33214 Results
Level of archival description:
Project
Project
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Reference number:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
People:
Date:
1987
1987
Title:
Mysore Exhibition complex, Mysuru, India (1987)
Actions:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
Mysore Exhibition complex, Mysuru, India (1987)
Actions:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
Level of archival description:
Project
Project
Date:
1987
1987
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
People:
Date:
1970
1970
Title:
Air Canada Ramp Equipment Maintenance and Commissary Stores, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Air Canada Ramp Equipment Maintenance and Commissary Stores, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Level of archival description:
Project
Project
Date:
1970
1970
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2005.PR05
Description:
Project series documents Cornelia Hahn Oberlander's project for the Harry & Jeanette Weinberg Jewish Community Campus, a high school and community facility on Willow Street, at the corne of 41st Avenue, in Vancouver, British Columbia. Oberlander worked on this project from 2005-2007 with architectural firm Acton Ostry Architects. The landscape project comprises the addition of trees along 41st Avenue and Willow Street, while preserving existing ones, and the design of three paved terraces along the north side of the building and creating the planting plant, that included a rainwater garden next to the east terrace. The project series contains solely four site and planting plans with plants list, and a detail section plan for the terraces.
AP075.S1.2005.PR05
Description:
Project series documents Cornelia Hahn Oberlander's project for the Harry & Jeanette Weinberg Jewish Community Campus, a high school and community facility on Willow Street, at the corne of 41st Avenue, in Vancouver, British Columbia. Oberlander worked on this project from 2005-2007 with architectural firm Acton Ostry Architects. The landscape project comprises the addition of trees along 41st Avenue and Willow Street, while preserving existing ones, and the design of three paved terraces along the north side of the building and creating the planting plant, that included a rainwater garden next to the east terrace. The project series contains solely four site and planting plans with plants list, and a detail section plan for the terraces.
People:
Date:
2005-2007
2005-2007
Title:
Harry & Jeanette Weinberg Jewish Community Campus, Vancouver, British Columbia (2005)
Actions:
AP075.S1.2005.PR05
Description:
Project series documents Cornelia Hahn Oberlander's project for the Harry & Jeanette Weinberg Jewish Community Campus, a high school and community facility on Willow Street, at the corne of 41st Avenue, in Vancouver, British Columbia. Oberlander worked on this project from 2005-2007 with architectural firm Acton Ostry Architects. The landscape project comprises the addition of trees along 41st Avenue and Willow Street, while preserving existing ones, and the design of three paved terraces along the north side of the building and creating the planting plant, that included a rainwater garden next to the east terrace. The project series contains solely four site and planting plans with plants list, and a detail section plan for the terraces.
Harry & Jeanette Weinberg Jewish Community Campus, Vancouver, British Columbia (2005)
Actions:
AP075.S1.2005.PR05
Description:
Project series documents Cornelia Hahn Oberlander's project for the Harry & Jeanette Weinberg Jewish Community Campus, a high school and community facility on Willow Street, at the corne of 41st Avenue, in Vancouver, British Columbia. Oberlander worked on this project from 2005-2007 with architectural firm Acton Ostry Architects. The landscape project comprises the addition of trees along 41st Avenue and Willow Street, while preserving existing ones, and the design of three paved terraces along the north side of the building and creating the planting plant, that included a rainwater garden next to the east terrace. The project series contains solely four site and planting plans with plants list, and a detail section plan for the terraces.
Level of archival description:
Project
Project
Date:
2005-2007
2005-2007
People:
Level of archival description:
Series
Series
Title:
Audio-Visual Materials
Audio-Visual Materials
Actions:
Reference number:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
People:
Date:
1966-1987
1966-1987
Title:
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Level of archival description:
Series
Series
Date:
1966-1987
1966-1987
People:
Level of archival description:
Project
Project
Title:
Place Ville Marie
Place Ville Marie
Actions:
Reference number:
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
People:
Date:
1958-1964
1958-1964
Title:
Place Ville Marie
Actions:
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
Place Ville Marie
Actions:
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
Level of archival description:
File 2
File 2
Date:
1958-1964
1958-1964
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
People:
Date:
1942-1957
1942-1957
Title:
The Spaarbank (Central Savings Bank), Rotterdam, Netherlands (1942-1957)
Actions:
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
The Spaarbank (Central Savings Bank), Rotterdam, Netherlands (1942-1957)
Actions:
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
Level of archival description:
project
project
Date:
1942-1957
1942-1957
People:
Level of archival description:
Series
Series
Title:
Hans Hansen
Hans Hansen
Actions:
Reference number:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
People:
Date:
1920
1920
Title:
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Level of archival description:
series
series
Date:
1920
1920
People:
Level of archival description:
Series
Series
Reference number:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
People:
Date:
1960-2018
1960-2018
Title:
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Level of archival description:
Series
Series
Date:
1960-2018
1960-2018
People:
Level of archival description:
Sub-series
Sub-series
Title:
Casa Malaparte
Casa Malaparte
Reference number:
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
People:
Date:
1992-2018
1992-2018
Title:
Casa Malaparte
Actions:
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
Casa Malaparte
Actions:
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
Level of archival description:
Subseries
Subseries
Date:
1992-2018
1992-2018
People:
