, 1450-1935; [a study of fine typography through five centuries. With an introductory essay by Stanley Morison and supplementary material by Kenneth Day.
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xiii, 98 pages 377 facsimiles 32 cm
The typographic book, 1450-1935; [a study of fine typography through five centuries. With an introductory essay by Stanley Morison and supplementary material by Kenneth Day.
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xiii, 98 pages 377 facsimiles 32 cm
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books
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Chicago, University of Chicago Press, ©1963]
Chicago, University of Chicago Press, ©1963]
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