6029 Results
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books
books
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Description:
xvi, 208 pages : illustrations (some color) ; 26 cm.
Description:
xvi, 208 pages : illustrations (some color) ; 26 cm.
Subject:
- Sert, José Luis, 1902-1983 Criticism and interpretation.,
- Sert, José Luis, 1902- Criticism and interpretation.,
- Sert, José Luis, 1902- Critique et interprétation.,
- Sert, José Luis, 1902-1983,
- Sert, Jose Luis Criticism and interpretation.,
- Sert, José Luis, 1902-,
- Fondation Maeght Buildings.,
- Fondation Maeght.,
- Fondation Maeght Constructions.,
- Fondation Marguerite et Aimé Maeght.,
- Space (Architecture) France Saint-Paul (Alpes-Maritimes),
- Vernacular architecture Mediterranean Region Influence.,
- Natural landscaping Influence.,
- Espace (Architecture) France Saint-Paul (Alpes-Maritimes),
- Architecture domestique Méditerranée occidentale Influence.,
- Aménagement paysager naturel Influence.,
- Buildings,
- Space (Architecture),
- Vernacular architecture Influence,
- Particuliere verzamelingen.,
- Beeldende kunstenaars.,
- Museumgebouwen.,
- Landschapsarchitectuur.,
- Maeght Musée.,
- Vernacular architecture Mediterranean Region.,
- Natural landscaping.,
- Art, Modern 20th century.,
- Construction.,
- Histoire.,
- Saint-Paul (Alpes-Maritimes, France) Buildings, structures, etc.,
- Saint-Paul (Alpes-Maritimes, France) Constructions.,
- France Saint-Paul (Alpes-Maritimes),
- Mediterranean Region,
- Criticism, interpretation, etc.
(See more)
Publication:
Aldershot, Hants, England ; Burlington, VT : Ashgate, ©2004.
Aldershot, Hants, England ; Burlington, VT : Ashgate, ©2004.
Title:
Modernism and the Mediterranean : the Maeght Foundation / Jan K. Birksted.
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Description:
xvi, 208 pages : illustrations (some color) ; 26 cm.
Modernism and the Mediterranean : the Maeght Foundation / Jan K. Birksted.
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Description:
xvi, 208 pages : illustrations (some color) ; 26 cm.
Form:
books
books
Publication:
Aldershot, Hants, England ; Burlington, VT : Ashgate, ©2004.
Aldershot, Hants, England ; Burlington, VT : Ashgate, ©2004.
Subject:
- Sert, José Luis, 1902-1983 Criticism and interpretation.,
- Sert, José Luis, 1902- Criticism and interpretation.,
- Sert, José Luis, 1902- Critique et interprétation.,
- Sert, José Luis, 1902-1983,
- Sert, Jose Luis Criticism and interpretation.,
- Sert, José Luis, 1902-,
- Fondation Maeght Buildings.,
- Fondation Maeght.,
- Fondation Maeght Constructions.,
- Fondation Marguerite et Aimé Maeght.,
- Space (Architecture) France Saint-Paul (Alpes-Maritimes),
- Vernacular architecture Mediterranean Region Influence.,
- Natural landscaping Influence.,
- Espace (Architecture) France Saint-Paul (Alpes-Maritimes),
- Architecture domestique Méditerranée occidentale Influence.,
- Aménagement paysager naturel Influence.,
- Buildings,
- Space (Architecture),
- Vernacular architecture Influence,
- Particuliere verzamelingen.,
- Beeldende kunstenaars.,
- Museumgebouwen.,
- Landschapsarchitectuur.,
- Maeght Musée.,
- Vernacular architecture Mediterranean Region.,
- Natural landscaping.,
- Art, Modern 20th century.,
- Construction.,
- Histoire.,
- Saint-Paul (Alpes-Maritimes, France) Buildings, structures, etc.,
- Saint-Paul (Alpes-Maritimes, France) Constructions.,
- France Saint-Paul (Alpes-Maritimes),
- Mediterranean Region,
- Criticism, interpretation, etc.
(See more)
Form:
books
books
Title:
National Mall / [Kyle May, editor in chief ; editors, Julia van den Hout [and three others]].
National Mall / [Kyle May, editor in chief ; editors, Julia van den Hout [and three others]].
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Description:
118 pages, 10 unnumbered pages : illustrations, maps, plans ; 22 cm
Description:
118 pages, 10 unnumbered pages : illustrations, maps, plans ; 22 cm
Subject:
Publication:
[Brooklyn, N.Y.] : CLOG, [2012], ©2012
[Brooklyn, N.Y.] : CLOG, [2012], ©2012
Title:
National Mall / [Kyle May, editor in chief ; editors, Julia van den Hout [and three others]].
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Description:
118 pages, 10 unnumbered pages : illustrations, maps, plans ; 22 cm
National Mall / [Kyle May, editor in chief ; editors, Julia van den Hout [and three others]].
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Description:
118 pages, 10 unnumbered pages : illustrations, maps, plans ; 22 cm
Form:
books
books
Publication:
[Brooklyn, N.Y.] : CLOG, [2012], ©2012
[Brooklyn, N.Y.] : CLOG, [2012], ©2012
Form:
books
books
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Description:
52 pages : illustrations (some color) ; 22 cm
Description:
52 pages : illustrations (some color) ; 22 cm
Subject:
- Eckblad, John Art collections Exhibitions.,
- Eckblad, John,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Industries in art Exhibitions.,
- Industrial revolution Pictorial works Exhibitions.,
- Prints Exhibitions.,
- Prints Private collections North Carolina Chapel Hill Exhibitions.,
- Industrie dans l'art Expositions.,
- Révolution industrielle Ouvrages illustrés Expositions.,
- Estampe Expositions.,
- Estampe Collections privées Caroline du Nord Chapel Hill Expositions.,
- Art Private collections,
- Industrial revolution,
- Industries in art,
- Prints,
- Prints Private collections,
- Druckgrafik,
- Industrialisierung,
- Industrie,
- Bergbau,
- Sammlung,
- North Carolina Chapel Hill,
- Exhibition catalogs.,
- Exhibition, pictorial works
(See more)
Publication:
[Chapel Hill, North Carolina] : Ackland Art Museum, the University of North Carolina at Chapel Hill, 2009.
[Chapel Hill, North Carolina] : Ackland Art Museum, the University of North Carolina at Chapel Hill, 2009.
Title:
At the heart of progress : coal, iron, and steam since 1750 : industrial imagery from the John P. Eckblad collection / [Timothy A. Riggs].
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Description:
52 pages : illustrations (some color) ; 22 cm
At the heart of progress : coal, iron, and steam since 1750 : industrial imagery from the John P. Eckblad collection / [Timothy A. Riggs].
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Description:
52 pages : illustrations (some color) ; 22 cm
Form:
books
books
Publication:
[Chapel Hill, North Carolina] : Ackland Art Museum, the University of North Carolina at Chapel Hill, 2009.
[Chapel Hill, North Carolina] : Ackland Art Museum, the University of North Carolina at Chapel Hill, 2009.
Subject:
- Eckblad, John Art collections Exhibitions.,
- Eckblad, John,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Industries in art Exhibitions.,
- Industrial revolution Pictorial works Exhibitions.,
- Prints Exhibitions.,
- Prints Private collections North Carolina Chapel Hill Exhibitions.,
- Industrie dans l'art Expositions.,
- Révolution industrielle Ouvrages illustrés Expositions.,
- Estampe Expositions.,
- Estampe Collections privées Caroline du Nord Chapel Hill Expositions.,
- Art Private collections,
- Industrial revolution,
- Industries in art,
- Prints,
- Prints Private collections,
- Druckgrafik,
- Industrialisierung,
- Industrie,
- Bergbau,
- Sammlung,
- North Carolina Chapel Hill,
- Exhibition catalogs.,
- Exhibition, pictorial works
(See more)
Form:
books
books
Holdings:
Description:
x, 244 pages : illustrations, map ; 24 cm
Description:
x, 244 pages : illustrations, map ; 24 cm
Subject:
- Singer, Isaac Bashevis, 1904-1991 Criticism and interpretation.,
- Oz, Amos, 1939-2018 Criticism and interpretation.,
- Oz, Amos, 1939- Criticism and interpretation.,
- Singer, Isaac Bashevis, 1904- Critique et interprétation.,
- Oz, Amos Critique et interprétation.,
- Oz, Amos, 1939-2018,
- Singer, Isaac Bashevis, 1904-1991,
- Andrae, A.,
- Bashevis Singer, Isaac, 1904-1991. Familye Mushkat.,
- Oz, Amos, 1939-2018. Mikhael sheli.,
- American fiction 20th century History and criticism.,
- City and town life in literature.,
- English fiction 20th century History and criticism.,
- Literature and society English-speaking countries.,
- Cities and towns in literature.,
- Roman américain 20e siècle Histoire et critique.,
- Vie urbaine dans la littérature.,
- Roman anglais 20e siècle Histoire et critique.,
- Villes dans la littérature.,
- Littérature et société Anglophonie.,
- American fiction,
- English fiction,
- Literature and society,
- Englisch,
- Großstadt,
- Stadtleben,
- Roman,
- Letterkunde.,
- Steden.,
- Engels.,
- Amerikaans.,
- Stadscultuur.,
- Geschichte 1900-1990.,
- English-speaking countries,
- USA,
- English literature Special subjects Cities,
- Criticism, interpretation, etc.
(See more)
Publication:
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1996.
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1996.
Title:
City codes : reading the modern urban novel / Hana Wirth-Nesher.
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Description:
x, 244 pages : illustrations, map ; 24 cm
City codes : reading the modern urban novel / Hana Wirth-Nesher.
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Description:
x, 244 pages : illustrations, map ; 24 cm
Form:
books
books
Publication:
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1996.
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1996.
Subject:
- Singer, Isaac Bashevis, 1904-1991 Criticism and interpretation.,
- Oz, Amos, 1939-2018 Criticism and interpretation.,
- Oz, Amos, 1939- Criticism and interpretation.,
- Singer, Isaac Bashevis, 1904- Critique et interprétation.,
- Oz, Amos Critique et interprétation.,
- Oz, Amos, 1939-2018,
- Singer, Isaac Bashevis, 1904-1991,
- Andrae, A.,
- Bashevis Singer, Isaac, 1904-1991. Familye Mushkat.,
- Oz, Amos, 1939-2018. Mikhael sheli.,
- American fiction 20th century History and criticism.,
- City and town life in literature.,
- English fiction 20th century History and criticism.,
- Literature and society English-speaking countries.,
- Cities and towns in literature.,
- Roman américain 20e siècle Histoire et critique.,
- Vie urbaine dans la littérature.,
- Roman anglais 20e siècle Histoire et critique.,
- Villes dans la littérature.,
- Littérature et société Anglophonie.,
- American fiction,
- English fiction,
- Literature and society,
- Englisch,
- Großstadt,
- Stadtleben,
- Roman,
- Letterkunde.,
- Steden.,
- Engels.,
- Amerikaans.,
- Stadscultuur.,
- Geschichte 1900-1990.,
- English-speaking countries,
- USA,
- English literature Special subjects Cities,
- Criticism, interpretation, etc.
(See more)
Form:
books
books
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Description:
xiii, 258 pages : illustrations, maps ; 25 cm.
Description:
xiii, 258 pages : illustrations, maps ; 25 cm.
Subject:
- Architecture Exhibitions.,
- Cities and towns Interpretive programs.,
- Villes Programmes d'interprétation.,
- Architecture.,
- Architektur,
- Ausstellung,
- Arkitektur.,
- Arkitektur utställningar.,
- Architettura espositiva sec. 20.-21. (inizio) critica.,
- Città sistemazione urbanistica sec. 20.-21. (inizio) critica.,
- Ausstellung Aufsatzsammlung.,
- Aufsatzsammlung.,
- Exhibition catalogs.
(See more)
Publication:
London ; New York : Routledge, 2009.
London ; New York : Routledge, 2009.
Title:
Curating architecture and the city / edited by Sarah Chaplin and Alexandra Stara.
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Description:
xiii, 258 pages : illustrations, maps ; 25 cm.
Curating architecture and the city / edited by Sarah Chaplin and Alexandra Stara.
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Description:
xiii, 258 pages : illustrations, maps ; 25 cm.
Form:
books
books
Publication:
London ; New York : Routledge, 2009.
London ; New York : Routledge, 2009.
Subject:
- Architecture Exhibitions.,
- Cities and towns Interpretive programs.,
- Villes Programmes d'interprétation.,
- Architecture.,
- Architektur,
- Ausstellung,
- Arkitektur.,
- Arkitektur utställningar.,
- Architettura espositiva sec. 20.-21. (inizio) critica.,
- Città sistemazione urbanistica sec. 20.-21. (inizio) critica.,
- Ausstellung Aufsatzsammlung.,
- Aufsatzsammlung.,
- Exhibition catalogs.
(See more)
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books
books
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Description:
223 pages : illustrations ; 24 cm.
Description:
223 pages : illustrations ; 24 cm.
Subject:
- History Methodology.,
- History Sources Evaluation.,
- Event history analysis.,
- Motion pictures and history.,
- Histoire Méthodologie.,
- Histoire Sources Évaluation.,
- Événement.,
- Cinéma et histoire.,
- History.,
- Bildbetrachtung,
- Geschichtswissenschaft,
- Bild,
- Geschichtsschreibung,
- Geschichtstheorie,
- Ikonographie,
- Interpretation,
- Afbeeldingen (algemeen),
- Beeldvorming.,
- Geschiedbronnen.,
- Bildbetrachtung Geschichtswissenschaft.,
- Bildbetrachtung Gesellschaft.,
- Bild Geschichtsschreibung.,
- Geschichtstheorie Ikonographie.,
- Bild Interpretation Gesellschaft,
- Sources.
(See more)
Publication:
Ithaca, N.Y. : Cornell University Press, ©2001.
Ithaca, N.Y. : Cornell University Press, ©2001.
Title:
Eyewitnessing : the uses of images as historical evidence / Peter Burke.
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Description:
223 pages : illustrations ; 24 cm.
Eyewitnessing : the uses of images as historical evidence / Peter Burke.
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Description:
223 pages : illustrations ; 24 cm.
Form:
books
books
Publication:
Ithaca, N.Y. : Cornell University Press, ©2001.
Ithaca, N.Y. : Cornell University Press, ©2001.
Subject:
- History Methodology.,
- History Sources Evaluation.,
- Event history analysis.,
- Motion pictures and history.,
- Histoire Méthodologie.,
- Histoire Sources Évaluation.,
- Événement.,
- Cinéma et histoire.,
- History.,
- Bildbetrachtung,
- Geschichtswissenschaft,
- Bild,
- Geschichtsschreibung,
- Geschichtstheorie,
- Ikonographie,
- Interpretation,
- Afbeeldingen (algemeen),
- Beeldvorming.,
- Geschiedbronnen.,
- Bildbetrachtung Geschichtswissenschaft.,
- Bildbetrachtung Gesellschaft.,
- Bild Geschichtsschreibung.,
- Geschichtstheorie Ikonographie.,
- Bild Interpretation Gesellschaft,
- Sources.
(See more)
Form:
books
books
Actions:
Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Title:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Form:
books
books
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Actions:
Price:
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 2000, Cambridge
April 2000, Cambridge
Title:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Price:
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Price:
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Form:
books
books
Publication:
April 2000, Cambridge
April 2000, Cambridge
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Actions:
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Description:
128 pages : illustrations (some color) ; 28 cm
Description:
128 pages : illustrations (some color) ; 28 cm
Author:
Subject:
Publication:
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Title:
James Welling : photographs, 1974-1999 / Sarah J. Rogers with an essay by Michael Fried.
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Description:
128 pages : illustrations (some color) ; 28 cm
James Welling : photographs, 1974-1999 / Sarah J. Rogers with an essay by Michael Fried.
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Description:
128 pages : illustrations (some color) ; 28 cm
Form:
books
books
Publication:
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Form:
books
books
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Description:
xviii, 227 pages : illustrations ; 24 cm
Description:
xviii, 227 pages : illustrations ; 24 cm
Author:
- Steve Yates -- Dore Ashton -- Rudolf Arnheim -- Gaston Bachelard -- John E. Bowlt -- Vladimir Favorsky -- Valery Stigneev -- El Lissitzky -- Rudolf Carnap -- Jonathan Crary -- Stephen C. Foster -- Edward T. Hall -- William M. Ivins, Jr. -- Jean-Claude Lemagny -- Laszlo Moholy-Nagy -- Joel Snyder -- Lucy Lippard -- Frederick Sommer and Stephen Aldrich -- Leo Steinberg -- Steve Yates.,
- Yates, Steven A.
(See more)
Subject:
Publication:
Albuquerque : University of New Mexico Press, ©1995.
Albuquerque : University of New Mexico Press, ©1995.
Title:
Poetics of space : a critical photographic anthology / edited by Steve Yates.
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Description:
xviii, 227 pages : illustrations ; 24 cm
Poetics of space : a critical photographic anthology / edited by Steve Yates.
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Description:
xviii, 227 pages : illustrations ; 24 cm
Form:
books
books
Publication:
Albuquerque : University of New Mexico Press, ©1995.
Albuquerque : University of New Mexico Press, ©1995.
Author:
- Steve Yates -- Dore Ashton -- Rudolf Arnheim -- Gaston Bachelard -- John E. Bowlt -- Vladimir Favorsky -- Valery Stigneev -- El Lissitzky -- Rudolf Carnap -- Jonathan Crary -- Stephen C. Foster -- Edward T. Hall -- William M. Ivins, Jr. -- Jean-Claude Lemagny -- Laszlo Moholy-Nagy -- Joel Snyder -- Lucy Lippard -- Frederick Sommer and Stephen Aldrich -- Leo Steinberg -- Steve Yates.,
- Yates, Steven A.
(See more)
