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Otherworld Uprising features full colour reproductions of Boyle’s series of porcelain figurines, examines the influence of her research into historical porcelain on her drawings, and considers the parallel development of her latest oil portraits. The book also features critical essays by the Curator of Contemporary Art at the National Gallery of Canada, Josée(...)
Shary Boyle: Otherworld uprising
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Otherworld Uprising features full colour reproductions of Boyle’s series of porcelain figurines, examines the influence of her research into historical porcelain on her drawings, and considers the parallel development of her latest oil portraits. The book also features critical essays by the Curator of Contemporary Art at the National Gallery of Canada, Josée Drouin-Brisebois, and Sheila Heti with an introduction by Ben Portis, an Assistant Curator of Contemporary Art at the Art Gallery of Ontario.
books
April 2008
Canadian art
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Canadian art
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book(...)
The Beaver Hall Group: 1920s modernism in Montreal
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work. The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.
Canadian art
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Hans-Ulrich Obrist hear us, featuring Bill Burns
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Canadian art
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
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This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in(...)
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
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This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in the province of British Columbia. For her contributions, Mother Joseph was honored by the State of Washington as one of two people to represent it in the National Statuary Hall Collection in Washington, DC. Louise Blanchard Bethune designed and built works in the Buffalo, New York area. Storming the Old Boys’ Citadel follows the evolving histories of two Revival-styled multiuse public buildings considered to be these women’s major works.
Canadian Architects
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Arthur Erickson was one of the 20th century’s premier architects, but little has been written about the man who designed the interiors of Erickson’s award-winning buildings, whom everyone in the business simply called “Francisco”. A decade before his death, Erickson wrote this manuscript to pay tribute to Kripacz and to tell the world of the importance of Francisco’s(...)
Francisco Kripacz: interior design
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Arthur Erickson was one of the 20th century’s premier architects, but little has been written about the man who designed the interiors of Erickson’s award-winning buildings, whom everyone in the business simply called “Francisco”. A decade before his death, Erickson wrote this manuscript to pay tribute to Kripacz and to tell the world of the importance of Francisco’s creations. With stunning images from photographers such as Yousuf Karsh, this book looks at Erickson’s key projects and the crucial contributions made by Kripacz to their feel and glamour. It includes Erickson’s extended commentary on some of his most famous architectural projects from the 1970’s through the 1990s, including Roy Thomson Hall, the Eppich Houses, Napp Laboratories, and the Canadian Embassy in Washington, DC., all of which featured interiors by Kripacz.
Canadian Architects
LandSlide: possible futures
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ocusing on Markham, Ontario, one of the oldest, most culturally diverse and fastest growing suburbs in North America, 30 artists from Canada and around the world explore themes of multiculturalism, sustainability, and community with site-specific projects created on the grounds of the historic 25-acre open-air Markham Museum.
LandSlide: possible futures
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ocusing on Markham, Ontario, one of the oldest, most culturally diverse and fastest growing suburbs in North America, 30 artists from Canada and around the world explore themes of multiculturalism, sustainability, and community with site-specific projects created on the grounds of the historic 25-acre open-air Markham Museum.
Canadian art
BGL: Venice 2015
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They've been called cheeky pranksters but the immersive environments created by the artistic collective lampoon consumer culture with a razor-sharp wit. BGL's exhibitions have included the staging of an ornamental tree factory, a bonfire and a flea market; and their urban carousel made from security fences and lampposts joyously greeted visitors at MASS MoCA's 2012(...)
BGL: Venice 2015
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They've been called cheeky pranksters but the immersive environments created by the artistic collective lampoon consumer culture with a razor-sharp wit. BGL's exhibitions have included the staging of an ornamental tree factory, a bonfire and a flea market; and their urban carousel made from security fences and lampposts joyously greeted visitors at MASS MoCA's 2012 exhibition, Oh Canada. Through their ingeniously-crafted installations, BGL repositions cultural ephemera and unique sculptures in new and thought-provoking ways, often requiring viewer engagement and always to general delight. This in-depth examination of BGL's practice accompanies the world premiere of their new work, Canadassimo, created especially for 2015 Venice Biennial, where the collective is representing Canada.
Canadian art
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Canadian artist Michael Snow (born 1929) has been a central figure in North American postwar art; his influential films, such as Wavelength, rank alongside those of avant-garde auteurs such as Stan Brakhage and Gregory Markopoulos. Sequences is a complete monograph of Snow's work.
Michael Snow: sequences. A history of his works
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Canadian artist Michael Snow (born 1929) has been a central figure in North American postwar art; his influential films, such as Wavelength, rank alongside those of avant-garde auteurs such as Stan Brakhage and Gregory Markopoulos. Sequences is a complete monograph of Snow's work.
Canadian art
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Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Travel was key to Erickson’s creative process: floating high above the clouds on extended flights, he made the preliminary drawings for the spectacular, large-scale works that(...)
Arthur Erickson: an architect's life
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Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Travel was key to Erickson’s creative process: floating high above the clouds on extended flights, he made the preliminary drawings for the spectacular, large-scale works that would be built in various parts of Canada -Toronto's Roy Thomson Hall, Vancouver’s Simon Fraser University - and around the world.This first full biography of Erickson, who died in 2009 at the age of 84, traces his life from its modest origins to his emergence on the world stage. Grounded in interviews with Erickson and his family, friends and clients, Arthur Erickson is both an intimate portrait of the man and a stirring account of how he made his buildings work.
Canadian Architects